Theatre Design & Technology - May 1971 - 35

Of course none of this means that "anything goes" in language. Let me close
with an example which will be vivid for
American readers. Vocabulary says pull up
is American for set of lines. Maybe so. I
don't know it, nor do I find it in standard
American sources (though, again, this
doesn't prove it isn't used in some American theatres). Surely, however, the implication that set of lines isn't standard American
is at least misleading.

If I have suggested that more, a great
deal more, needs to be done, let me also
suggest that a traveling technician fit both
books into his luggage. They're not often
"wrong," and they weigh less than a pound.
They'll not only take less space than that
extra pair of slacks, but they'll be much
more useful.

Architecture in Transition

is, however, worth the ti me and effort it
takes to read it.

Constantinos A. Doxiadis. Oxford University Press, New York, 1963,200 pp.,
illus.

Intentions in Architecture
Christian Norberg-Schulz, M.I.T. Press,
Cambridge, Massachusetts, 1965, 242
pp. iIIus.
At first appearance neither Doxiadis' Architecture in Transition nor NorbergSchulz's Intentions in Architecture seems
to have any bearing on theatre design and
technology. However, on further consideration of the authors' intents, it becomes apparent that anyone interested in the role of
theatre architecture, both as an artist's tool
and as a work of art which is an integral
part of the human evnironment, will find
both books of interest.
In Intentions in Architecture, NorbergSchulz approaches his subject in an extremely erudite and esoteric manner, attempting to formulate a theory of architectural description and intention. In the first
section, the author discusses the problems
confronting architectural theorists in terms of
perception and Gestalt psychology. In the
latter part, Norberg-Schulz discusses the
more characteristic concepts, such as spaceform and building tasks, and adds aspects
of technical structure and environmental relationship. Finally, the author draws the various elements of his theory together to describe the architectural totality. NorbergSchulz's style of writing is extremely complicated and involved. His ideas are difficult
to grasp. The book is not easy to read, and
it is not recommended for light reading. It

Five C's of Cinematog raphy
Joseph V. Mascelli, Hollywood Cine/
Graphic Publications, Hollywood, $12.50.
Joseph Mascelli's credentials speak for
themselves. He has compiled an extremely
clear and factual narrative which itemizes
numerous details of five basic areas of cinematography. This 'basic' approach makes
the book invaluable for the neophyte film
maker and cameraman alike. The Five C's
may also contain a few approaches which
might be of interest to the practicing generation as well.

~

THEATER DESIGN AND TECHNOLOGY

Joel Trapid 0
University of Hawaii

Doxiadis' Architecture in Transition, on
the other hand, is considerably more succinct. He writes of architecture from a much
broader, practical and less abstract point of
view. Rather than analyzing the art of architecture, he is concerned with the more
practical problem of the production of the
architectural environment for the world's
masses of ill-housed people.
The first half of the book is devoted to a
description and analysis of the housing problem facing humanity. The crisis, as Doxiadis
expresses it, spri ngs not only from population
growth, but also from industrialization and
technological progress, which have done as
much to create the problem as to alleviate
it.
The second half is devoted to solutions,
many of which the author has put into practice in large scale renewal projects. Part of
the solution is the development of modular
units starting from bricks and continuing to
complete modular citi es, containing" human
sectors." Such a development would produce a "universal" or "eternal" architecture; ... "We shall discover that the more
we purge our forms of every inherited element, the more we shall be returning to
certain basic traditional forms."
Norberg-Schu lz approaches architectu re
as a critic of an art form. Doxiadis approaches the subject as a problem-solver
and practical bui lder of human environment.
Both should be of interest to the theatre
designer, as well as the architect.
Alan G. Billings
University of Michigan

The illustrations which so ably support
the description are another strength of this
publication. These pictures (principally production stills, but some carefully staged illustrative photographs expressly staged for
the manuscript) are as good, if not better,
than any appearing in a comparable text.
For example, the chapter on composition
contains carefully selected stills which enhance the text; and to heighten clarification
and to assist in the synthesis, Mr. Mascelli
includes a few well-chosen sketches to display the compositional interpretations of
Iine, mass and form. The Five C's value to
student and young film maker is unques-

MAY,1971

35



Table of Contents for the Digital Edition of Theatre Design & Technology - May 1971

Contents
Theatre Design & Technology - May 1971 - 1
Theatre Design & Technology - May 1971 - 2
Theatre Design & Technology - May 1971 - 3
Theatre Design & Technology - May 1971 - Contents
Theatre Design & Technology - May 1971 - 5
Theatre Design & Technology - May 1971 - 6
Theatre Design & Technology - May 1971 - 7
Theatre Design & Technology - May 1971 - 8
Theatre Design & Technology - May 1971 - 9
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com