Theatre Design & Technology - Summer 1980 - 10

_ l

seum of Merida, and casts of three of them are in the niches of
the scaenae frons. These are presumed to be Ceres, Proserpina and Pluto. In his History of Badajoz, Melida set up the following table for distribution of the statues:
Stage Right: Figure in toga/Trajan/Portal/Hadrian/
Pluto/Proserpina/Central Portal.
Stage Left: Venus/Ceres/Jupiter /Portal/ Augustus/
Figure in toga. 27
This plan places all the statues in the niches on the lower colonnade. A theoretical reconstruction supplied by Melida at a
later date to Ramon Menendez Pidal for his History of Spain
shows the statue of Ceres in the valva regia (as it now is) and
the other statues in the adjacent left and right niches, six on
each colonnade. 28 Which arrangement will finally be chosen
remains to be seen.
The reconstruction of the theatre has been very successful
in establishing a place for productions which is both beautiful
and practical-the theatre is not intended to be simply a museum. The first production took place in 1933; it was a version
of Seneca's Medea by Unamuno. 29 In 1934 both Medea and
Electra were presented as part of an enormous Republican
rally held in the theatre. After 1934, productions of plays of
some sort were held annually in the summer, excluding years
in which war or work on the theatre interfered. From 1945 to
the present there has usually been a festival in the months of
June and July, although in 1968 there were no productions
because of reconstruction work. There have been various programs of plays or dance by visiting companies such as the National Theatre of Spain, and temporary structures (such as

flooring for the orchestra or pulpitum) have been built for their
use. The productions are usually in the evening and require
temporarily installed modern lighting. There have been occasional productions which used both the theatre and the amphitheatre. One of the most famous productions was Julius
Caesar in the late 1940's. The play began in the theatre and
the action of the final scenes took place in the amphitheatre,
with horses, chariots and spectacular battles. The 1961 production by the Company of Lope De Vega of Cervantes' historical tragedy Numancia was also performed in the theatre
and the amphitheatre. It utilized fifty actors in speaking roles
and hundreds of people in other capacities and was performed six evenings in June.
Present plans for the theatre are to enlarge the summer festivals and to continue the reconstruction. In 1967 officials predicted that the theatre would be completed in a few years, and
progress has been impressive but there is still a great deal of
work to do. How far the reconstruction will go will depend on
the Director of Excavations and how much funding the government is willing to provide. The theoretical reconstruction
mentioned above shows elaborate use of marble on the pu/pitum, a highly decorated roof over the pulpitum, a decorative
dome behind the statue of Ceres in the valva regia, blue
marble behind the columns of the scaenae frons, and gilding
on the Corinthian capitals. Such a reconstruction would naturally be incredibly expensive. It would also be open to criticism because it would be almost entirely hypothetical as there
are no more original architectural elements to put into place.
Completing the theatre according to the theoretical reconstruction would mean a great deal of new building with new

Dr. Shafer teaches at the University of Delaware. She has published articles on theatre history in a number of journals including
Theatre Journal, Players, and TO& T.
8

Theatre Design & Technology

USITI /Summer, 1980



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1980

Contents
Theatre Design & Technology - Summer 1980 - 1
Theatre Design & Technology - Summer 1980 - 2
Theatre Design & Technology - Summer 1980 - 3
Theatre Design & Technology - Summer 1980 - Contents
Theatre Design & Technology - Summer 1980 - 5
Theatre Design & Technology - Summer 1980 - 6
Theatre Design & Technology - Summer 1980 - 7
Theatre Design & Technology - Summer 1980 - 8
Theatre Design & Technology - Summer 1980 - 9
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