Theatre Design & Technology - Summer 1980 - 24

IIko, Donald. Joseph Urban: The Relation of Stage Design and Architecture in His Work. Case Western Reserve 1969.
Irving, George Ward. Methods by Which Volumes of Space Are Modified in Nine Flexible Theatres. Stanford University 1966.
Jones, Clifford R. Temple Theatre of Kerala: Its Hisfory and Description. University of Pennsylvania 1967.
Koenig, Bruce A. Theatre Royal, Drury Lane: An Architectural Study.
University of Minnesota 1972.
Lee, Briant Hamor. The Contributions of Pierre Patte and Paolo Landriana to European Neo-Classic Theatre Architecture. Michigan
State University 1970.
Lewis, Stanley T. The New York Theatre: Its Background and Architectural Development: 1 750-1853. Ohio State University 1953.
Lomax, Daniel. Multiform Theatre for an Educational Repertory Program. University of Denver 1963.
Macomber, Philip Alan. Iconography of London Theatre Auditorium
Architecture. Ohio State University 1959.
Marienthal, Harold Seymour. A Historical Study of the New York Lyceum Theatre Under the Management of Steele Mackaye, 18841885. University of Southern California 1966.
Martin, James Lester. A History of the Van Cliburn Auditorium, A
Small Theatre with a Multiform Stage Constructed as a Portion of
the Applied Arts Building at Kilgore College, Kilgore, Texas. ULCA
1971.
McBryde, Donald M. The Design and Equipment Specifications of a
Theatre Building for the University of Mississippi. University of
Denver 1964.
McNamara, Brooks Barry. The Development of the American Playhouse in the 18th Century. Tulane 1965.
Middleton, Thomas. The Urban and Architectural Environment of the
Corrales of Madrid: The Corral de la Cruz Inigo. University of California Los Angeles 1976.
Miller, Thomas C. Theatre Architecture and Design at the Turn of the
Century in Chicago. University of Colorado 1977.
Mooney, William West. The House Door on the Ancient Stage. Classics Princeton 1913.
Niemeyer, Grover Charles. The Renaissance and Baroque Theatre in
France: The Playhouses and the Mise En Scene 1550-1700. Yale
1942.
Nordsieck, Reinhold L.W. The Stage of the Passion Plays of Bozin in
1514. Ohio State University 1936.
Oosting, John Thomas. The Teatro Olimpico: An Analysis of Design
Sources. University of Iowa 1970.
Poe, Harold W. Critical Elements of Functional Theatre Architecture in
American Colleges and Universities. Florida State University 1967.
Poe, Harold. College and University Theatre Architecture in the United
States. Florida State University 1964.
Rietz, Louise C. History of the Theatre of Kansas City, Missouri, from
the Beginnings until 1900. University of Iowa 1939.
Roach, Joseph Roger, Jr. Vanbrugh's English Baroque: Opera House
in the Haymarket. Cornell University 1973.
Ryan, Thomas. The Surry Theatre, London: 1816-1833. University of
Wisconsin (Madison) 1973.
Sanderson, Dennis Carl. Conjectural Reconstruction from the Ruins
of the Ancient Greek Theatre at Morgantina, Sicily. Michigan State
University 1973.
Sanford, John S. The Stage and Theatre of the Fifth Century. University of Minnesota 1894.
Scanlan, Elizabeth G. Tennis Court Theatres and the Duke's Playhouse 1661-1671. Columbia University 1952.
Scott, Alywn Preston Hosking. A Speculative Study to Search for the
Genesis of the Architectural Form of the Ancient Greek Theatre to
Indicate A Possible Origin of Greek Drama in Calendar-Fixing. New
York University 1972.
Slabaugh, Richard Glenn. A New Orthodoxy: The History and Theory
of the Modern Open Stage. University of Washington, 1968.
Slover, George W. Elizabethan Playhouse and the Tradition of liturgical Stage Structure. Indiana University 1968.
Stanley, Audrey Enice. Early Theatre Structures in Ancient Greece: A
Survey of Archaeological and Literary Records from the Minoan
Period to 388 B.C. University of California (Berkeley) 1970.
Stillwell, Vern. Analysis of the Major Examples of the Open Stage
Concept Initiated at Stratford, Ontario. University of Michigan
1966.
Stoddard, Richard Foster. The Architecture and Technology of Boston Theatres 1794-1854. Yale University 1971.
Toner, Marijo C. Architect and Theatre: Ralph Rapson. University of
Minnesota 1978.

Theatre Design & Technology

Travis, Steve. Changing Forms in Contemporary Theatre Architecture.
University of Denver 1963.
Tsiouris, Irene Cristina. A Survey of Extant Greek Theatres 600-133
B.C. Denver 1961.
Watson, Thomas S. A Study of Contemporary Theatre Planning and
Architectural Design for the Educational Theatre. Case Western
Reserve University 1964.
Weller, Betty H. Norman Bel Geddes: Designer, Director, Stage Architecf. University of Iowa 1959.
Willis, Richard A. Fire at the Theatre: Theatre Conflagrations in the
United States from 1798-1950. Northwestern University 1967.
Wilson, Dennis Downing. A Historical Study of the Origins of the Physical Aspects of the Restoration Playhouse with Special Emphasis
on the Dorset Garden Theatre. University of Southern California
1975.
Wilt, James N. The History of the Two Rice Theatres in Chicago from
1847 to 1857. University of Chicago 1923.
Wolcott, John R. English Influences on American Staging Practice: A
Case Study of the Chestnut Street Theatre, Philadelphia 17941820. Ohio State University 1967.
Works, Bernhard R. Norman Bel Geddes, Man of Ideas. University of
Wisconsin 1960.

Scene Design
Abegglen, Homer N. Methods of Staging in London Theatre in the
Last Half of the 19th Century. Case Western Reserve University
1945.
Arnold, Richard. The New Stagecraft: Developments in Scenery and
Lighting on the New York Stage Between 1900 and 1915. Northwestern University 1962.
Bogusch, George. Unity in the New Stagecraft: A Study of Productions Designed and Directed by Norman Bel Geddes. Indiana University 1968.
Butler, James H. A Study of Ancient Greek, Roman and Medieval
Theatre Conventions and Devices. University of Southern California 1948.
Collom, Jeffery Robert. The Role of Contemporary Scene Building
Houses for Broadway Theatre. Michigan State University 1975.
Coughenour, Kay L. The Contribution of the Robert Bergman Scenic
Studio to Contemporary American Scene Design. Kent State University 1973.
Davis, Jed Horace Jr. The Art of Scenic Design and Staging for Children's Theatre. University of Minnesota 1958.
Dresen, James William. Theatrical Contributions of Norman Bel Geddes. Northwestern University 1968.
Eckert, William Dean. The Renaissance Stage in Italy: A Study of the
Evolution of the Perspective Scene. University of Iowa 1961.
Embler, Jeffrey. Film Applications in Legitimate Theatre Production.
Pittsburgh University 1970.
Flatten, David. Ming Cho Lee, Designer. University of California
(Santa Barbara) 1978.
Gardner, John. Irving's Scene Painters: Principal Scenic Artists at the
Lyceum 1878-1898. Florida State University 1975.
Guthrie, David G. A Study of the Nineteenth Century Innovations in
Scenic Design and Contributed to the American Theatre. New York
University 1973.
Guthrie, David Gordon. The Innovations of Steele Mackaye in Scenic
Design and Stage Practice as Contribution to the American
Theatre. New York University 1974.
Habecker, Thomas James. History of the United Scenic Artists Union.
University of Illinois (Urbana) 1974.
Hammer, Gael Warren. Staging of Elizabethan Plays in Private
Theatres 1632-1642. University of Iowa 1972.
Hawley, James Abgriffith. Inigo Jones and the New England Stagecraff. Ohio State University 1967.
Hensley, Jack. A History of the Theatre Section of the New York
Times as a Record of the New York Commercial Theatre. University
of Wisconsin 1965.
Hicks, Lee Roy. Robert Edmund Jones: Stage Director. University of
Colorado 1969.
Hippely, E.C. An Enclopedia of American Scenographers: 19001960. University of Denver 1966.
Hunter, Harold. The Effects of Architectual Training with Frank Lloyd
Wright on the Scene Designs of Sean Kenney. University of Ohio
1978.
Jenkins, Charles A. Parisian Boulevard Theatres from 1779 to 1791:
The Development of Stage Spectacle. Indiana University 1974.

USITT /Summer, 1980

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1980