Theatre Design & Technology - May 1971 - 29

STALKING THEATRE SCENOGRAPHY (Continued from p. 9)
pear, either for action which seems to
surround the audience, or for the
spectator who prefers to look down
on, rather than across at, his plays.
The architect's intent in the smaller
theatre was to provide no barrier at
all between action and audience. He
seems to have achieved it, with the
carpeted stairway area which can be
either seating area or playing space.

the gimmickery called attention to itself as the minions of Cawdor and
Fife stumbled over Abraham Lincoln
and John Kennedy (to say nothing of
their
respective
assassins).
But
Baker's play was a clear statement on
regicide and its effect on the kingdom.
And certainly the play did sweep
across some 140 feet of playing
space.

The lesson to be learned at Trinity
is neither complex nor difficult to
grasp. It begins with a creative director who knows precisely what he
wants from the finished building and
moves towards a rewarding conclusion
when the architect is qualified to interpret his client's needs. Such architects are O'Neill Ford, Bartlett
Cocke, and their very talented project
architect, Arthur Rogers.

The Taylor theatre still needed an
adequately-equipped shop on myvisit,
but I was assured it would come by
my host Professor Allen Holley. The
main stage's overhead lighting positions are a marvel of three dimensional planning so that the board operator
can see almost all of the raised stage
playing area.

Trinity was not built to serve
equally the needs of every director
that comes down the Texas trail. But
in its few years it has served Baker
and his staff admirably as they shuttle
entire productions between Dallas and
San Antonio. The Macbeth I saw was
good, imaginative theatre. Some of

sloped site. I was especially fond of
the carefully executed outside lamps
done in copper-Mexican at least in
feeling. As well, it's nice to see an
end-grain wood block floor appear in
a theatre auditorium these days. While
not always the cheapest solution, it
certainly is one of the most durable
and satisfyi ng to I ive with.
Riding into the Sunset. In Texas

I missed seeing the Hemisfair Opera
House in San Antonio, Jimmy Miller's
Midland theatre, and the "Globe of
the Great Southwest" in Odessa, "The
mas t au then tic rep Iica ever attemp ted"
according to The Gas Jet of Amarillo.
Not surprisingly I found, where I
did visit, a pleasant coincidence between theatre people who knew very
precisely
as clients what they wanted,
The variety of material textures in
and
architects
able to provide exemthe building is exemplary. A complex
plary
buildings.
As well, Texas seems
multi-cut surface on stained wood
to
have
a
healthy
measure of artists
plank ing produces one interesti ng
willing
to
strike
out
in new directions.
lobby texture. Weathered wood slabs

on the walls of Theatre Two make
another. Brickwork is more carefully
done than one usually sees these
days, and there is outstanding use of
plantings and existing trees on the

(Part Two: Wright's Grady Gammage
Auditorium and the" Pavilion" atTaliesin West (Tempe-Scottsdale); University of California at Berkeley; and
San Diego State.) 0

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Table of Contents for the Digital Edition of Theatre Design & Technology - May 1971

Contents
Theatre Design & Technology - May 1971 - 1
Theatre Design & Technology - May 1971 - 2
Theatre Design & Technology - May 1971 - 3
Theatre Design & Technology - May 1971 - Contents
Theatre Design & Technology - May 1971 - 5
Theatre Design & Technology - May 1971 - 6
Theatre Design & Technology - May 1971 - 7
Theatre Design & Technology - May 1971 - 8
Theatre Design & Technology - May 1971 - 9
Theatre Design & Technology - May 1971 - 10
Theatre Design & Technology - May 1971 - 11
Theatre Design & Technology - May 1971 - 12
Theatre Design & Technology - May 1971 - 13
Theatre Design & Technology - May 1971 - 14
Theatre Design & Technology - May 1971 - 15
Theatre Design & Technology - May 1971 - 16
Theatre Design & Technology - May 1971 - 17
Theatre Design & Technology - May 1971 - 18
Theatre Design & Technology - May 1971 - 19
Theatre Design & Technology - May 1971 - 20
Theatre Design & Technology - May 1971 - 21
Theatre Design & Technology - May 1971 - 22
Theatre Design & Technology - May 1971 - 23
Theatre Design & Technology - May 1971 - 24
Theatre Design & Technology - May 1971 - 25
Theatre Design & Technology - May 1971 - 26
Theatre Design & Technology - May 1971 - 27
Theatre Design & Technology - May 1971 - 28
Theatre Design & Technology - May 1971 - 29
Theatre Design & Technology - May 1971 - 30
Theatre Design & Technology - May 1971 - 31
Theatre Design & Technology - May 1971 - 32
Theatre Design & Technology - May 1971 - 33
Theatre Design & Technology - May 1971 - 34
Theatre Design & Technology - May 1971 - 35
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Theatre Design & Technology - May 1971 - 37
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com