Theatre Design & Technology - Feb 1972 - 21
LIGHTING
"PETER PANII
JAMES l. MOODY
The method used to create Tinker
Bell in Peter Pan will largely depend on the type of production. The
effect described here was created
for a production posing one set of
problems, limitations, and financial
boundaries, and I was concerned
with the emotional val ue of the effect
much more than the electrical or
mechanical phases of this particular
project.
The particular method described
employs the use of sub-miniature
lamps which are concealed in the
walls of the set and controlled by
an analogue control board.
Most of the interest and experimentation was centered on how the
light should look to the audience
Four factors seemed to be important: the distance from lamp to lamp,
the amount of light they produced,
and the flexible control of both the
lights and the color.
Four sub-miniature lamps were
tested: three clear and one white,
and all were found in hobby shops
c::::§lJ THEATER DESIGN AND TECHNOLOGY
without difficulty. The white lamp
(pea bulb No. 437) was visible on
a painted surface (Figure A), and
the effect would have been given
away if the audience could have seen
the spots before the effect was
used. This factor alone seemed to
rule this one out quickly. A flatfaced lamp (indicator lamp No. S123C) had a metal ring around the
globe which made it detectable also,
but this could have been remedied if
the lamp had proven useable on the
other tests. However, it placed third
on lumen output.
Next a screw-base lamp (No. Y655) was tested, but the fact that
it requires a socket brought up two
problems. First, the additional cost
of the socket (15 ¢) and the lamp
(15¢) did not seem economical.
Secondly, the hole which needed
drill ing to accommodate the socket
wou Id have been larger than that
needed for fixed wired lamps. The
lumen output was excellent (it could
be clearly seen from the back of the
house), however, the total effect was
FEBRUARY, 1972
greater than that which I had envisioned .tor the size of light that a
firefly would produce. With these
two points against it, we ruled it
out.
The last lamp tested was the common Grain of Wheat bulb (No.1)
costing 15 ¢ apiece. The size proved
ideal. Being tubular in construction,
it had a narrow visual point while
having almost as large a filament as
the larger screw-base bulb. Figure 8
shows the light emitted by each of
the test lamps from 20 feet. Figure
C shows the same lamps turned off
and viewed from the same distance
with cross front light. Note that the
lamps can be seen but that the Grain
of Wheat is the most difficult to
spot.
Before making final selection we
tried placing color media over all the
lamps. The low Kelvin temperature
of the lamps gave a warm glow when
contrasted against the color of the
set and actors, but we felt that if
the addition of color gave added
character to the effect we would lose
21
Table of Contents for the Digital Edition of Theatre Design & Technology - Feb 1972
Contents
Theatre Design & Technology - Feb 1972 - 1
Theatre Design & Technology - Feb 1972 - 2
Theatre Design & Technology - Feb 1972 - 3
Theatre Design & Technology - Feb 1972 - Contents
Theatre Design & Technology - Feb 1972 - 5
Theatre Design & Technology - Feb 1972 - 6
Theatre Design & Technology - Feb 1972 - 7
Theatre Design & Technology - Feb 1972 - 8
Theatre Design & Technology - Feb 1972 - 9
Theatre Design & Technology - Feb 1972 - 10
Theatre Design & Technology - Feb 1972 - 11
Theatre Design & Technology - Feb 1972 - 12
Theatre Design & Technology - Feb 1972 - 13
Theatre Design & Technology - Feb 1972 - 14
Theatre Design & Technology - Feb 1972 - 15
Theatre Design & Technology - Feb 1972 - 16
Theatre Design & Technology - Feb 1972 - 17
Theatre Design & Technology - Feb 1972 - 18
Theatre Design & Technology - Feb 1972 - 19
Theatre Design & Technology - Feb 1972 - 20
Theatre Design & Technology - Feb 1972 - 21
Theatre Design & Technology - Feb 1972 - 22
Theatre Design & Technology - Feb 1972 - 23
Theatre Design & Technology - Feb 1972 - 24
Theatre Design & Technology - Feb 1972 - 25
Theatre Design & Technology - Feb 1972 - 26
Theatre Design & Technology - Feb 1972 - 27
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Theatre Design & Technology - Feb 1972 - 29
Theatre Design & Technology - Feb 1972 - 30
Theatre Design & Technology - Feb 1972 - 31
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Theatre Design & Technology - Feb 1972 - 40
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https://www.nxtbookmedia.com