Theatre Design & Technology - Summer 1977 - 9

THE NATIONAL THEATRE-LONDON
ABTT

FREDERICK BENTHAM
Plans and most photographs provided and copyright by the architect, Denys Lasdun and Partners. [Ed.}
At long last all three theatres of the National complex on the South Bank of the Thames in London are
open. They are the Olivier, the Lyttelton, and the Cottesloe in descending order of size. I imagine the first
thing the reader of TD&T is likely to say is "Olivier I
know but Lyttelton and Cottesloe ...?" Before Thespian
academe rushes to library, collection and archive let me
say that they were organisational rather than active _
they never trod the boards but chaired them, so to speak.
The Lyttelton family had a connection with the National
theatre going back to the agitation for one in the 1900s.
Lord Cottesloe was brought in some years ago and
charged by the Government to superintend the building
of a National theatre which he has taken an unconscionable time a-doing. Personally I would rather have opted
for that excellent American practice of exchanging the
privilege of the name over the door for spot cash to cover
all that might lie behind.
'Olivier' is a splendid choice and it doesn't matter
much what the middle theatre is called - 'Deutsches
Theatre' would have had at least the merit of being exactIy descriptive of the stage plan - but it is the name of

the studio theatre that vexes many of us. It ought to have
been called the 'Baylis' after Lilian Baylis, 'the Lady'
to whom our National theatre - indeed everybody in
theatre - owes so much. It may come as a surprise (or
then again it may not!) to TD& T readers that our monarchy had even less to do with the creation of our Royal
Opera and our Royal Ballet than Lyttelton and Cottesloe
with 'their' theatres. The same can be said of the English
nation in respect of the English National Opera and Ballet.
It was Lilian Baylis who started such things long ago
in the Old Vic theatre and from 1931 in the Sadler's
Wells theatre, which she rebuilt, as well. And all this
she did on a minimal budget without any State aid whatever.' Although she has been 'celebrated' in this context on SSC radio and television and by the National
Company just before they left their first home - her
Old Vic - her name is not over any door in the new concrete palace.
What's in a name? That which we call the Cottesloe
is very much the poor relation - right round the bend
past the stage door. One wonders why there is not internal
access for the audience to get to and from the foyers,

CIlM\'II.A5IDUl'lMCl~

---

_

~==-----

Site plan: Olivier theatre bottom left, Lyttelton theatre right, workshops across the top.

I

USITT

I

THEATRE DESIGN AND TECHNOLOGY

SUMMER,1977

9



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1977

Contents
Theatre Design & Technology - Summer 1977 - 1
Theatre Design & Technology - Summer 1977 - 2
Theatre Design & Technology - Summer 1977 - 3
Theatre Design & Technology - Summer 1977 - Contents
Theatre Design & Technology - Summer 1977 - 5
Theatre Design & Technology - Summer 1977 - 6
Theatre Design & Technology - Summer 1977 - 7
Theatre Design & Technology - Summer 1977 - 8
Theatre Design & Technology - Summer 1977 - 9
Theatre Design & Technology - Summer 1977 - 10
Theatre Design & Technology - Summer 1977 - 11
Theatre Design & Technology - Summer 1977 - 12
Theatre Design & Technology - Summer 1977 - 13
Theatre Design & Technology - Summer 1977 - 14
Theatre Design & Technology - Summer 1977 - 15
Theatre Design & Technology - Summer 1977 - 16
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Theatre Design & Technology - Summer 1977 - 18
Theatre Design & Technology - Summer 1977 - 19
Theatre Design & Technology - Summer 1977 - 20
Theatre Design & Technology - Summer 1977 - 21
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Theatre Design & Technology - Summer 1977 - 23
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Theatre Design & Technology - Summer 1977 - 25
Theatre Design & Technology - Summer 1977 - 26
Theatre Design & Technology - Summer 1977 - 27
Theatre Design & Technology - Summer 1977 - 28
Theatre Design & Technology - Summer 1977 - 29
Theatre Design & Technology - Summer 1977 - 30
Theatre Design & Technology - Summer 1977 - 31
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Theatre Design & Technology - Summer 1977 - 33
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Theatre Design & Technology - Summer 1977 - 35
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Theatre Design & Technology - Summer 1977 - 40
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