Theatre Design & Technology - Winter 1977 - 17
This type of theatre gave us some nice examples, but
we do wonder whether we have to restore them all. We
often deal with a theatre form, "technically" derived
from the good bonbonniere-theatre, wh ich had totally
lost the refined expression of space characteristic of the
theatres of the 17th and 18th century. This is meant to
be a generalization, for I am going to talk about a 19th
century theatre that gives the lie to this division.
The question of whether we ought to restore the aforementioned type differs indeed from the question of why
we are still imitating them. Why does the desire for the
bonbonniere-style return? Hardly anyone is trying to
investigate this desire. In my opinion this imitation is
due to a failure to analyse the psychological influence of
space. One of the features of good theatres of past centuries ignored during recent decades has been the following law: bring as many people as possible, as closely as
possible, towards the stage. This is essential for the actors
and the audience, who are supposed to be integrated with
one another. This slowly disappeared because of the cinema-model and the countless security regulations. Bringing the audience towards the scene with horseshoe-shaped
galleries and balconies did not result in good sightlines
for everyone: most of the people in the back rows had a
bad view of the stage and they often had to stand up.
Basically, that is why standing room was provided for the
cheaper ranks. In my opinion the theatre of the cinemamodel has little or no right to protection or restoration they are, in the main, simply bad, and only sentimental
reasons should make us decide to preserve a single example. Its illogical construction destroys any possibility of
real theatre. Even a drive-in cinema would be more functional. In the case of the horseshoe-shaped theatre, it is
important to determine on what grounds we want, or how
far we are able, to restore it. Taking the line of using
such a building as well as possible, one must have the
courage to change the theatre drastically in order to be
able to exploit it. As to that, there are five main divisions.
THE AUDITORIUM
It is almost funny to realize that in the case of historic
theatres we want to retain the auditorium, but that everyth ing in it has to be changed.
1. We do not want our field of view to be obstructed by
columns, so we get rid of them.
2. We want to sit comfortably, so we replace the original
seats with larger, and more comfortable ones.
Auditorium of the Restored Theatre in Leiden.
I
USITT
I
THEATRE DESIGN AND TECHNOLOGY
Photo by Jac. Ten Broek
WINTER,1977
17
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1977
Contents
Theatre Design & Technology - Winter 1977 - 1
Theatre Design & Technology - Winter 1977 - 2
Theatre Design & Technology - Winter 1977 - 3
Theatre Design & Technology - Winter 1977 - Contents
Theatre Design & Technology - Winter 1977 - 5
Theatre Design & Technology - Winter 1977 - 6
Theatre Design & Technology - Winter 1977 - 7
Theatre Design & Technology - Winter 1977 - 8
Theatre Design & Technology - Winter 1977 - 9
Theatre Design & Technology - Winter 1977 - 10
Theatre Design & Technology - Winter 1977 - 11
Theatre Design & Technology - Winter 1977 - 12
Theatre Design & Technology - Winter 1977 - 13
Theatre Design & Technology - Winter 1977 - 14
Theatre Design & Technology - Winter 1977 - 15
Theatre Design & Technology - Winter 1977 - 16
Theatre Design & Technology - Winter 1977 - 17
Theatre Design & Technology - Winter 1977 - 18
Theatre Design & Technology - Winter 1977 - 19
Theatre Design & Technology - Winter 1977 - 20
Theatre Design & Technology - Winter 1977 - 21
Theatre Design & Technology - Winter 1977 - 22
Theatre Design & Technology - Winter 1977 - 23
Theatre Design & Technology - Winter 1977 - 24
Theatre Design & Technology - Winter 1977 - 25
Theatre Design & Technology - Winter 1977 - 26
Theatre Design & Technology - Winter 1977 - 27
Theatre Design & Technology - Winter 1977 - 28
Theatre Design & Technology - Winter 1977 - 29
Theatre Design & Technology - Winter 1977 - 30
Theatre Design & Technology - Winter 1977 - 31
Theatre Design & Technology - Winter 1977 - 32
Theatre Design & Technology - Winter 1977 - 33
Theatre Design & Technology - Winter 1977 - 34
Theatre Design & Technology - Winter 1977 - 35
Theatre Design & Technology - Winter 1977 - 36
Theatre Design & Technology - Winter 1977 - 37
Theatre Design & Technology - Winter 1977 - 38
Theatre Design & Technology - Winter 1977 - 39
Theatre Design & Technology - Winter 1977 - 40
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