Theatre Design & Technology - Summer 1975 - 17

he realized that without comparable heightening of
these elements the setting would be too far out of
scale with the actors.
Similar methods may be traced in Dvorak's White
Mountain [afta Hora] 1924, while in Shakespeare's
Tempest, 1920, and E. Verhaeran's Dawn, 1920,
similar ends are achieved by colored light and
projections, thus creating a colored synthesis of
space rather than a picture.
In his next phase, Hofman progressively abandoned traditional painting methods for threedimensional architectural forms and more distinctive
segmenting of space by levels, ramps, and other
constructional means. The architectural phase (with
echoes of cubism) is evident in Wagner's Tristan und
Isolde, 1924, (Figure 5) and the influence of constructivism reached a peak for Hofman in F. X.
Salda's Campaign Against Death [Talenf proti smrti]
(Figure 6) in 1926, and G. K. Chesterton's The Man
Who Was Thursday (Figure 7) in 1927. Pure constructivism was not very congenial to Hofman,
however, and he soon moved on to more substantial
settings.

Fig. 7. V. Hofman, The Man Who was Thursday (G. K.
Chesterton), 23 Sep. 1927, National Theatre, Prague, dir: K.
Dostal.

Hofman's evolution toward simplified, more abstract settings in which open space replaced solid
matter as a dominant was also evident in one of the
most memorable Hilar-Hofman productions, Hamlet,
(Figure 8) in 1926. Hofman referred to the evolution
as one from "complicated disturbance, which dominated expressionism, to constructional simplification
and plainness in the handling of things," i a
difference of tendencies amply evident in comparing
Hussites with Hamlet. A term often applied to this
phase of Hilar's and Hofman's careers was civilism,
its implication being a toning down and cooling off
from the highly charged, frequently overwrought
extremes of expressionism analogous to war time
hysteria giving way to increased social stabilization
in a period of peace.

Fig. 5. V. Hofman, Tristan und Isolde (Wagner), 18 Dec 1924,
National Theatre, Prague, dir: F. Pujman.

Fig. 8. V. Hofman, Hamlet (Shakespeare), 24 Nov.1926, National
Theatre, Prague, dir: K. H. Hilar.

Fig. 6. V. Hofman, Campaign Against Death (F. X. Salda), 4 May
1926, National Theatre, Prague, dir: K. Dostal.

Sparse, simple units of furniture and properties
were asembled on low, two-step platforms backed by
various combinations of tall, silver-grey screens. This
basic scenic arrangement alternated with expanded
scenes for which larger architectural units provided a
more massive background. In all cases lighting
played a crucial role as it carved actors and
environment out of the surrounding darkness. Color
was virtually absent: black, white, and grey are

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1975

Contents
Theatre Design & Technology - Summer 1975 - 1
Theatre Design & Technology - Summer 1975 - 2
Theatre Design & Technology - Summer 1975 - 3
Theatre Design & Technology - Summer 1975 - Contents
Theatre Design & Technology - Summer 1975 - 5
Theatre Design & Technology - Summer 1975 - 6
Theatre Design & Technology - Summer 1975 - 7
Theatre Design & Technology - Summer 1975 - 8
Theatre Design & Technology - Summer 1975 - 9
Theatre Design & Technology - Summer 1975 - 10
Theatre Design & Technology - Summer 1975 - 11
Theatre Design & Technology - Summer 1975 - 12
Theatre Design & Technology - Summer 1975 - 13
Theatre Design & Technology - Summer 1975 - 14
Theatre Design & Technology - Summer 1975 - 15
Theatre Design & Technology - Summer 1975 - 16
Theatre Design & Technology - Summer 1975 - 17
Theatre Design & Technology - Summer 1975 - 18
Theatre Design & Technology - Summer 1975 - 19
Theatre Design & Technology - Summer 1975 - 20
Theatre Design & Technology - Summer 1975 - 21
Theatre Design & Technology - Summer 1975 - 22
Theatre Design & Technology - Summer 1975 - 23
Theatre Design & Technology - Summer 1975 - 24
Theatre Design & Technology - Summer 1975 - 25
Theatre Design & Technology - Summer 1975 - 26
Theatre Design & Technology - Summer 1975 - 27
Theatre Design & Technology - Summer 1975 - 28
Theatre Design & Technology - Summer 1975 - 29
Theatre Design & Technology - Summer 1975 - 30
Theatre Design & Technology - Summer 1975 - 31
Theatre Design & Technology - Summer 1975 - 32
Theatre Design & Technology - Summer 1975 - 33
Theatre Design & Technology - Summer 1975 - 34
Theatre Design & Technology - Summer 1975 - 35
Theatre Design & Technology - Summer 1975 - 36
Theatre Design & Technology - Summer 1975 - 37
Theatre Design & Technology - Summer 1975 - 38
Theatre Design & Technology - Summer 1975 - 39
Theatre Design & Technology - Summer 1975 - 40
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