Theatre Design & Technology - Dec 1970 - 26

1672. "East Grinstead, Adeline Genee, (1967)W.B.
Starr, Clifford & Carman; Consultant: John
Wyckham," NEW THEATRES IN BRITAIN
See also TABS 25.1, pp. 5·12.
1673. "Eaton College, Farrer Theatre (1969) A. M.
Gear & Associates," NEW THEATRES IN
BRITAIN (Strand Electric, 1970). pp. 72· 73.
Variable forestage. See also TA BS 27.1,
pp. 14·20.
1674. "Exeter, Northcott (1968) Sir William Holford
and Partners, Consultant Michael Warre," NEW
THEATRES IN BRITAIN (Strand Electric,
1970). pp. 74·75. Variable, designed to be
changed from proscenium form to a sort of
two-side arrangement. See also TABS 25.4,
pp. 8·12; TABS 27.2, pp. 37·39.
1675. "Falkirk, Callendar Park College (1969) A.
Buchanan Campbell; Consultant: Theatre Con·
sultant Services (Martin Carr)." NEW THEA·
TRES IN BRITAIN (Strand Electric, 1970).
pp. 76·77. See alsoTABS27.2,pp. 18·21.
1676. "Glasgow, Close Theatre Club 11965):' NEW
THEATRES IN BRITAIN (Strand Electric,
1970). p. 78. Thrust stage. See also TABS
24.1, pp. 26·27.
1677. "Gravesend Civic Centre (1968) H.T. Cadbury·
Brown and Partners:' NEW THEATRES IN
BRITAIN (Strand Electric, 1970). p. 79.
Proscenium form. with tilting auditorium floor.
See also TABS 27.2, 0.36.

form for university theatre work. Has a motor
driven revolve in center. See also TA BS 27.3,
pp. 36·43.

1689. "Leamington Spa. Loft Theatre (1968) James
A. Roberts & Partners:' NEW THEATRES IN
BRITAIN (Strand Electric, 1970). p. 93.
1690. "Leatherhead,
Thorndike
(1969) Rodrick
Ham:' NEW THEATRES IN BRITAIN (Strand
Electric, 1970). pp. 94. See also TABS
27.4, pp. 10·16.
1691. "Leeds, Grammer School (1965) G. Alan
Burnett and Partners, Consultant:
Stephen
Joseph," NEW THEATRES IN BRITAIN
(Strand Electric, 1970). p. 93. See alsoTABS
23.3, p. 33·39.
1692. "Leicester, Phoenix (1963) CitY of Leicester
Architects Dept.:' NEW THEATRES IN BRIT·
AIN (Strand Electric Co., 1970). p. 96.
Built inside a standard steel· frame warehouse
building. See also TABS 21.3, pp. 15·18,
TABS 23.1, pp. 23·25.
1693. "London University, Goldsmith's College
(19641 Enthoven and Mock; Consultant:
Lawrence Hayes:' NEW THEATRES IN BRIT·
AIN (Strand Electric, 1970). p. 97. Thrust
stage in front of a proscenium opening. See
also TABS 22.2, pp. 27·30.
1694. "Manchester, Renold Theatre, (1961) Arch.
Cruickshank and Seward:' NEW THEATRES
IN BRITAI N (Strand Electric, 1970). p. 98.

1678. "Greenwich Theatre (1969) Brian Meeking:'
NEW THEATRES IN BRITAIN (Strand Electric,
1970). pp. 80·81. End stage, tight site.
See also TABS 27.4, pp. 25·27.

1695. "Manchester,
The Stables Theatre Club
(1969). NEW THEATRES IN BRITAIN
(Strand Electric, 1970). p. 99. See also
TABS 27.2, pp. 15·17.

1679. "Guildford, Yvonne Arnaud (1965) Scott,
Brownrigg and Turner:' NEW THEATRES IN
BRITAIN (Strand Electric, 1970). pp. 82·83.
See also TABS 23.3, pp. 8·13.

1696. "Manchester University (1965) The 8uild·
ing Partnership; Consultant: Richard South·
ern," NEW THEATRES IN BRITAIN (Strand
Electric, 1869). pp. 100·101. End stage with
two elevators in forestage position.

1680. "Hampstead Theatre Club (1963) Ian Fraser &
Assoc.,
NEW THEATRES IN BRITAIN
(1970). p. 84. See also TABS 21.1, pp.
10·16.
1681. "Henley, Kenton Theatre (1967) Maurice R.
Day & Assoc.:' NEWTHEATRES IN BRITAIN
(Strand Electric, 1970). p. 85. See alsoTABS
25.2, pp. 27·32.
1682. "Hull, Gulbenkian Centre (1969) Peter Moro
and Partners:' NEW THEATRES IN BRITAIN
(Strand Electric, 1970), pp. 86·87. See also
TABS 25.4, pp. 28·33, TABS 27.4, pp.
17·21.
1683. "Hull, Middleton Hall (19671, Sir Leslie Mar·
gin:' NEW THEATRES IN BRITAIN (Strand
Electric, 1970). p.88. See also TABS 25.4,
pp.24·28.
1684. Isobe, Yukihisa. "Floating Structure and the
'Floating Theatre:" DRAMATIKA NO. 4
(Lincoln University, Pennsylvania, 18352). Art·
ist's brief statement, with diagrams for a 'float·
ing theatre' using air·flow and parachute· like
structures.

1685. "Jeannetta Cochrane, London (1965) LCC
Architects Dept." NEW THEATRES IN BRIT·
A I N (Strand Electric 1970). p. 89. See also
TABS 23.2, pp. 21·26.
1686. Khripunov, Yv. D. ARCHITECTURE OF THE
BOL'SHOI THEATRE (Moscow: State Pub·
lishing House for Literature on Civil EngineerIng and Architecture, 1955). 247 pp. Com·
plete history of the best known Moscow
theatre. Very little information on technical
equipment.
1687. "LAMDA London (1963) Humphreys and
Hurst; Consultant: Michael Warre with John
Terry." NEW THEATRES IN BRITAIN(Strand
Electric, 1970). p. 90. Flexible theatre for
school use.
1688. "Lancaster, Nuffield Studio (1969) Shepheard
and Epstein:' NEW THEATRES IN BRITAIN
(Strand Electric, 1970). p. 91. Black box

26

1697. "Marylebone, Cockpit (1970) Edward Mendel·
sohn, G.L.C. Arch. Dept. Consultant: Mar·
tin Carr," NEW THEATRES IN BRITAIN
(Strand Electric, 1970). pp. 192·103. Flex·
ible theatre. See also TABS 28.1, pp. 28·31.
1698. Rand Strand Electric Ltd. NEW THEATRES
IN BRITAIN (London:
Rank Strand Elec·
tric Limited, 1970). 142pp. Resume of vi·
tal information and photographs for 78
theatres constructed in Great Britain since
about 1950. Reproduced from the pages of
TABS magazine. A very valuable survey of
theatre planning over two decades. Begins
with an essay, "Designing a Theatre," pre·
sumably by Tabs Editor Frederick Bentham.
Mandatory reading.
1699. State Committee for Civil Construction and
Architecture,
Associated with GOSSTRE,
SSSR. THE KREMLIN PALACE OF CON·
GRESSES (Moscow: Stroiizdatelstvo, 1966).
180 pp.
Detailed description of the meeting hall for the
Supreme Soviet, Moscow. Multi·purpose hall
seating
about
6,000.
Good plans and
photographs. Building is similar to European
large multi·purpose halls, including a very large
rolling projection screen, and PA system speak·
ers in every seat back.
1700. Alexandrovova, L. "Projekty Pionyrskych Domu
V SSSR." (project for a Youth Recreation
Center In the USSR). ACTA SCAENOGRAPH·
ICA (Prague) XI, No. I, p. 22.
1701. "Das alte Residenz·Theater in Munich," VER·
SAMMLUNGSSTAITEN (Gutersloh, 19691.
p. 52. Arch. Francois Cuvillies
1702. "Aperepekitlvlsche
Bersammlungsstillten."
VERSAMMLU NGSSTA TTEN
(Gutersloh,
1969). pp. 93·94. A·perspective places of
assembly. Introductory essay.
1703. Apponius. Harald. "Bunkzuge:' (Spot Line
Winches) BUHNENTECHNISCHE RUND·
SCHAU (Juni 1970), pp. 32·34. Technical

article by a member of the firm Mascinen·
fabrik Wiesbaden. 8 diaggammatic illustrations.
1704. "Ashcroft Theatre, Croydon," TABS (June
1970). p. 66. Before and after photos of
Croydon, England, theatre, 2 photos.
1705. "Das Auditorium des St. John's College in
Annapolis, Maryland (USA):' VERSA MM·
LUNGSSTAITEN (Gutersloh, 1969). p. 128.
5 illustrations.
1706. Bablet, Denis. "Josef Svoboda," INTER·
SCENA '70 (Prague) IV, No. 1 (1970). pp.
42·60. Article on the scenographer includes il·
lustrations of Svoboda's Kinetic Polydiascreen
and Polyvision, seen from audience. No tech·
nical description. Text in French. 4 pertinent
illustrations.
1707. "Beethovenhalle in Bonn:' VERSAMMLUNG·
SSTAITEN (Gutersloh, 1969). pp. 135·137.
Concert hall in Bonn, West Germany. 7 il·
lustrations.
1708. Bentham, Frederick. "Another Tale of Two
Theatres," TABS (September 70). pp. 91·
97. Deals with renovation of two British build·
ings: The Watermill Theatre, Bagnor, Berk·
shire (reconstruction from a flax mill); and the
Vaudeville, Theatre, The Strand, London (renovation of an 1870's structure to more nearly
approach ItS original appearance).
1709. Bergfeld, Wolfgang. "BOhnenlicht·Stelianlage
mit elektronischer Bildspeicherung:' BUHNEN·
TECHNISCHE RUNDSCHAU (OklOber 1969).
pp. 11·14. Stage lighting installation in the
Theatre am Gartnerplatz, Munich, West Ger·
many.
1710. Berthold, Margot. "Josef Furttenbach und die
VerwandlungsbOhne, (Joseph Furttenbach and
the Changeable Stage) BUHNENTECHNISCHE
RUNDSCHAU (Juni 1970). pp. 13·15.
1711. Birr, Horst and Martin Tschermak. SPIEL·
PODIEN IN DEN HAUSERN DER BEGEG·
NUNG (West Berlin: Institut fUr Theaterbau,
Technischen Universitat Berlin). 1970. (Acting
Platforms in "Hausern der Begegnung"). Proj·
ect report on de elopment of multi-purpose
spaces with functional requirements roughly
approximate to military service clubs. Well
thought·out solution, applicable to small cui·
tural centers. U.S. State Department and Defense Special Services planners should find
this required reading.
1713. Bowman, Ned A. "American Theatre Architec·
ture: The Concrete Mirror Held Up to Yankee
Nature," INTERSCENA '70, IV, No.2 (1970).
pp. 47·51. One section of a capsule history
of American theatre architecture.
1713. Bowman, Ned A. and Joel Rubin, "Experi·
mentier·Theater in USA," BUHNENTECH·
NISCHE RUNDSCHAU (Oktober 1979). pp.
17·20. Grossly shortened version of a paper
on American experimental theatres, read at
1969 OISTT conference, Prague.
1714. Brehms, Joan. "8eleuchtungseinrichtungenvor
200 Jahren," (Lighting equipment 200 years
ago) BUHNENTECHNISCHE RUNDSCHAU
(August 1970). pp. 23·26. Sketches and
photographs of actual lighting ecuipment and
mounting positions from Czech theatres in
Cesky Krumlov, Litomysl (1779) and Hradiste
(1833). Illustrates footlight position dimming
by lowering rows of simple oil lamps into
floor, or swinging refleclOred oil lamps away
from the stage area.
1715. "Das Burgerhaus in Frankfurt·Sindlingen,"
VERSAMMLUNG.3STATTEN
(Gutersloh,
1969). pp. 153·155. Community hall in Sind·
lingen, suburb on Frankfurt, a Main, West
Germany. 8 illustrations.
17 16. Carlson, Marvi n. "A Theatre Inventory of the
First Empire:' THEATRE SURVEY (May
1970). pp. 36·49. Discussion of French Mont·
pellier Comedie, dating from late 18th century.
Interesting for reconstruction of scene shifting
equipment from an 1806 inventory.

[]ill!] THEATER DESIGN AND TECHNOLOGY

DECEMBER,1970



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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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