Theatre Design & Technology - Oct 1972 - 33

Readers wishing to review any of the titles listed below, or
others that fall within the purview of this Journal, may
write to the Editor at 1 Hillside Road, Newark, Delaware
19711.
AVAI lABlE TITLES
The American Theatre: A Sum of its Parts, introduction by
Henry B. Williams

serious apprentice or student of theatre production with
the facts, procedures, principles, and general know-how
on setting the stage that, until this book, could only be
acquired through years of apprenticeship and trial and
error." Despite this, even rudimentary discussion of several topic areas, such as stage hardware, is overlooked. On
the other hand, some of the reference material is in a
format not conducive to easy reference.

Costume in Pictures, Phillis Cunnington
AcoClstics of Studios and Auditoria, B. S. Mankovsky
Understanding

Today's

Theatre,

second

edition,

Edward

A.

Wright
Costumes for Births, Marriages and Deaths, P. Cunnington &
C. Lucas
Choosing a Play for your Amateur Group, Ivan Butler
Theatre Comes to Australia, Eric Irvin
At the Vanishing Point, A Critic Looks at Dance, Marcia B. Siegel
Modern World Drama, An Encyclopedia, Myron Matlaw
Early American Stencils on Walls and Furniture, Janet Waring
The State of the Arts and Corporate Support, Gideon Chagy,
Editor
Classical

Ornament of the Eighteenth Century, Michelangelo

Pergolesi
20th
J.

Century

Miller,

I nterpretations

of A

Streetcar Named Desire,

Editor

An Introduction to Cinematography, John Mercer
Understanding Movies, Louis D. Giannetti
Cinema, Yesterday and Today, Rene Clair
The Technique of the Sound Studio, Alec Nisbet
Theory of the Film, Balazs
Films and Feelings, Raymond Durgnat
An American Comedy, Harold lloyd
Cut l Print l , Patricia and Tony Miller
Notes of a Film Director, Sergei Eisenstein
Focus on Hitchcock, Albert J. LaValley, Editor
Television and Society, Harry J. Skornia

SCENERY FOR THE THEATRE:
THE
ORGANIZATION, PROCESSES, MATERIALS,
AND TECHNIQUES USED TO SET THE STAGE,
Revised Edition, by Harold Burris-Meyer and Edward C.
Cole, with contributing authors Nicholas L. Bryson, James
F. Gohl, Austin D. Huhn, Harvey Sweet, Douglas C.
Taylor, and Gene A. Wilson, Boston: Little Brown and
Company, 1971; pp. 518. $32.00.
For more than thirty years theatre technicians and designers have been conditioned to think of Scenery for the
Theatre as their bible. I fear that this myth must be put to
rest with the appearance of the revised edition. The book
alternately tries to be a text for students and a reference
for the advanced technician, with the unfortunate result
that it does not totally service either. The dust jacket
states that the purpose of the volume is "to provide the

~ THEATRE DESIGN AND TECHNOLOGY

The authors do quite well in their first four chapters
discussing typical theatrical producing organizations in
America and the planning procedures for scenery, despite
several questionable statements about arena and th rust
theatres. That "the arena stage is justified only on economic grounds," is certainly open to discussion. The statement that "thrust stages limit scenery in that nothing can
be flown over the thrust section of the stage, and scenic
changes must therefore be done a vista on the floor," is
not absolutely true. The visual aids in these first chapters
have not been significantly augmented since the first edition, and by re-using the same renderings, draftings, and
plots, the authors c_onvey the impression that the scope of
scenic production has remained relatively unchanged. The
single lighting plot included, is so far from professional
practice today that its inclusion can be justified only on
historical grounds. Particularly good items in this section
are the analysis of sight lines and the several charts on
organization and responsibility. These first chapters are
directed toward the student and as such give a concise and
generally accurate picture of the planning procedures in
the major American theatrical organizations. The discussion does not try to get involved with exceptions and
variants which might prove confusing in a text.
Related to these chapters is the fou rteenth chapter,
"Assembling and Running the Show, Post Production Procedures." This is, without question, the best and most
comprehensive chapter concerned with production organ ization. No detail seems left out, and for this chapter special praise is warranted. The authors discuss the procedures involved in assembling the production on the stage,
and the areas of responsibility in running the various rehearsals through to, and following, the opening of the
show. While it is obvious they are primarily discussing
commercial productions, it is also obvious that the techniques represent the best in professional practice.
The book is good, as might be expected,
cussing the physical theatre and scene shop. In
the space requirements for a scene shop and
tages and disadvantages of various types of grid
discussed in complete detai I.

when disparticular,
the advanrigging are

One of the least effective portions of the volume concerns the actual materials, tools and construction of scenery. Chapter 5, "Types of Scenery," is adequate in its
general scheme but has a few noticable shortcomings. The

OCTOBER, 1972

33



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1972

Contents
Theatre Design & Technology - Oct 1972 - 1
Theatre Design & Technology - Oct 1972 - 2
Theatre Design & Technology - Oct 1972 - 3
Theatre Design & Technology - Oct 1972 - Contents
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com