Theatre Design & Technology - Oct 1972 - 34

problems are related to the organization of the book.
There seems to be no appropriate place for discussing various bottom pocket treatments for drops; it doesn't seem
related to types of scenery, thus it gets left out. More
serious omissions, for example, are concerned with platforms. The topic is incomplete with no significant discussion of the various methods available for elevating areas.
Another omission is the radial-riser-frame method of circular stair construction. To cite these omissions might be
considered nit picking by some, but they are nevertheless
significant omissions for a book which advertises itself as
the theatre technician's bible. The single most valuable
aspect of this chapter is the series of studio shots of various types of scenery under construction. The captions
give enough information so that experienced tech nicians
are able to perceive the specific construction techniques
for complicated scenic units, including three-dimensional
forced perspective.
The book does less well on materials. Despite an apparent attempt at rather detailed completeness, it fails to
note the existence of 5' x 9' plywood or 1/8" pressed
pulp board. The discussion on fasteners is less than adequate, and stage hardware isn't even mentioned. On the
other hand, the discussion on steel, fiber glass, and plastics
is quite good. There is one disconcerting point about
Table 6.11, "Strength of Rope." The values listed appear
to be from the first edition and do not reflect today's
higher values achieved through improved procedures and
materials. Some of the values for manila rope are off by as
much as 40%. The discussion of wood working tools is
still in the late thirties, despite the adequate discussion on
steel, plastics, and fiber glass tools. Absolutely no mention
is made in Chapter 8, "Tools and Equ ipment for the
Scene Shop," of the use of pneumatic staplers and nailers
in professional and regional scene shops.
Greater success is achieved on handling, joining and
shifting. The discussion of those tranditional methods and
techniques is rather comprehensive. Again, photographic
series enable the advanced technician to explore different
techniques. Traditional flying techniques are not discussed
in Chapter 12, "Hanging, Joining, Stiffening, and Bracing
Scenery; Hanging the Show" - instead they are tucked
away in Chapter 15, "Processes and Techniques." This last
chapter is a potpourri of processes and techniques. Again
the wood working discussion is antiquated. For example,
the book still discusses the hand planing of bevels and
chiseling of dad os, despite the fact that both can be done
faster and better on the circular table saw or even the
radial arm saw. Even within the discussion of oxyacetylene welding, great detail is spent describing the number
of turns, and their proper sequence, for each regulator
valve, without a single word about how to achieve the
necessary neutral flame.
It seems appropriate to discuss at this point, the great
inconvenience of having to flip through five chapters to
find everything concerned with metals, fiber glass or plastics. A much more serviceable presentation would have

34

been achieved, it seems, if all information on fiber glass,
for example, was collected in one chapter.
The chapters dealing with specialized topics are the
best part of the volume for experienced technicians. The
chapter on props and special effects presents the traditional prop topics, with a few special techniques thrown
in for seasoning. The two tables on props and sound effects are good, but not outstanding. Unfortunately, even
rudimentary discussion of upholstering and drapery fabrication is omitted - the two prop crafts most likely to be
needed in dressing the set.
The remaining special sections are veritable good mines
of information, despite the fact that some are not chapters in their own right. The information on steel, fiber
glass and plastics, though scattered through five chapters
is certainly without precedent. For the first time a theatre
technician has access, within one volume, to the techniques and procedures for working in these media.
The chapter on scene painting by James G5hl is exceptional in its scope. The coverage of basic procedures and
equipment is consistently good. There are five valuable
tables noting the various characteristics of painting surfaces and paint mediums. Another great feature of the
chapter is the series of step by step color photographs of
various painting techniques, such as woodgraining, foliage,
and brick work. With series such as these, there is no
longer any excuse for anyone being unable to produce
professional quality woodgraining, for example. The chapter does assume a basic familiarity with color and some
awareness of painting technique.
The last specialized section is the Appendix on strength
and beam characteristics. By easy reference to the charts
and graphs, a technician can easily compute the loading
characteristics of structural members.
The editorial staff designers have done a great disservice to the book by their sloppy or careless attention to
the details of the book's layout. The intent seems quite
valid with the inclusion of rather wide margins, presumably for notes. The topic headings in the margins and
the bold type headings within the text itself help greatly
with easy reference to topic areas. The problem with the
margins is concerned with their consistency. Many table
of supplies, for example, have hardly enough space to
remain on the page. To see a mixture of photographs,
some with and some without margins, on the same page is
disturbing. You have the feeling that you have missed
some of the photograph. In addition to photographs running off the page, there is even one blatantly torn photograph included on page 89. There were a couple instances
of type not being squared on the page. On page 251 a
whole Iine appears in error at the bottom of the page. In
the Appendix, Graph 5c is missing a label. There are five
graph lines and only four labels. Also in the Appendix,
Table A-2 has a typographic error. These small items do
not make or break a book, but they are an indication of

~ THEATRE DESIGN AND TECHNOLOGY

OCTOBER, 1972



Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1972

Contents
Theatre Design & Technology - Oct 1972 - 1
Theatre Design & Technology - Oct 1972 - 2
Theatre Design & Technology - Oct 1972 - 3
Theatre Design & Technology - Oct 1972 - Contents
Theatre Design & Technology - Oct 1972 - 5
Theatre Design & Technology - Oct 1972 - 6
Theatre Design & Technology - Oct 1972 - 7
Theatre Design & Technology - Oct 1972 - 8
Theatre Design & Technology - Oct 1972 - 9
Theatre Design & Technology - Oct 1972 - 10
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com