Theatre Design & Technology - Winter 1976 - 15

THEATRES MUST BE THEATRICAL
PERCY CORRY

Mr. Corry's article was first published in the Autumn, 1975 issue of TABS. It is reprinted here with their permission. [Ed.]
Nearly thirty years ago TABS carried the first of fifteen didactic dissertations on the arts and crafts of the
theatre, e.g. Actors Must Act, Stage Managers Must Manage and so on. Those rather flippant contributions extended from 1946 to 1951 and became known in the
corridors of Strand Electric as the "Must Series". This
belated epilogue was recklessly provoked by the present
editor who must accept whatever censure may result.
The series was devised mainly but not exclusively
for the amateurs: TABS originally proclaimed that it was
"Issued in the interests of the Amateur Theatre". In more
recent times the main emphasis may have shifted somewhat but, in truth, there is little basic difference in the
activities of amateur and professional, a truth that would
be disputed scornfully by both with equal lack of justification. Both are trying, with differing degrees of expertise, to present some form of entertainment and to prod
the local populace into visiting the box office. Both are
in the business for their own satisfaction. They would
probably prefer to call it "fulfilment", following prevalent practice of claiming high-falutin motives for all
kinds of communal activities which are invariably egotistically "motivated". (Horrible word! discreetly omitted
from my Shorter Q.E.D.l. Too many of those dear souls
to whom life is real, life is earnest, love to pontificate
about the cultural and social value of their work in some
particular type or form of theatre. At times, judged by
results, they appear not to realise that intention, be it
never so virtuous, is lame excuse for inexpert craftsmanship. When they fail to persuade a sufficient number of
customers to pay for the privilege of participating in
their earnest evangelism, the fault, dear Brutus, is not in
the self-styled stars but in the populace, that they are
myopic underlings.
Qur theatre appears to be suffering from an excess of
subsidised conventionality and of academic theorising.
Francis Reid could be right in suggesting that the rot set
in when Henry Irving was knighted. Admittedly, there
is an anti-new-establishment fringe of roguery and vagabondage invading the urban highways and byways, offering earthy social comment in song and dance, without
making much impact and doing no good or harm to
theatre. These strolling players could be suspect of dubious and patronising attempt to take theatre to a reluctant people. The mountain to Mahomet? Communal life
has always had its wandering minstrels and other itinerant performers. Although they could be part of theatre
in the generic sense they are not very relevant to our
immediate concern with theatres.
Notwithstanding all the pretentious protestations
about social uplift it has to be recognised that theatres
are high street shops offering merchandise for sale.

I

USITT

I

Expert shopkeepers know that they must dramatise both
window display and interior. Whether they do so with
the brashness of the supermarket or with the subtle
delicacy of the exclusive salon depends on the kind of
clientele they are trying to attract. Whatever may be
their particular line of merchandise, theatres, like all
enterprising shops, must be theatrical.
There are now a lot of new theatres, being either
recently completed, work in progress, or on the drawing boards of architects and consultants, each of whom
is assumed to know what should be provided. Provision
must usually be at the expense of the community whose
pursestrings are firmly held by an amorphous assortment
of elected or appointed representatives. The results are
not always aesthetically appropriate or commendable.
Reinforced concrete is not the most lovable of materials
but just occasionally one is relieved to find that it has
been fashioned in grateful form, defying the bleakness
of a wilderness of the standardised "construction" that
has superseded building.
In these days of inflated costs and deflated craftsmanship we must not expect the colonnaded opulence of the
old Theatres Royal but it should not be impossible to
create a main entrance that has magnetic attraction, that
uplifts the spirit, that hold promise of stimulating experience, that compels the interest and induces a readiness
to buy the goods on offer. To present theatre with the
dismal anonymity of a municipal wash-house is an unprofitable exercise in public relations. A theatre may well have
a touch of vulgarity, in the best sense of that much
abused word. It is a place for Everyman, a place in which
he should expect to be emotionally excited. It must offer
colourful and dramatic welcome. To the potential customer it must unmistakably demonstrate that the true
intent is all for his delight. The best of our older theatres
did present impressive fronts and although it was good
business to abolish those segregated entrances, with their
Early Doors and stone staircases for the hoi polloi, the
common entrance must not be too depressingly common
in its egalitarianism.
Even though the theatregoer is now deterred from
wearing white tie and tails by the knowledge that he
would be regarded as an ostentatious freak, some attempt
should be made to create an environment in which patched jeans and scruffy sweater would be incongruous.
The customer should, at least, be suggestively induced
to wash and shave and to wear whatever multi-coloured
costume is the with-it substitute for the old fashioned
Sunday suit. It should be generally accepted that visiting
the theatre is an event, however regular or infrequent it
may be. Theatre going should be an animated experience

Continued on . . . . . . . . . . . . . . . . . . . . . . . . Page 36

THEATRE DESIGN AND TECHNOLOGY

WINTER,1976

15



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1976

Contents
Theatre Design & Technology - Winter 1976 - 1
Theatre Design & Technology - Winter 1976 - 2
Theatre Design & Technology - Winter 1976 - 3
Theatre Design & Technology - Winter 1976 - Contents
Theatre Design & Technology - Winter 1976 - 5
Theatre Design & Technology - Winter 1976 - 6
Theatre Design & Technology - Winter 1976 - 7
Theatre Design & Technology - Winter 1976 - 8
Theatre Design & Technology - Winter 1976 - 9
Theatre Design & Technology - Winter 1976 - 10
Theatre Design & Technology - Winter 1976 - 11
Theatre Design & Technology - Winter 1976 - 12
Theatre Design & Technology - Winter 1976 - 13
Theatre Design & Technology - Winter 1976 - 14
Theatre Design & Technology - Winter 1976 - 15
Theatre Design & Technology - Winter 1976 - 16
Theatre Design & Technology - Winter 1976 - 17
Theatre Design & Technology - Winter 1976 - 18
Theatre Design & Technology - Winter 1976 - 19
Theatre Design & Technology - Winter 1976 - 20
Theatre Design & Technology - Winter 1976 - 21
Theatre Design & Technology - Winter 1976 - 22
Theatre Design & Technology - Winter 1976 - 23
Theatre Design & Technology - Winter 1976 - 24
Theatre Design & Technology - Winter 1976 - 25
Theatre Design & Technology - Winter 1976 - 26
Theatre Design & Technology - Winter 1976 - 27
Theatre Design & Technology - Winter 1976 - 28
Theatre Design & Technology - Winter 1976 - 29
Theatre Design & Technology - Winter 1976 - 30
Theatre Design & Technology - Winter 1976 - 31
Theatre Design & Technology - Winter 1976 - 32
Theatre Design & Technology - Winter 1976 - 33
Theatre Design & Technology - Winter 1976 - 34
Theatre Design & Technology - Winter 1976 - 35
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Theatre Design & Technology - Winter 1976 - 37
Theatre Design & Technology - Winter 1976 - 38
Theatre Design & Technology - Winter 1976 - 39
Theatre Design & Technology - Winter 1976 - 40
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com