Theatre Design & Technology - Spring 1976 - 9

ANNUAL REPORT OF THE PRESIDENT, 1976
EDWARD F. KOOK, PRESIDENT, USITT
Greetings and Welcome to All:
I hope that CELEBRATIONS '76 will prove to be an
experience of learning. We hope that your time will also
be one of CELEBRATION. The USITT is in its 15th year
and a 60 page issue of the Journal is anticipated before
the year is over.
In these 15 years, we have experienced many ups and
downs and financially, we have been deeply in the red.
Membership was as low as 600. Today, we are not rich,
but solvent, and the membership has grown close to 2500.
The Jou rnal now comes out four times a year and is
read with respect throughout the world, so we can truly
CELEBRATE.
In my eight months so far as President, I have been
gratified by a number of things. These include the publication of two books. One titled, STUDIES IN THE PROJECTION OF LIGHT by Frank Benford and John M. Holman, who deals with OPTICAL PROPERTIES of ELLIPSOIDAL REFLECTORS, was collated by our Commissioner of Engineering, Fred M. Wolff. This book contains
the complete study of the eminent physicist and specialist
in optics, the late Frank Benford. The research and comprehensive studies were conducted in the early 1920's
under the banner of General Electric Company, who graciously granted the USITT permission to reprint the results
of his work in this field. It has withstood the challenging
tests of time and remains a stimulating guide to present
day engineers and practioners who are interested in applications of reflectors to attain precise beam control with
different types of lamps in conjunction with a variety of
reflectors only, or with reflectors in combination with
lenses.
The second book titled THEATRE DESIGN '75 is
replete with photographic reproductions augmented with
descriptive data and scaled plans of recently designed and
completed theatres from 1970 through 1974. These
structures were initially exhibited at the USITT Convention in Anaheim, in March, 1975. The descriptive data
is clear and informative. The typography makes this a
very handsome book; easy to read, and one to afford great
pleasure_ It was edited by Peter H. Frink, Commissioner
of the Architectural Committee. I predict its value as a
permanent record and that both books will find their
way to many libraries. On behalf of the USITT, we
gratefully acknowledge the fine work of Fred M. Wolff
and Peter H. Frink, and congratulate them both. It has
been determined that such future exhibits would be
continued on an annual basis and if funds are available,
additional books on Theatre Design will be printed
periodically.
Another matter for CE LEBRATION was the trek to
Czechoslovakia. The stay of five days at the OISTT
Congress and the Prague Ouadriennale dramatized the size
of minds and talents of our delegation. We can well be
proud of the four hand-picked American theatre specialists who personally communicated their different approaches to the training of future theatre scenographers

I

USITT

I

and technicians. We salute John Bracewell, Gilbert Hemsley, George Izenour and Jo Mielziner, each of whom
promulgated the academicians' theories on acquiring.
knowledge and learning craftsmanship or that of Professionals who articulated practical methods in theatre arts
and technology. All reports will be printed in the forthcoming Journal.
In addition, USITT members Peter Frink, Gary Gaiser,
Ned Bowman, David Nash and Joel Rubin, Oren Parker,
Larry Graham and Don Stowell, were responsible for
selecting, packing, transporting and hanging numerous
panels illustrating recently completed theatres that are
representative of American Architecture and Theatre
Consultants' creations. These panels included descriptive
data, photographs and technical drawings. So impressed
were our English friends that they asked and we agreed
to have the Exhibit sent to them prior to its return.
The Prague Ouadriennale was an exciting event! Thirty
nations displayed outstanding examples of scenic design,
costume design, and theatre architecture. The U.S. exhibit
of scenic and costume designs is truly impressive and
drew many, many viewers from the numerous delegations
present in Prague.
We all owe a large vote of thanks to the U.S. Center of
the International Theatre Institute and the many individuals who made the exhibit possible. From the beginning,
the project has had the unswerving support of Rosamond
Gilder, President of the U.S. Center of IT!. She has been
very ably assisted by Martha W. Coigney, Director; Maurice McClelland, Associate Director; Charles Fruum, the
exhibit's designer; and other dedicated staff members.
Our thanks to them all and to the several foundations,
the National Endowment for the Arts and The New York
State Council on the Arts whose support made the exhibit's showing in Prague a reality. [For a review of the
exhibit's catalog, Contemporary State Design U.S.A., see
page 35 Ed.]
Now about the students of whom there were ten.
Though each of us considered one's self a student, we call
these younger people students because they are still
attending school on a regular basis in pursuit of basic
training and a degree. Students were chosen by a set of
Jurors on the basis of solid evidence of their talents,
capabilities, character and their work on behalf of the
USITT. Aside from the honor of being selected, they
received a $300 grant to help defray the major part of
their expenses.
In London, our English counterpart, ABTT (Association of British Theatre Technicians) conducted our first
morning's stop-over with a delicious luncheon hosted by
the Rank Strand Company. Thereafter, the Design and
Engineering staff of the Richard Pilbrow Project Company
guided the American entourage through the new yet-tobe completed British National Theatres, the OLIVIER and
LYTTELTON, and the COTTESLOE Theatre. I leave

THEATRE DESIGN AND TECHNOLOGY

SPRING,1976

9



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1976

Contents
Theatre Design & Technology - Spring 1976 - 1
Theatre Design & Technology - Spring 1976 - 2
Theatre Design & Technology - Spring 1976 - 3
Theatre Design & Technology - Spring 1976 - Contents
Theatre Design & Technology - Spring 1976 - 5
Theatre Design & Technology - Spring 1976 - 6
Theatre Design & Technology - Spring 1976 - 7
Theatre Design & Technology - Spring 1976 - 8
Theatre Design & Technology - Spring 1976 - 9
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