Theatre Design & Technology - Summer 1976 - 33
derives from certain basic techniques: mirrors, projections, special projection surfaces, specific architectonic
elements. For example, Svoboda's use of mirrors can
assume an almost unlimited number of forms, and the
same is, if anything, even more true of his use of projections. Svoboda does not abandon a specific method or
material once he used it, but neither does he simply repeat
it routinely; he constantly creates new adaptations or
different applications of it, sometimes in and of itself,
sometimes in conjunction with other techniques.
The other main impression left on me by this review of
his work since 1971 concerns the effect on that work of
his co-creative relation with directors. By way of introduction to this survey I suggested not only that Svoboda's
recent work tends to split between work centered in
projections and work centered elsewhere, most often in
architectonics, but also that he seems to have done less
work than he did previously with multi-screen projection
techniques, with kinetic scenery, and, on a slightly different level, with the principle of theatre in theatre.
Putting it more generally, I think that the evidence
suggests that Svoboda's work in the 1970s shows relatively more of the traditional designer than of the scenographer as he himself has embodied that term; that is, the
designer as one who creates an appropriate background or
environment for the action of a play, and the scenographer as one who strives for a scene that goes beyond this
essentially supplementary and passive relation to the
action, one that functions actively, indeed dramatically
with the other components of a performance-more
precisely, a scene that interacts with them, or, to put it
still another way, a scene that becomes an instrument of
production. It is true that in works like the Covent
Garden Rheingold and Walkure (or somewhat less in Les
Troyens) he has created precisely this kind of scenography, but it is precisely these productions that stand out
as exceptional among his others in recent years. Why
might this be so?
At the risk of oversimplification I suggest that the
cause is closely related to his lack of work with a certain
kind of director, one with whom he can interact fully and
freely and almost intuitively. A production in which the
setting dynamically interacts with the rest of the elements
of production, in which the setting becomes an instrument, is very difficult for a designer-scenographer to
impose on a production; almost of necessity it must derive
from an equivalent interaction between director and
designer, or at least be encouraged by the director. The
directors with whom Svoboda achieved his most striking
productions involving a scenography of interaction, of the
scene as instrument, were his countrymen Gtomar Krejca
and, even more pointedly, Alfred Radok, but it should be
noted that he has not worked with these artists in recent
years. Gotz Friedrich, on the other hand, is a director of
similar inclinations, and thus far Svoboda's work with him
has resulted in similar productions. I am not suggesting
that this type of production is inherently superior to any
other, but that it is special and that it has distinguished
some of Svoboda's most notable work. Even as a traditional designer Svoboda is distinctive in his sense of form,
I
USITT
I
"I am amazed at the amount of encyclopedic information in this Directory.
It is a must for every supplies-huyer,
for every drama teacher." - Edward
.--
~
F. Kook, President of USITT.
The NEW 5th EDITION of
SIMON'S DIRECTORY
OF THEATRICAL MATERIALS, SERVICES & INFORMATION
INTRODUCTION IY HAROLO BURRIS-MEYER
Covers the entire U.S. and Canada. 388
pages jam-packed with vitally useful information on WHERE To Buy * To Rent *
To Lease * To Find out EVERYTHING
needed for the production and promotion
of performing arts events (plays, musicals,
dance presentations, opera) and filmmaking.
"This is the indispensable 'yellow pages' of the theatre.
Its 16,000 entries range from acrobatic supplies to wireless mikes." - Patricia MacKay, Theatre Crafts.
"I use this Directory nearly every
day." - Robt. L. DeWeese, Jr., Production Stage Manager, Grand Ole
Opry, Nashville.
"A bc,ok you cannot afford to be without, if you are connected in any way with a performing arts organization."
- Tom Watson, Univ. of Delaware Drama Dept.
$8.95 at bookstores
or by mail from the publisher
PACKAGE PUBLICITY SERVICE, 1564 Broadway. New York 10036
On mail orders. add 75ยข for postage & handling
his use of materials, and his command of special techniques, but it is as a scenographer with an instinct for
settings that actively and organically perform that he is
remarkable. Such settings, however, require like-minded
directors and co-creativity of the fullest, most selfless
kind.
*
NOTES:
1. See this author's The Scenography of Josef Svoboda. Middletown, Connecticut: Wesleyan UniversitY Press, 1971.
2. This survey of Svoboda's work does not refer to every production since 1971 (see Appendix A for a complete list).
3. Josef Svoboda, "0 svetelnl!m divadle" [On the theatre of
lightl, Informacn/ Zpravy Scenograficke Laboratore (September 1958). pp. 4.0.
4. Josef Svoboda, tape recorded interview, Prague 1974. Unless
otherwise indicated, all subsequent statements by Svoboda
are from tape recorded interviews with the author between
OctOber, 1974 and June, 1975.
5. The word "folio" is used to refer to a projection surface of
thin, pliable plastic sheet material possessing varying degrees
of translucency. When illuminated from the front it registers as varying shades of grey to black, but when illuminated
from the rear it becomes translucent. Rear projections frequently register on it with greater sharpness and intensity
than frontal projections on more traditional, opaque projection screen materials. Folio screens have been widely used in
television as background projection surfaces for news broadcasts and other programs. Many varieties of projection
folio material have been developed for specific projection
effects, including folios that function well for both rear
and frontal projection. Svoboda has been keenly interested
in recent developments of this new scenographic material.
6. The original scenographic concept involved three framed,
kinetic folio-5crim units on motorized wheels, suspended by
one line each from the flies and remotely controlled. The
THEATRE DESIGN AND TECHNOLOGY
SUMMER,1976
33
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1976
Contents
Theatre Design & Technology - Summer 1976 - 1
Theatre Design & Technology - Summer 1976 - 2
Theatre Design & Technology - Summer 1976 - 3
Theatre Design & Technology - Summer 1976 - Contents
Theatre Design & Technology - Summer 1976 - 5
Theatre Design & Technology - Summer 1976 - 6
Theatre Design & Technology - Summer 1976 - 7
Theatre Design & Technology - Summer 1976 - 8
Theatre Design & Technology - Summer 1976 - 9
Theatre Design & Technology - Summer 1976 - 10
Theatre Design & Technology - Summer 1976 - 11
Theatre Design & Technology - Summer 1976 - 12
Theatre Design & Technology - Summer 1976 - 13
Theatre Design & Technology - Summer 1976 - 14
Theatre Design & Technology - Summer 1976 - 15
Theatre Design & Technology - Summer 1976 - 16
Theatre Design & Technology - Summer 1976 - 17
Theatre Design & Technology - Summer 1976 - 18
Theatre Design & Technology - Summer 1976 - 19
Theatre Design & Technology - Summer 1976 - 20
Theatre Design & Technology - Summer 1976 - 21
Theatre Design & Technology - Summer 1976 - 22
Theatre Design & Technology - Summer 1976 - 23
Theatre Design & Technology - Summer 1976 - 24
Theatre Design & Technology - Summer 1976 - 25
Theatre Design & Technology - Summer 1976 - 26
Theatre Design & Technology - Summer 1976 - 27
Theatre Design & Technology - Summer 1976 - 28
Theatre Design & Technology - Summer 1976 - 29
Theatre Design & Technology - Summer 1976 - 30
Theatre Design & Technology - Summer 1976 - 31
Theatre Design & Technology - Summer 1976 - 32
Theatre Design & Technology - Summer 1976 - 33
Theatre Design & Technology - Summer 1976 - 34
Theatre Design & Technology - Summer 1976 - 35
Theatre Design & Technology - Summer 1976 - 36
Theatre Design & Technology - Summer 1976 - 37
Theatre Design & Technology - Summer 1976 - 38
Theatre Design & Technology - Summer 1976 - 39
Theatre Design & Technology - Summer 1976 - 40
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2022winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2022winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com