Theatre Design & Technology - Spring 1976 - 35

paints work on theatrical materials is more useful than knowing
which don't. 60 pages.
"Paints": a technical description of binders, lacquers and the
salient characteristics of various classes of paints. 15 pages.
"Painting Techniques": Spray-gun work; French Enamel Varish and gelled stain technique; silk-screen processing. 12 pages.
Shop Lay-out, Equipment and Aids: an informative and valuable section to anyone writing specifications on equipment
either for an existing space or as part of a program for a proposed
new building. Thoughtful ideas for re-organizing a scene shop or
costume shop to maximize space. Many photographs which
stimu late ideas. 65 pages.
The Handbook of Technical Practice is well organized and
up-to-date. It presents a permanent, and more important, an
on-going record of innovative solutions gathered from creative
theatre people working in Europe, and in North and South
America. Bowman's ever-ready camera and technical eclecticism
bridge a communication gap that has existed for a long time
between technicians from theatre to theatre, state to state, and
country to country. He has performed a service of great value to
the performing arts industry by collating such an extraordinary
amount of diverse information into one book and presenting it in
a logical, straightforward manner. The Handbook is, unquestionably, "an idea generator". It provides numerous approaches to
solving problems that arise regularly in scenic construction.
Without it, a technical theatre library cannot be considered
complete.
Nicholas Bryson

Rosco Laboratories

CONTEMPORARY STAGE DESIGN-U.S.A.
edited by Elizabeth B. Burdick, Peggy C. Hansen, Brenda Zanger
Middletown, CT: Wesleyan University Press, 1974
164 pp., illus.,S17.50
Contemporary Stage Design - U.S.A., the exhibition and book
are impressive. LT. I. should be thanked for this fine Bicentennial
birthday gift that helps celebrate and recognize the excellence,
imagination and innovativeness of American stage designers.
A mere collection of a select group of designs from this dynamic exhibit would have made a fine exhibition catalogue. But what
we have instead is the exhibition in its entirety plus an introspective view of stage design in America by the designers who are involved with its development.
Interesting glimpses, personal concepts and feelings concerning recent American scenic, lighting and costume design for the
theatre, opera and dance are provided in the essays written by
such notable men and women of the theatre as Donald Oenslager,
Howard Bay, Jerry N. Rojo, David Jenkins, Patricia Zipprodt,
Boris Aronson, Ming Cho Lee, Rouben Ter-Arutunian, Charles
Elson and Eldon Elder. These various essays are quite different
in subject and treatment. For instance, Patricia Zipprodt writes
of her experiences designing costumes for 1776, Ming Cho Lee
outlines the problems of opera designing, while Eldon Elder
supports with conviction the idea that many American stage
designers are in fact international stage designers. All in all, the
text allows the reader to examine the ideas and beliefs of a group
of highly creative and literate American stage designers. For the
most part these designers are writing about themselves, their
experiences and accomplishments. Each essay delves into a designer's handling of a special design problem, a new play, opera, an
event or even a new theatre. This variety tends to reaffirm the
fact that part of the richness of American stage design grows
out of the individuality and uniqueness of its various designers.
All of the writings, however, share several characteristics. The
authors speak of striving for high artistic standards and there is
a sincere expression of pride and a sense of both historic and
artistic accomplishment that threads its way through the text.
Rarely have American designers been given so significant a platform as in Contemporary Stage Design - U.S.A.
From the moment I viewed the first design I was impressed
with the vitality and beauty of the exhibition. The variety of

I

USITT

I

subjects, rendering techniques, styles and degrees of excellence
is truly exciting. The editors and committee have done a magnificient job of selection and organization. If you have an opportunity to see the exhibition, take the time to do so. After
its return from the Prague Quadrennial this spring, it will tour
the United States for a two year period. These arrangements
are being handled by the Smithsonian Institute.
In great measure the excitement generated by the exhibition
is captured in the book. Sixty-eight designers are represented
by one hundred and thirty-seven black and white reproductions
and twenty-three color plates. For the most part, the quality
of the printing and photo reproduction is excellent and the
color work is good. The neat 8 1/2 x 10 inch page allows reproductions of nominal size and good detail. The page size lends
itself to the reproduction of rectangular stage and costume designs. The overall appearance of the books is handsome. The red,
white and blue dust jacket, binding and end papers is a clever
graphic rendering of Theatre - U.S.A.
This book is a well planned documentation of Contemporary
Stage Design - U.S.A., a significant exhibition of the work of
American designers. The book's text introduces concrete ideas,
concepts and responses of a select group of outstanding U.S.
designers. Their ideas help to support both the strength of the
exhibition and the strength and uniqueness of American design.
Leon I. Brauner

Indiana University

FIRE RESISTANT TEXTILES HANDBOOK
W.A. Reeves, G.L. Drake Jr., and R.M. Perkins
Westport, Conn.: Technomic Publishing Co., Inc., 1974241 pp.,
illus. ISBN 0-87762-088-1
535.00 paper
The need for flameproofing, or more accurately, for imparting
resistance to one or more of the mechanisms of combustion occurs
frequently, either as a legal requ irement, or simply as a matter of
good practice. The complexity of the SUbject makes it a specialty
usually left to the specifications of an "outside" expert, or to
the supplier of a material. The present Handbook provides an
opportunity for the non-specialist to gain some knowledge of the
fireproofing field, as it applies to textiles.
The authors are research chemists at the South Regional
Rese~rch Laboratory of the U.S. Department of Agriculture,
and have conducted textile research for many years. Many sections
of the book are written for the textile or polymer chemist, and are
not of interest to the more general reader. For example, many of
the illustrations are structural formulas for fabric and retardant
molecules. However, the strict organization and tutorial nature of
the Handbook make most of it useful to the non-chemist, and a
fine reference source for the theatrical costumer.
The book begins with a discussion of the mechanisms of combustion and fire retardancy. Combustion processes are divided
into flaming, glowing, and smoldering, and most of the subsequent
discussion considers each type individually. The bulk of the text
consists of discussions of the methods by which various retardants
perform their functions, and their relative effectiveness. These
discussions are classified by the type of fabric treated, starting
with cellulosics (e.g. cotton) and covering all of the important
synthetics. A later section considers natural and synthetic materials which have some inherent fire retardancy. The retardants are
classified according to their durability to laundering or dry cleaning. Several non-fabric products are also covered, such as carpets
and cotton batting.
The Fire Resistant Textiles Handbook brings together a tremendous amount of information from a variety of sources. Of particular interest is a chapter which tabulates descriptions of over
50 textile flammability tests and standards. Several important tests
are described in detail, and the addresses of the applicable standards organizations are included.
There are voluminous tables of chemical formulations which
impart retardancy, but the most useful table for the non-chemist
is an appendix of tradenames, listed by manufacturer. This list
of hundreds of products (some of which are presumably identical)

THEATRE DESIGN AND TECHNOLOGY

SPRING,1976

35



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1976

Contents
Theatre Design & Technology - Spring 1976 - 1
Theatre Design & Technology - Spring 1976 - 2
Theatre Design & Technology - Spring 1976 - 3
Theatre Design & Technology - Spring 1976 - Contents
Theatre Design & Technology - Spring 1976 - 5
Theatre Design & Technology - Spring 1976 - 6
Theatre Design & Technology - Spring 1976 - 7
Theatre Design & Technology - Spring 1976 - 8
Theatre Design & Technology - Spring 1976 - 9
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