Theatre Design & Technology - Spring 1975 - 18

A 2320 seat public theatre for music, drama,
lectures and meetings for the citizens of Madison,
Wisconsin, the Auditorium is designed to accommodate local performing groups, conventions, meetings
and broadway plays, musicals, operettas, ballets,
and musical concerts in a variety of spaces and rooms
of different seating capacities. The building is close
to the center of Madison and is readily accessible to
public transportation and private automobiles. It is
planned as part of a large project aimed at revitalizing central Madison by incorporating the shores of
Lake Monona and Olin Park into the downtown area.
The principal space of the building is the
auditorium hall seating 907 on the orchestra level
with 69 additional seats on a lift which can be added
when the orchestra pit is not used. A grand tier seats
222 and the balcony seats 1122 (Figure 16). The
orchestra and wagon Iift can be raised to provide
forestage. Continental seating is used for improved
sight lines, better spacing between rows, and good
acoustics. Exits are at the sides and lead immediately
to lobbies on 4 levels which in turn lead to 2 levels of
parking and to a pedestrian bridge to Olin Terrace
and downtown Madison.
At a point approximately 81 feet back from the
proscenium a break in the house seating is provided.
This break is in the form of a wall behind which are
located the sound and light control rooms, projection
room, etc. Just above this break a small overhanging
balcony, the "grand tier" projects, and the remainder of the seating extends to the rear of this area.
A cable supported ceiling, composed of an acoustically reflective lead and vinyl fabric, is adjustable.
It is raised for a full size 2,331 seat house or lowered
to close off the 1,118 seats behind the grand tier.

P a

The stage is 40 feet deep with a proscenium
opening 78 feet wide by 32 feet high (Figure 17) with
apron extensions of from 12 to 36 feet. A folding
shell is provided for musical concerts. Ample traps
are provided. Adj ustable cal iper panels on either side
of the proscenium are available for lighting positions.
Lighting and sound control are located in booths at

0 ...\ f r~ !'.DE

,<

.~~;~
6

Thus, by adjusting the ceiling the house can be set
up for an orchestra concert, for example, with a total
of 2,331 seats. For opera, ballet, or musicals where
the lift would be used for an orchestra pit rather than
for seating, the large house would seat 2,257
persons.
For theatrical presentation, with me cei ling lowered closing off the house behind the grand tier, the
total seating would be reduced to 1,213 (including 6
wheel chairs). If the orchestra pit were in use this
number would be reduced by 74 seats leaving a total
of 1,139. This capacity would be excellent for drama,
intimate opera, chamber music or lecture hall use. If
the grand tier were not in use there would be 200
seats Iess or 1,013 seats.
In addition to the possibility of modifying the
volume of the house, it will be possible, by means of
power-actuated traverses, to introduce acoustically
absorbent curtains over certain wall areas. Thus, it
will be possible to further adjust the acoustic
conditions in the Auditorium to provide optimum
circumstances for a wide variety of the performing
arts. Reverberation time will be in the neighborhood
of 1.8 seconds for music, reducible by the introduction of acoustically absorptive material to 1.6 seconds, or slightly lower for speech. When seating is
reduced the aim will be to lower the reverberation
time at midfrequencies from 1.6 seconds for music
down to 1.3 seconds or less.

,0 T

'; 1 II

I

CO'.COURSE

I

I

I

..!...

.C.ยท.o "".... '"
Figure 16. Madison Civic Auditorium, Madison, Wisconsin. Longitudinal section. Note open and closed ceiling

18

~

configuration.

THEATRE DESIGN AND TECHNOLOGY

SPRING. 1975



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1975

Contents
Theatre Design & Technology - Spring 1975 - 1
Theatre Design & Technology - Spring 1975 - 2
Theatre Design & Technology - Spring 1975 - 3
Theatre Design & Technology - Spring 1975 - Contents
Theatre Design & Technology - Spring 1975 - 5
Theatre Design & Technology - Spring 1975 - 6
Theatre Design & Technology - Spring 1975 - 7
Theatre Design & Technology - Spring 1975 - 8
Theatre Design & Technology - Spring 1975 - 9
Theatre Design & Technology - Spring 1975 - 10
Theatre Design & Technology - Spring 1975 - 11
Theatre Design & Technology - Spring 1975 - 12
Theatre Design & Technology - Spring 1975 - 13
Theatre Design & Technology - Spring 1975 - 14
Theatre Design & Technology - Spring 1975 - 15
Theatre Design & Technology - Spring 1975 - 16
Theatre Design & Technology - Spring 1975 - 17
Theatre Design & Technology - Spring 1975 - 18
Theatre Design & Technology - Spring 1975 - 19
Theatre Design & Technology - Spring 1975 - 20
Theatre Design & Technology - Spring 1975 - 21
Theatre Design & Technology - Spring 1975 - 22
Theatre Design & Technology - Spring 1975 - 23
Theatre Design & Technology - Spring 1975 - 24
Theatre Design & Technology - Spring 1975 - 25
Theatre Design & Technology - Spring 1975 - 26
Theatre Design & Technology - Spring 1975 - 27
Theatre Design & Technology - Spring 1975 - 28
Theatre Design & Technology - Spring 1975 - 29
Theatre Design & Technology - Spring 1975 - 30
Theatre Design & Technology - Spring 1975 - 31
Theatre Design & Technology - Spring 1975 - 32
Theatre Design & Technology - Spring 1975 - 33
Theatre Design & Technology - Spring 1975 - 34
Theatre Design & Technology - Spring 1975 - 35
Theatre Design & Technology - Spring 1975 - 36
Theatre Design & Technology - Spring 1975 - 37
Theatre Design & Technology - Spring 1975 - 38
Theatre Design & Technology - Spring 1975 - 39
Theatre Design & Technology - Spring 1975 - 40
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