Theatre Design & Technology - May 1970 - 27

the photography developing processes.
RICHARD THOMPSON: Good. Now that
we've had our littl e course in scenic projection, we can move on into a demonstration of the Melandrea multi-media presentation. This is the kind of work being done
primarily in industrial shows; and to tell us
more about it, here is James Santandrea,
president of Melandrea.
JAMES SANTANDREA: The artist, designer, and playwright are really the people
from whom everything emanates, because
we're dealing with an entertainment medium. The technicalities and equipment must
be efficient. Graphic designs and sound and
the kinetics which can be created in an environmental situation is an area that was
new to me as recently as five years ago.
To start, I like to think of my screen sets
as themse:ves sculptures, or things which
carry messages more effectively. Multiscreen, after all, means multi-images, according to Hollywood and other media. When
you do project film onto these dimensional
screens, you add a third dimension to the
projections. And you give the audience
something else to deal with other than
scrim and the like. Why not consider possibly new materials-new shapes and new
approaches to reaching our audiences? For
instance, you can project onto a convex
surface, giving a spheric look as compared
to the depth in dimension that you get in a
photograph or film. The fact that your surface is round is another visual illusion,
which is really what we are talking about.
I believe that rather than deal with square
pictures, we should really see things in a
circle, much the way that you would look
into a dish-with a main view in the center
and a peripheral view which is a north-tosouth, east-to-west sort of thing-fading
out and yet supporting the main view which
is the total environment that we have been
talking about.
Now-imagine a sphere 24 feet in diameter, in place of a proscenium arch at the
end of a tunnel, and your film and story
happening within that sphere, with front
and rear projection and lighting effects.
This particular thing is contemporary, by
virtue of the material selected. It is plastic.
And I have come up with a name for it"innersphere." It has many applications,
and it lends reality to vision as we see it
naturally. I have here a presentation which
was designed not only to tell about our studio, but also about our medium. What we
will show here today is a stop-light presentation that shows mixed media on multiple
screens.
May I have the house lights down and out,
please? .

~

THEATER DESIGN AND TECHNOLOGY

MAY, 1970

Maybe this
belongs in your
reference files ...
If you desire an understanding of the dynamic
Open Stage Theatre and its particular techniques,
write for Hub Bulletin 126. It contains discussions on auditorium design, size and shape of
platforms, nature of walls, floors, ceilings, and
seating.
Its 68 pages are also crammed with specific details of scenery design techniques, backg,round
projection and parts of the lighting and lighting
control systems requiTed for Open Stage.
Write today, on your letterhead, requesting Bulletin 126. It's yours without charge.
If you already are working with an Open Stage,
ask too, for Bulletin 121 "Freestanding Scenery"
by James Hull Miller.
HUB BULLETI
126 is the seventh in a
series. covering major areas of educational
theatre and educational TV as explored by
Hub with the help of leading designers and
consultants. This continuing research is why
our engineering and design staff "knows;'
the exacting requirements of theatrical
lighting and lighting control systems.

RESIDENT ENGINEERS IN PRINCIPAL CITIES

27



Table of Contents for the Digital Edition of Theatre Design & Technology - May 1970

Contents
Theatre Design & Technology - May 1970 - 1
Theatre Design & Technology - May 1970 - 2
Theatre Design & Technology - May 1970 - 3
Theatre Design & Technology - May 1970 - Contents
Theatre Design & Technology - May 1970 - 5
Theatre Design & Technology - May 1970 - 6
Theatre Design & Technology - May 1970 - 7
Theatre Design & Technology - May 1970 - 8
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