Theatre Design & Technology - May 1970 - 39

household lighting and improvised lighting
equipment to the stage.
"Tools of Lighting Design: Colored Light on
Pigment," pp. 63-65, July 1956. Covers basic light color mixing theory. Extensive charts.
"Tools of Lighting Design: Lighting Miscellany," pp. 67-69ft., August 1956. Section on
the follow spot, light blindness, dancers working with lights, and reinforcing applause.
"Tools of Lighting Design: Lighting Miscellany," pp. 70-71, September 1956. Sections
on masking and dance light and on curtain
warmers.

"Tools of Lighting Design: Lighting Miscellany," pp. 54-55, October 1956. Sections on
dimmerboard technique, frost and gray color
media, and projections.
"Tools of Lighting Design: Lighting Miscellany," p. 65, November 1956. Sections on
shadow projections and the plano-convex spotlight.
"Tools of Lighting Design: Lighting Miscellany," p. 72, December 1956. Sections on
floodlighting and foot and border lighting.

Management
Holmstock, Toni. "An Evaluation. . . " DANCE MAGAZINE, pp. 34-35, July 1952. Article in a
series, "Studio Management." Discussion of
the application of business methods to studio
operation. Application of an evaluation of the
prior season to the current policy.
Holmstock, Toni. "Discipline Affects Your Business,"
DANCE MAGAZINE, p. 42, December 1952.
Article in series, "Studio Management," on
creating proper morale and atmosphere in the
classroom and rehearsal situation.
Holmstock, Toni. "The Last Lap," DANCE MAGAZINE, p. 58, June 1953. Article in series,
"Studio Management," on the Tech-Dress Rehearsal period-organization and attitude.
Holmstock, Toni. "The Multitudinous Problems of
School Policy and Organization," DANCE
MAGAZINE, pp. 24-25, August 1952; pp.
38-39, September 1952. Two articles in series,"Studio Management." (1) Covers problems of curriculum philosophy, development
and management. (2) Covers problems of communication within the studio and school-also
obtaining teachers.
Holmstock, Toni. "Publicity, Public Relations, and Advertising," DANCE MAGAZINE, pp. 40-41,
November 1952. Article in series, "Studio
Management."
Holmstock, Toni. "Recital Time," DANCE MAGAZINE, pp. 46-47, February 1953; pp. 5859, March 1956. Two articles in series, "Studio Management." (1) Covers the conceiving
preparing a recital. (Check list of considerations
included.) (2) Covers publicity, getting a hall,
and some information on costuming.

Holmstock, Toni. "A Rose is a Rose is a Rose,"
DANCE MAGAZINE, p. 48, January 1953.
Article in series, "Studio Management," dealing with odors, ventilation and the studio.
Holmstock, Toni. "Suggestions for a Studio Bookkeeping System," DANCE MAGAZINE, pp.
46-47, October 1952. Atticle in series, "Studio Management."
Holmstock, Toni. "Summer Schedules," DANCE
MAGAZINE, pp. 42-43, June 1952. Articles
in series, "Studo Management."
Skelton, Tom. "Preparing the Recital: Production
Problems," DANCE MAGAZINE, pp. 90-92,
April 1957. Article in series, "Handbook of
Dance Stagecraft." Discussion of building a rehearsal schedule and a staff for a recital.
Skelton, Tom. "Preparing the Recital: The Production
Staff," DANCE MAGAZINE, pp. 82-86, May
1957. Article in series, "Handbook of Dance
Stagecraft," covering the production staffindividual and interdepartmental function and organization.

Skelton, Tom. "Preparing the Recital: Theatre Rehearsals," DANCE MAGAZINE, pp. 82-83,
June 1957. Article in series, "Handbook of
Dance Stagecraft."

~

THEATER DESIGN AND TECHNOLOGY

Skelton, Tom. "The Touring DanceCompany," DANCE
MAGAZINE, pp. 84-85, July 1957; pp. 8081, August 1957; pp. 83-84, September
1957. Three in series, "Handbook of Dance
Stagecraft." (1) Covering advance--questionaire sample· included. (2) Covering dance floors.
(3) Covering tour lighting, drapes, and dressing
rooms.

Set and Property Design
"Arch Lauterer-Poet in the Theatre," IMPULSE,
1959. An entire issue devoted to the words
and works of dance and theatre designer Arch
Lauterer.

Beaumont, Cyril W. BALLET DESIGN: PAST AND
PRESENT. New York: The Studio, 1946. Collection of renderings, sketches, and photographs, all of which are clearly an'lotated. Frequent color. Tracing the history of ballet costuming and scene design from its beginning
to 1943. All entries are indexed by designer's
name, ballet title, and companies, composers,
choreographers, etc. Introduction presents a
brief written history.
Beaumont, Cyril W. DESIGN FOR THE BALLET.
New York: The Studio, 1937. Collection similar to that in later book (BALLET DESIGN)
(Noted above) though less extensive. Covers
period from 1890 through 1930. Minimum natation; no text. Many items repeated in later
book.
Bland, Alexander. "Recent Ballet Design," BALLET
ANNUAL pp. 58-62, 1963. With short introduction a "review" of recent (c. 1963) work
in dance design by European designers.
Buckle, Richard. MODERN BALLET DESIGN. London: Adam and Charles Black, 1955. Collection of costume and set renderings, sketches
and photographs (1945-1955) some of which
are extensively annotated. The only color unfortunately is on the frontispiece. The rest are
black and white photography of excellent quality.
Counard, G. "Petrouchka, Farewell. .. " DANCE
MAGAZINE, pp. 44-45, April 1962. Article
on Alexandre Benois, painter and designer for
the Diaghilev Ballets-Russes. (Black and white
reproduction of original rendering for Petrouchka.)
Denby, Edwin. "About Ballet Decoration," New York
HERALD TRIBUNE, November 26, 1944.
Article on ballet design, articulate and eloquent
glance at the view from the audience side of
the proscenium.
"The Fantastic World of Stravinsky," LIFE, 43:94103, November 25, 1957. A brilliant set of
reproductions of designs from Stravinsky ballets by some of the worlds greatest painters.
Fern, D. E. "Ballet Design in Perspective." DANCE
MAGAZINE, 33;80-87, December 1959. Article on the touring exhibition "Fifty Years of
Ballet Design." Illustrated.
Holmstock, Toni. "At the Bottom of it All-The Studio Floor," DANCE MAGAZINE, pp. 42-43,
May 1952. Article in series, "Studio Management," dealing with care and cleaning of the
dance floor.
International Theatre Institute. STAGE DESIGN
THROUGHOUT THE WORLD SINCE 1935.
London: George C. Harrap & Co., 1956. Collection of renderings, sketches, and photographs. Minimal information accompanying. Includes 45 dance designs indexed by choreographers. Mainly black and white.
Laban, Juana de. "Scenery for the Dance," DANCE
OBSERVER, pp. 48-49, April 1942; p. 62,
May 1942. Part I: "A Little Bit of History,"
primarily on Appia, Craig, and Dalcroze in relation to scenery for the dance. Part II: "A Little Bit of Actuality," discusses contemporary
attitudes and point of view (1942).
Lauterer, Arch. "Comment on Dance Drama," IMPULSE, pp. 26-27, 1952. A series of short
statements on dance drama and the function
of design therein. What follows is a full script
with comment, "Namesaki," written by Lauterer.

MAY,1970

Lauterer, Arch. "On Dance in the Theatre," DANCE
OBSERVER, pp. 16ff., February 1945. (Reprinted in IMPULSE, 1959.) Designers view
of the contemporary (c. 1945) scene in the
dance world. Outlines the "task" of the designer.

Nasta, P. A. PRACTICAL SCENE DESIGN FOR THE
DANCE. New York: School of Education, New
York University, 1951. M. A. project. Papers
on scene design and stagecraft geared to studio-recital problems. Geared for small groups
on a small budget.
"Picasso and the Dance," DANCE MAGAZINE, pp.
24-27ff., September 1957. Extensive article
including: (1) Biography of Picasso, (2) A gallery of photographs and sketches of his designs for five ballets between 1917 and
1925, (3) Section on the dance element as
it appears in Picasso's work.
Skelton, Tom. "The Touring Dance Company," DANCE
MAGAZINE, pp. 80-81, August 1957. Article
on dance floors.
Smith, Oliver. "Ballet Design," DANCE NEWS ANNUAL, pp. 92-103, 1953. Piercing and perceptive review of modern design for dance.
Clear statement of principles of this designers'
viewpoint.
Ter-Arutunian, Rouben. "Decor for Dance," New York
TIMES, July 14, 1963. Short essay on his
feelings about dance design-including comment on lighting, sets, and costumes. Excellent.
Terry, Walter. "Ballet Decor," New York HERALD
TRIBUNE, October 5, 1941. Essentially a review of Dali's set for "Labyrinth." Terry
points up many of the basic criteria for the
ballet designer. Article is particularly geared to
the artist-painter in the theatre.
Williams, Peter. "Designing for Ballet," DANCE
AND DANCERS, p. 18, May 1950. Article
on the use of a drop curtain and setting in
ballet-what they are and how they relate to
the audience. (England)
Williams, Peter. "An Experiment in Ballet Design,"
DANCE AND DANCERS, pp. 15-17, April,
1959. Pair of articles on an experiment in
dance design at Slade School, University of
London. Student designs for Stravinsky's APOLLON MUSAGETE published and critiqued.
Williams, Peter. "Talking About Design," DANCE
AND DANCERS, pp. 26-27, April 1963; pp.
29-30, May 1963. Pair of fictional dialogues
between Williams and young design aspirant.
The first is an exposition of what the designer
must know and what his attitude toward the
work should be. The second is an exposition
of Williams' approach to a design project.
Basic and quite clear.

General Production
Lippincott, Gertrude Lawton, ed. DANCE PRODUCTION. Washington, D.C., The American Association for Health, Physical Education, and
Recreation, 1956. Geared to collegiate production. Essays vary from tips to in-depth
discussions.
Melcer, Fannie Helen. STAGING THE DANCE. Dubuque, Iowa: W. C. Brown, 1955. Deals with
all aspects of a production.

Miscellaneous
"The Dancer's Environment," IMPULSE, 1967. The
entire issue is devoted to the dancer's use of
and relationship to his environment. While
writing is geared essentially to the dancerchoreographer, much of the material is valid
reading for the designer.
IMPULSE, 1960. DANCE MAGAZINE, April 1969.
Two outstanding issues of magazines which
have been devoted to the problems of putting
dance on film.
"Learning to Dance," DANCE MAGAZINE; pp. 1627, July 1957. Beautiful and direct essay on
the training of the young dancer, photographed
by Edith Worth. Sub-titled: "A Story of What
Happens to Dancers as They Study Ballet."

39



Table of Contents for the Digital Edition of Theatre Design & Technology - May 1970

Contents
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Theatre Design & Technology - May 1970 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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