Theatre Design & Technology - Feb 1971 - 27

BOOK REVIEWS
The Empty Space
Peter Brook. Atheneum, New York, 1969,
141 pp.

Nothing empty here. We have a remarkable distillation of a man's theories and
works. Like all cases of asking an artist
'why?', we cannot expect this to be artless
or all fact and simple explanation. Indeed,
the book reads more like a poem having a
definite thrust, a clarity of expression, and
still painting with words images capable of
various interpretations. It is as if someone
had asked, "What do you expect of theatre?" and this is Peter Brook's answer.
Considering the universal excitement his
productions have engendered, the answer
must be important.
The four divisions of the book amount
to separate approaches to understanding
what theatre uses and why it is useful.
"The Deadly Theatre" is a negative view
broadly considering conventional theatre
forms with much historical reference. "The
Holy Theatre" illuminates those liberating
qualities available in theatrical forms with
particular emphasis on influences of Artaud,
Cunningham, Beckett, and Grotowski. "The

Broadcasting and Bargaining:

Labor Relations in Radio and Television.
Edited by Allen E. Koenig. The University
of Wisconsin Press, Madison. 1970, 34L!
pp. $8.00.

Even the best title is not always as revealing as it should be. At first glance, this
book may seem somewhat peripheral to the
theatre and even narrowly restricted within
broadcasting. Perhaps such an initial reaction explains why the first book devoted
exclusively to this topic has arrived in 1970,
the golden anniversary year of radio broadcasti ng. The book is useful to theatre people, because the labor relations problems of
theatre and broadcasting are closely related.
Several unions span both media, notably, the
International Alliance of Theatrical Stage
Employees, and various actors', directors',
writers', and musicians' organizations. Such
problems as contracts, residuals, and union
jurisdictional friction are also common to
both media.

~ THEATER DESIGN AND TECHNOLOGY

Rough Theatre" oHers an extraordinary perception of works by Brecht and Shakespeare. Brook identifies the qualities, "The
holy is the yearning for the invisible through
its visible incarnations, the rough is a dynamic stab at a certain ideal . . . deals
with men's actions ... it is down to earth
and direct." The Immediate Theatre" is a
most personal statement of what each artistic contribution should be; design, costume, director, actor, rehearsal, and audience.
With such writing one is tempted to quote
liberally. The following selections were
chosen for their technical relevance as well
as being representative of the general quality of the book, but like all quotes the context is lost and the meani ng may be
skewed.
The science of theatre-building must come
from studying what it is that brings about the
most vivid relationship between people. An architect is better off if he works like a scene
designer, moving scraps of cardboard by intuition. than if he builds his model from a plan.
prepared with compass and ruler..
. Era
after era the most vital theatrical experiences
occur outside the legitimate places constructed
for the purpose. Gordon Craig influenced Europe
for half a century through a couple of performances given in Hampstead in a church Hall.
How grotesquely clumsy, how inadequate
and how pitiful the theatre becomes, not only

Professor Koenig's book consists of a collection of articles by twenty-two contributors from such diverse areas as academia,
labor law, union leadership, and broadcasting management. Most of the material
was commissioned specially for this publication. Among the topics explored are arbitration, overseas competition, black employment, blacklisting, and the protection of
the creative artist. There are both advantages
to such an approach, and the book reflects
them and disadvantages. Since published
material that would be useful to a nonspecialist audience is exceedingly limited
in this field, Koenig had practically no
alternative to the approach he chose. Many
of the chapters are excellent, and these
selections make the book a valuable
addition to a professional library and
seminar in theatre or broadcasting management. A frequent problem in compilations
is the lack of uniform focus, depth, and
style. In this case, the stylistic problem is
handled best, with contributions ranging
from acceptable to excellent. Focus and
depth are more uneven. Some contributors
seem to have made a thorough and probing
analysis, while others appear to have avoided
their assignment. The chapter on blacklisti ng (by Gary Gumpert) is historical and nar-

FEBRUARY, 1971

when a gang of men and creaking machines
are needed to move us only from one place to
the next, but even when the transition from
the world of action to the world of thought
has to be explained by any device-by music,
changing lights, or clambering on to platforms.
Art lovers can never understand why all stage
designing isn't done by 'great' painters and
sculptors. What is necessary. however. is an incomplete design; a design that has clarity without rigidity; one that could be called 'open' as
against 'shut'. This is the essence of theatrical
thinking: a true theatre designer will think of
his designs as being all the time in motion, in
action, in relation to what the actor brings to
a scene as it unfolds."

This is not a book on or about theatre technology explicitly. It is about 'why' and 'how'
theatre such that one committed to contributing to technical excellence should be
aware of such a vital point of view. In the
hopes you will read the book yourself, I
cannot resist using Brook's own fascinating
conclusion.
In everyday life 'if' is a fiction. in the theatre
'if' is an experiment. In everyday life, 'if' is an
evasion, in the theatre 'if' is the truth . . . To
play needs much work. But when we experience the work as play, then it is not work anymore. A play is play.

Richard I. Land
Engineering Sciences Laboratory
Harvard University

rative and oHers little new material. What
was needed was an analysis of the legal
remedies available to both the performer
who is being blacklisted and producer who
is being pressured into doing the blacklisting. The freedom of speech and civil liberties aspects of the blacklisting problem
are in need of more explication, but Gumpert is content to oHer a rehash of the
McCarthy era and Red Channels.
Fortunately, these complaints about focus
and depth are not so applicable to the other
chapters. But, the usefulness of the book
could have been considerably enhanced by
expanding the appendix to include sample
contracts and a reprinting of the court
opinions and National Labor Relations Board
ru Ii ngs most frequently all uded to in th e
text. The inclusion of such materials would
give the reader a deeper understanding of
and feel for the problems of labor relations.
We need more materials in this field, and
Koenig's contribution serves as both a useful resource and a significant groundbreaking.
Malthon M. Anapol
University of Delaware
(Continued on p. 32)

27



Table of Contents for the Digital Edition of Theatre Design & Technology - Feb 1971

Contents
Theatre Design & Technology - Feb 1971 - 1
Theatre Design & Technology - Feb 1971 - 2
Theatre Design & Technology - Feb 1971 - 3
Theatre Design & Technology - Feb 1971 - Contents
Theatre Design & Technology - Feb 1971 - 5
Theatre Design & Technology - Feb 1971 - 6
Theatre Design & Technology - Feb 1971 - 7
Theatre Design & Technology - Feb 1971 - 8
Theatre Design & Technology - Feb 1971 - 9
Theatre Design & Technology - Feb 1971 - 10
Theatre Design & Technology - Feb 1971 - 11
Theatre Design & Technology - Feb 1971 - 12
Theatre Design & Technology - Feb 1971 - 13
Theatre Design & Technology - Feb 1971 - 14
Theatre Design & Technology - Feb 1971 - 15
Theatre Design & Technology - Feb 1971 - 16
Theatre Design & Technology - Feb 1971 - 17
Theatre Design & Technology - Feb 1971 - 18
Theatre Design & Technology - Feb 1971 - 19
Theatre Design & Technology - Feb 1971 - 20
Theatre Design & Technology - Feb 1971 - 21
Theatre Design & Technology - Feb 1971 - 22
Theatre Design & Technology - Feb 1971 - 23
Theatre Design & Technology - Feb 1971 - 24
Theatre Design & Technology - Feb 1971 - 25
Theatre Design & Technology - Feb 1971 - 26
Theatre Design & Technology - Feb 1971 - 27
Theatre Design & Technology - Feb 1971 - 28
Theatre Design & Technology - Feb 1971 - 29
Theatre Design & Technology - Feb 1971 - 30
Theatre Design & Technology - Feb 1971 - 31
Theatre Design & Technology - Feb 1971 - 32
Theatre Design & Technology - Feb 1971 - 33
Theatre Design & Technology - Feb 1971 - 34
Theatre Design & Technology - Feb 1971 - 35
Theatre Design & Technology - Feb 1971 - 36
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com