Theatre Design & Technology - Fall 1976 - 47

TECHNICAL REPORTS

FRED M. WOLFF

A SIMPLE, SAVING SEATING SYSTEM
C.U.N.Y.

GLENN M. LONEY
When Sam Wanamaker decided to have an instant
Globe Theatre on London's South Bank, he needed a
seating system with several virtues: 1) safety, 2) economy,
3) simplicity, 4) comfort, and, 5) flexibility. He didn't
have to look far. In Ealing, a London district, he found
Mills Scaffold Company and their innovative "Millstands."
Watching his crew of teen-agers install the seating, one
could not but be impressed by the speed and simplicity of
it all. In fact, some English elementary schools with the
system let the pupils assemble it when and where needed
as effective experience in manual training and cooperation. But it's not used only by schools and theatres.
Holiday on Ice uses it for tent tours. In Edinburgh's icerink, it was used in a variety of positions and sections for
Frank Dunlop's Young Vic Comedy of Errors. Church
halls, town squares, gardens, exhibition halls, billiard
rooms, TV studios: all have profited from use of Millstands, which provide raked seating for previously flat
audience areas, plus more seat-units than conventional
chairs, and mo're comfort than pews and benches.
The system is to be used for the Olympic Games in

Montreal. It was first used at the 1970 Commonwealth
Games in Edinburgh. 30,000 seats, in modules up to
thirty feet high, were installed in record time. For a
horse-show in London's vast Olympia Hall, installation
began at midnight on a Saturday. At noon on Monday,
the thousands of seats were neatly installed. By show
time on Tuesday, all was in place including an earthen
floor in the arena and it was all removed in thirteen
hours.
Before Millstands were developed, Mills Scaffold
used their standard scaffolding to support seating. This
was cumbersome, not very flexible, often requiring
awkward improvisations. With the aid of Dutch designers,
the new system was perfected. Not only is it safe, economical, space-saving, silent, and attractive, it is possible
for amateurs to assernb Ie it with only a few minutes
instruction. Speed in assembly is a factor R.F. Millward,
of Mills Scaffold, likes to stress. London's Westminister
Cathedral - not the Abbey - has marvelous acoustics:
just right for choral and symphonic recordings. But
daily services cannot be disturbed. Millstands make it

Teenage Students "Fitting-up" Mil/stands seating for a school production.

I

USITT

I

THEATRE DESIGN AND TECHNOLOGY

FALL.1976

47



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Contents
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