Theatre Design & Technology - Winter 1977 - 26
Of course, the common doors close automatically in
case of fire. As you will understand it is necessary to make
decisions relevant to today with this kind of restoration.
If the historican or the museum-expert make decisions, it
is doubtful whether we will have a "useful" result.
I do have to admit that it is possible for us to overlook
whether a building of that kind can be used. (Culture does
not make a profit, but the question is whether the community is able to bear the responsibility of a loss in exploitation unconditionally). But we are not able to overlook this for the future. Since the theatre is undergoing
an enormous revolution, which is revealing itself here
and there, it is a question of whether loss in exploitation
will increase drastically. However: people will always keep
asking for historic theatre, performed in its own environment.
(It is significant, however that international avant-garde
companies, for example, those who are playing in the
Amsterdam Mickery theatre, are likely to play in Leiden
in spite of all the above restrictions).
If we had a theatre which is neither historically nor
aesthetically of any importance at our disposal, we could
construct a more practical and prettier theatre in the
available space (which was not the case in Leidenl. But are
we still talking about restoration? Do we tend to restore
old buildings - for example, theatres - more than in
previous decades? This question has to be answered in
the affirmative.
Is it because the value of the space-effect in these older
theatres has been underestimated and that we understand
it now? I would not dare to say that: I am afraid that the
fear, which I have already mentioned, plays an important
Photo be Jac. Ten Broek
First Balcony Gal/ery Lobby - Theatre in Leiden.
And yet we have arrived at the other possibil ity of
restoration - the museum - which sometimes will certainly be necessary. I must state this as a kind of sciencefiction, it is not very far away. Referring to the theatre
in Leiden, I am very well aware of the restrictions for
the audience. There is no theatre-in-the-round, the proscenium openinq is small, there is no second playing-level
in the auditorium that would have brought the stage into
the audience.
26
WINTER,1977
part in this case.
So the motive is not only nostalgia, it is also in the
recognition of the fact that even in the - for us - hard
to understand 19th century, halls were built that we
hardly could have built, simply because we lack the
subtlety for it. It is the disrespect for the 19th century harboured by us for fifty years - that can play us dangerous tricks.
Meanwhile, it will be clear to you that this is a long,
THEATRE DESIGN AND TECHNOLOGY
I USITT I
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1977
Contents
Theatre Design & Technology - Winter 1977 - 1
Theatre Design & Technology - Winter 1977 - 2
Theatre Design & Technology - Winter 1977 - 3
Theatre Design & Technology - Winter 1977 - Contents
Theatre Design & Technology - Winter 1977 - 5
Theatre Design & Technology - Winter 1977 - 6
Theatre Design & Technology - Winter 1977 - 7
Theatre Design & Technology - Winter 1977 - 8
Theatre Design & Technology - Winter 1977 - 9
Theatre Design & Technology - Winter 1977 - 10
Theatre Design & Technology - Winter 1977 - 11
Theatre Design & Technology - Winter 1977 - 12
Theatre Design & Technology - Winter 1977 - 13
Theatre Design & Technology - Winter 1977 - 14
Theatre Design & Technology - Winter 1977 - 15
Theatre Design & Technology - Winter 1977 - 16
Theatre Design & Technology - Winter 1977 - 17
Theatre Design & Technology - Winter 1977 - 18
Theatre Design & Technology - Winter 1977 - 19
Theatre Design & Technology - Winter 1977 - 20
Theatre Design & Technology - Winter 1977 - 21
Theatre Design & Technology - Winter 1977 - 22
Theatre Design & Technology - Winter 1977 - 23
Theatre Design & Technology - Winter 1977 - 24
Theatre Design & Technology - Winter 1977 - 25
Theatre Design & Technology - Winter 1977 - 26
Theatre Design & Technology - Winter 1977 - 27
Theatre Design & Technology - Winter 1977 - 28
Theatre Design & Technology - Winter 1977 - 29
Theatre Design & Technology - Winter 1977 - 30
Theatre Design & Technology - Winter 1977 - 31
Theatre Design & Technology - Winter 1977 - 32
Theatre Design & Technology - Winter 1977 - 33
Theatre Design & Technology - Winter 1977 - 34
Theatre Design & Technology - Winter 1977 - 35
Theatre Design & Technology - Winter 1977 - 36
Theatre Design & Technology - Winter 1977 - 37
Theatre Design & Technology - Winter 1977 - 38
Theatre Design & Technology - Winter 1977 - 39
Theatre Design & Technology - Winter 1977 - 40
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