Theatre Design & Technology - Winter 1976 - 17

THE TULSA PERFORMING ARTS CENTER
ROBERT B. D'ANGELO & RON JERIT

After nearly two years of intensive planning and
design, construction on Tulsa's new Performing Arts
Center (TPAC) was begun in December, 1974. It is expected that Tulsans will occupy their four theatre complex early in the Spring of 1977.
TPAC is to be part of Williams Center, a downtown
urban renewal scheme. Many prominent architects were
considered for the architectural commission because the
citizens of Tulsa wanted the TPAC complex to be the best
possible centerpiece for their city.
A careful search was conducted which resulted in the
selection of Minoru Yamasaki and Associates (MYA) as
architects; first, because they have designed many important urban structures and second, they were already
designing other elements of the Williams Center development.
MYA, in turn, selected the following consultants
and engineers as members of the planning team:
Structural Engineers; Skilling, Helle, Christiansen &
Robertson: Electrical Engineers; Joseph R. Loring &
Associates: Theatre, Acoustic, and Noise Control Consultants; Bolt, Beranek & Newman, Inc.: Elevator Consultant; Calvin L. Kort.
Simply put, the assignment for the team was to design
and supervise to completion a Performing Arts Center
to meet both immediate and long-term community goals.
A fourteen million dollar budget was established initially,
but it was to grow as time passed, to eighteen and one-half
million. The increase was largely due to program expansion and in part to the inflationary spiral of 1973-74. It is
fortunate for Tulsa that it possessed an imaginative leadership in its political, cultural and business communities.
These individuals worked with dedication to overcome the
crisis caused by the inflation for, without them, as past
experience in other locations has shown, the TPAC would
have faced postponement or cancellation. The history of
the present TPAC's trials is proof that a broad base of
community support, coupled with the leadership's devotion to long-term goals, is essential if communities are to
realize their civic and cultural centers.
Before serious design work could be commenced, it
was necessary to define "community needs and expectations." Indeed, the term "Performing Arts Center" itself lacks a clear definition. We know that the apparently
successful definitions found by one community, if accepted in full, will not guarantee a successful performing arts
center in another. Each community, while learning from
the experiences of others, nevertheless must forge its own
programs and goals.
MYA's design approach is clearly based upon the aforementioned principle. "For me," says Minoru Yamasaki,
"every project is brand new. Each design is for a different

I

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owner, on a different site with different requirements.
One building should be concrete, another steel. Some
should have lots of glass, others much less glass. The
appearance of the building develops out of its requirements. Further, as part of Williams Center, TPAC must
be compatible with its surroundings. It must not be the
most sensational building in the Center, but it must be
as elegant a building as possible. It must appear from the
outside that this is not an office building or an apartment house, but that it is a theatre."
One basic requirement was readily apparent: Tulsa
needed to replace its sixty-year old Municipal Theatre,
a decaying "hemp" house which offered neither functioning sound nor lighting systems. It also had poor acoustics. Throughout Tulsa's modern history, this theatre
has served as a road house for traveling companies and a
home for local cultural institutions such as the Tulsa
Philharmonic, the Tulsa Opera, and the Tulsa Civic Ballet.
But, for a long time it has not met the demands of Tulsa's
needs.
Each previous attempt to replace the Municipal Theatre, or even to renovate it failed, leaving Tulsa's growing
regional audience largely unfulfilled. In the beginning of
1973, however, events so converged that it became possible to remedy the situation.
The Williams Center scheme was formulated, and it
included a home for the performing arts. After the idea
was accepted, TPAC was able to achieve rapid momentum.
These are the key events which have taken place:
Scope program and budget for
proposed new center
April,1973
Bond Issue
May, 1973
Detailed architectural
programming and schematic
studies initiated
July, 1973
Hiring of facilities manager
May, 1974
June, 1974
Architectural design approved
Bid opening
November, 1974
Groundbreaking
December 16, 1974
Further design studies for
alternates and contract
negotiation
November, 1974 thru April, 1975
Excavation complete, superstructure begun
February, 1975
Scheduled completion
Early 1977
This schedule shows that the time alloted to full
realization - four years - was too short. Even more so,
a year and one-half for planning and design was inadequate. Additional time could have been devoted to scope
planning. The three weeks spent hardly uRcovered some
of the budget and site complications whose discovery

THEATRE DESIGN AND TECHNOLOGY

WINTER. 1976

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1976

Contents
Theatre Design & Technology - Winter 1976 - 1
Theatre Design & Technology - Winter 1976 - 2
Theatre Design & Technology - Winter 1976 - 3
Theatre Design & Technology - Winter 1976 - Contents
Theatre Design & Technology - Winter 1976 - 5
Theatre Design & Technology - Winter 1976 - 6
Theatre Design & Technology - Winter 1976 - 7
Theatre Design & Technology - Winter 1976 - 8
Theatre Design & Technology - Winter 1976 - 9
Theatre Design & Technology - Winter 1976 - 10
Theatre Design & Technology - Winter 1976 - 11
Theatre Design & Technology - Winter 1976 - 12
Theatre Design & Technology - Winter 1976 - 13
Theatre Design & Technology - Winter 1976 - 14
Theatre Design & Technology - Winter 1976 - 15
Theatre Design & Technology - Winter 1976 - 16
Theatre Design & Technology - Winter 1976 - 17
Theatre Design & Technology - Winter 1976 - 18
Theatre Design & Technology - Winter 1976 - 19
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com