Theatre Design & Technology - Winter 1976 - 35

identify the subject matter.
On the negative side, the quality of the reproduction is somewhat poor. In places the printing is very light and difficult to
read - so much so that handwritten accentuation has occasionally
been necessary for legibility of particular entries. This, however,
is a realtively minor quibble in view of the overall usefulness of
the book, which should prove to be a most helpful reference item
for those specialized areas of its concern.
W. Joseph Stell
University of Georgia

SONDHEIM AND CO.
by Craig Zadan
New York: Equinox, 1976
ISBN 0-380'{)0607-3
279 pp., illus., $3.95 paperbound
Mr. Zadan has put together a book which is full of interesting
information and has at its center one of the most versatile and
creative persons working in the New York theatre, Stephen Sondheim. Unfortunately it is a book which is also full of disappointments. For example, to say that the author has written this book
would be overstating the case: he has really taped together a book.
He interviewed many people connected with Sondheim's career,
selected material from a lecture given by Sondheim, and has put
all of this togehter to give a picture of the processes involved in
producing musicals, along with analyses of the various facets of
musical comedy, and the changes involved in the transfer from
stage to screen. The book has many interesting discussions by a
number of people working in the theatre, but some of the chapters read like spliced-together, nasty, backstabbing statements
which are more depressing than enlightening. Each of the chapters presents material about a stage in Sondheim's career, and
one of the irritating aspects of Mr. Zadan's style in his proclivity
for cuteness, indicated by the titles such as "Everybody Has
to go Through Stages Like That" and "The Way the Cookies
Crumbled."
The most informative seL-tions of the book are those in which
experts in their particular area of theatre discuss the ways in which
they work and their outlooks about the theatre. In the chapter
on lyric writing, for example, there are eight uninterrupted pages
of Sondheim's remarks on the craft of lyric writing. These comments are witty, clear, and practical and give an insight into his
methods and attitudes. There are also interesting chapters on
casting, orchestration, and original cast recordings. The book provides some answers to questions which have occurred to Sondheim enthusiasts such as why the recording of Follies omits so
many songs, and-why several of Sondheim's musicals were commerical failures.
The structure of the book, moving through the musicals
chronologically, was not only logical, but very revelatory, and I
found pleasure in playing the original cast albums after reading
analytical or post-mortem comments by Arthur Laurents, Harold
Prince, Sondheim and others. The least satisfactory material
was the chapter on Follies. The major effort on the part of those
interviewed seemed to be to designate the worst "bastard" connected with the show - the person being interviewed often unintentionally making himself a prime candidate.
The book has excellent photographs of the musicals from
Westside Story (1957) through A Little Night Music (1973),
movies of the musicals, The Last of Sheila (a movie Sondheim
co-authored), recording sessions, a tribute to Sondheim, and
Sondheim acting in the PBS production of June Moon. The
two appendices are useful in listing everyone connected with
Sondheim's theatrical ventures. Since he has worked with some
of the outstanding scenic designers (Oliver Smith, Boris Aronson,
Jo Mielziner, Tony Walton, and William and Jean Eckart) I was
sorry there wasn't a chapter about scenic design for musicals.
Despite its faults, Sondheim and Co. is enjoyable. The work
done by Sondheim to date is remarkable, and his appearances
on talk shows and in the play June Moon were very engaging.
He is only 46 years old, and will undoubtedly produce excit-

I

USITT

I

ing work for the theatre in the future. Since the most interesting parts of the book are those which quote Sondheim, it would
be a valuable piece of work for him to write a book about his
varied experiences in the theatre. I think such a book would
have the strengths that this book has - interesting subject matter,
precise information, and useful descriptions - plus the qualities
this book lacks - cohesive point of view, clarity of purpose,
and charm.
Yvonne Shafer
University of Delaware

DICTIONARY OF ARCHITECTURE AND CONSTRUCTION
by Cyril M. Harris (Ed.)
New York: McGraw-Hili Book Company, 1975
ISBN 0-07 '{)26756-1
xv + 553 pp., illus., $35.00
To paraphrase another reviewer - "A review of a Dictionary?".
Or, to paraphrase again - "PLOT 0, INFORMATION 10." As a
reference source this book has much to offer the reader, whether
he is in need of a quick definition or simply wishes to browse
through the pages picking out terms he has never encountered
before. As the title states this Dictionary deals specifically with
terms used in architecture and associated fields. However, this
does not mean that it is a small book, on the contrary it contains over 20,000 definitions plus 1775 illustrations. In addition
to the standard terms used in the everyday practice of architecture
this Dictionary also contains terms used in such related fields
as construction, urban planning, landscape architecture,architectural history, church architecture, restoration, and art history.
As such it is an indispensable reference source for those who work
in these fields and need to have accurate information readily at
hand.
For those who require information on items used in current
practice, this Dictionary contains definitions of terms and
abbreviations used on contract documents of architectural projects, such as working drawings and specifications. It also includes information on building products and materials - including their design, appearance, performance, installation, and
testing. Various types of assemblies, systems, tools, devices, and
construction equipment are defined. For those involved in the
historical aspects of architecture there is comprehensive coverage
of terms used in Classical, Medieval, and Renaissance architecture.
This juxtaposition of mundane and esoteric terms on the same
page makes this book a treat to browse through.
The editor of the Dictionary is Cyril Harris, Professor of
Architecture in the Graduate School of Architecture and Planning at Columbia University. Dr. Harris is also Chairman of the
Division of Architectural Technology and Professor of Electrica I
Engineering in the School of Engineering and Applied Sciences.
To most of us involved in theatre design he is probably best
known for his successful acoustical consulting work across the
country as well as his previous publications on acoustics and noise
control. This Dictionary is a culmination of over 10 years work on
the part of Dr. Harris. However, one person alone could not produce this monumental reference source; 52 contributing editors
were also associated with the project - each a specialist in his own
field. In addition to the information provided by the contributing
editors the Dictionary also incorporates recent work of various
standards groups and technical committees of such professional
societies and associations as the American Institute of Architects,
American National Standards Institute, American Society for
Testing & Materials, as well as approximately twenty other groups.
But again, how does one review a dictionary? All one can do
is sum up its attributes. It is an extremely thorough and easily
readable compilation of terms. Each page has numerous photographs, drawings, and diagrams to define further specific items
on that page. The graphics, layout, and legibility are topnotch.
If you ever use terms relating to architecture or construction,
then this reference book belongs on your bookshelf.
David P. Walsh
Wilson, Ihrig & Associates, Inc.

THEATRE DESIGN AND TECHNOLOGY

WINTER,1976

35



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1976

Contents
Theatre Design & Technology - Winter 1976 - 1
Theatre Design & Technology - Winter 1976 - 2
Theatre Design & Technology - Winter 1976 - 3
Theatre Design & Technology - Winter 1976 - Contents
Theatre Design & Technology - Winter 1976 - 5
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