Theatre Design & Technology - Oct 1971 - 9

BERKELEY, CALIFORNIA
I find Zellerbach Hall, complete something over
three years (May, 1968), one of the finest university theatre complexes in the country. Its site
on Sproul Plaza near the head of the Telegraph
Avenue student commercial district places it
squarely in the center of student action; where it
belongs. Indeed, the aftermath of the Sixties, Free
Speech activities were still patently evident in
March of 1 969, as rocks had been heaved through
$1,800 (each) glass panes of the auditorium facade, in someone's ironic expression of his sort of
freedom.
Architects Vernon DeMars and John Wells
worked from prosaic program requirements: a large
picture frame hall for multiple uses-most of
them not theatre department activities---and a small
hall which would provide more or less forestage
variablity from a basic proscenium theatre's form.
Yet what emerged ia a carefully detailed solution
which would bear careful study by planners of
other complexes. Among those deserving consultant's credits are Paul Landry (lighting and rigging)
and the late Ben Schlanger (sight lines and
seating) .
Outside, natural materials, most notably roughformed concrete, are handled with considerably
more sophistication than is seen in more routine
pu bl ic architecture.

Five and a half million dollars, in 1968, paid for
precious little travertine, so concrete is the usual
material, even in spectator areas. Playing off huge,
colorful banners in the main lobby, against dead
grey concrete and natural wood finishes is a fine
old theatre trick, and highly successful here. The
banners are Mrs. Betty De Mars' designs.
Inside the 2,1 OO-seat large hall, the concept
of enclosure as sculpture reaches its cl imax with
treatment of the side walls. Devoid of wall color
and audi ence, it's pretty forbiddi ng terri tory under
work lights in cold blue and concrete. But by penetrating the side walls with irregular rectilinear
sculptural planes, and spotting gelled R-Iamps on
surfaces behind the openings, the wall comes alive
with the house lighting. Stepping the lower balcony
down almost to the orchestra level, while not a
new idea, bears study as a means of bringing disparate audience elements together: the sort of
"people on many terraced levels" effect which is
even more dramatically realized in Hans Scharoun's
Berlin Philharmonic in Germany.
The small 500-seat theatre makes a workable
compromise with complete variability: settle for a
limited number of alternatives (a /a Gropius' Tota/theater project) which depend on rearranging the
front section of a seating bank (Harvard's Loeb
Center plan without the machinery) in and around
a shallow pit about 24' x 56'. We've pretty well
come to accept stringent size limits on this sort of

Site Model of the Zellerbach Hall complex. (Photo: Bob Hollingsworth)

~

THEATER DESIGN AND TECHNOLOGY

OCTOBER, 1971

9



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1971

Contents
Theatre Design & Technology - Oct 1971 - 1
Theatre Design & Technology - Oct 1971 - 2
Theatre Design & Technology - Oct 1971 - 3
Theatre Design & Technology - Oct 1971 - Contents
Theatre Design & Technology - Oct 1971 - 5
Theatre Design & Technology - Oct 1971 - 6
Theatre Design & Technology - Oct 1971 - 7
Theatre Design & Technology - Oct 1971 - 8
Theatre Design & Technology - Oct 1971 - 9
Theatre Design & Technology - Oct 1971 - 10
Theatre Design & Technology - Oct 1971 - 11
Theatre Design & Technology - Oct 1971 - 12
Theatre Design & Technology - Oct 1971 - 13
Theatre Design & Technology - Oct 1971 - 14
Theatre Design & Technology - Oct 1971 - 15
Theatre Design & Technology - Oct 1971 - 16
Theatre Design & Technology - Oct 1971 - 17
Theatre Design & Technology - Oct 1971 - 18
Theatre Design & Technology - Oct 1971 - 19
Theatre Design & Technology - Oct 1971 - 20
Theatre Design & Technology - Oct 1971 - 21
Theatre Design & Technology - Oct 1971 - 22
Theatre Design & Technology - Oct 1971 - 23
Theatre Design & Technology - Oct 1971 - 24
Theatre Design & Technology - Oct 1971 - 25
Theatre Design & Technology - Oct 1971 - 26
Theatre Design & Technology - Oct 1971 - 27
Theatre Design & Technology - Oct 1971 - 28
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Theatre Design & Technology - Oct 1971 - 30
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Theatre Design & Technology - Oct 1971 - 33
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