Theatre Design & Technology - Oct 1972 - 31

THE THEATRE TECHNICIAN
FACES LIFE
James Klain, UCLA

Unlike many of his colleagues in other fields, the theatre technician finds himself at a unique disadvantage in

one hand, the technician soon discovers that he is not
blessed with fat budgets from bottomless governmental or
foundation purses. These are the bread and butter which
feeds the modern technology. "Back to the drawing
board" for him means a halt, not a pause, in activity.
When he buys his equipment, it is not meant just for
today, or this phase, or that step, it has to last for years
and years and maybe for the professional life of either the
technician or his facility. Once he makes his decision,
good or bad, he's stuck with it. The switchboard he buys
today or tomorrow may be the only switchboard he will
ever have an opportunity to buy. His engineering colleague, however, is probably on his fourth or fifth generation of computer and is already seeking funding for purchase of those of the sixth, seventh, and eighth generations.

utilizing the technological progress of the 20th century.
After bemoaning the paucity of research and development
in the theatre arts, the theatre technician finds himself
economically and administratively incapable of coping
with "Progress."
"State of the Art" and "calculated obsolescence" have
ceased to become techno-sociological comment or wry
professional jest to the theatre tech nician - they are professional disaster for him. The blame for this condition
should not fall entirely on the industry which supplies
him with the tools of his torture. The technician himself
must shoulder the significant portion of the responsibility
for the current situation.
There was a day when the theatre technician was
blessed with equipment which a reasonably intelligent
high school graduate with a course in electric shop could
keep in optimum running condition. He was assured that
equipment in running condition at 7:00 p.m, would keep
operating throughout the night. And the equipment had
the life and durability of a blacksmith's anvil. Testament
to th is can be seen in the performance of thousands of
resistance dimmer boards which have long outlived their
guarantees, their designers, most of their operators, and a
majority of their audiences. While being dropped from
trucks, operated by neophyte technicians, unserviced, unrepaired, overloaded, and aesthetically maligned, they are
still giving reliable, consistent, though unsophisticated,
service.

Additionally, our theatre technician has acquired an
abhorrance for what is euphemistically called "shelf
items." A switchboard advertised in a manufacturer's brochure, though designed by some of the sharpest and most
thoughtful technical minds in our field, is not for him.
That equipment may be good for a high school whose
construction is being supervised by a business office. But
our theatre technician insists that his board will be a custom job to meet what he thinks is a set of un ique problems in a unique theatre.

But only a fool would attempt to travel cross-country
on a freeway system with a horse and buggy. And the
theatre technician, no fool he, has rushed to capitalize on
the fruits of modern technology. This headlong thrust
into the big time has created monumental problems for
theatre technicians and equipment supplier alike. On the

~ THEATRE DESIGN AND TECHNOLOGY

OCTOBER, t 97Z

On the other hand, there is the anomaly of the manufacturer of theatrical equipment in a highly competitive
business world, He deals in a product whose total market,
annually, would not even come close to a single day's sales
in automobiles, or airplanes, or nylon, or perhaps even
fertilizer. Thus, any respectable investment in research
and development and product control, etc. would be an
investment that might take several hundred years to recoup at the present rate of sales. So he hitchhikes on the
research and development of everyone else in society.
However, before he can figure out a way to use a transis-

31



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1972

Contents
Theatre Design & Technology - Oct 1972 - 1
Theatre Design & Technology - Oct 1972 - 2
Theatre Design & Technology - Oct 1972 - 3
Theatre Design & Technology - Oct 1972 - Contents
Theatre Design & Technology - Oct 1972 - 5
Theatre Design & Technology - Oct 1972 - 6
Theatre Design & Technology - Oct 1972 - 7
Theatre Design & Technology - Oct 1972 - 8
Theatre Design & Technology - Oct 1972 - 9
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Theatre Design & Technology - Oct 1972 - 30
Theatre Design & Technology - Oct 1972 - 31
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