Theatre Design & Technology - Summer 1980 - 26

Whaley, Frank J. An Analytical Study of Production Facilities of Contemporary Professional American Repertory Companies. Florida
State University 1970.

Lighting Practice

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Burch, Roger Bruce. The Design of Electrical Lighting and Control
Systems in the United States. University of Illinois (Urbana) 1972.
Guttman, Gilda. Multi-Media Projected Scenery at the New York City
Opera. Educational Theatre 1980.
Maycock, William Perren. Electric Wiring, Fittings, Switches and
Lamps. University of Minnesota 1959.
Rubin, Joel Edward. The Technical Development of Stage Lighting
Apparatus in the United States, 1900-1950. Stanford University
1960.
Scales, Robert Ray. Stage Lighting Theory, Equipment, and Practice
in the United States from 1900-1935. University of Minnesota
1969.
Smith, Milton Myers. Equipment of the School Theatre. Columbia University 1930.

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Theatre Design & Tecnnology

Batcheller, Joseph Donald. David Belasco. University of Minnesota
1942.
Black, Eugene. Robert Edmond Jones: Poetic Artist of the New Stagecraft. University of Wisconsin (Madison) 1955.
Bock, Fred Clinton. Scheme for Arena Theatre Lighting Grid Design in
Terms of Grid Spacing, Walkway Space, and Masking by Louvres.
Ohio State University 1966.
Cordray, Laurie Ann Stepanian. The Development of Stage Lighting
Theories and Practices in America from the Beginning to 1850.
University of Missouri (Columbia) 1973.
Davis, Jerry Leon. Development of Stage Lighting Principles. University of Kansas 1968.
Dewey, Walter S. The Use of Visual Aids in Teaching Stage Lighting.
University of Iowa 1953.
Forde, Gladys T. David Belasco: An Evaluation of the Man and His
Contributions to American Theatre History. Case Western Reserve
University 1955.
Goltry, Thomas Scott. An Experimental Study of the Effect of Light Intensity on Audience Perception of Character Dominance. University of Wisconsin (Madison) 1969.
Graves, Robert. English Stage Lighting 1575-1642. Northwestern
University 1976.
Held, MacDonald Watkins. A History of Stage Lighting in the United
States in the Nineteenth Century. Northwestern University 1955.
Hild, Stephen Glenn. United States Patents Pertaining to Theatre. University of Missouri-Columbia 1972.
Huntley, Stirling Louis. Some Emotional Reactions of a Theatre Audience with Regard to Colored Light. Stanford University 1956.
Huntley, Stirling. Psychology of Color as Related to Design. Stanford
University 1955.
Lynch, Edmund. Analytical and Descriptive Study of Louis Hartman's
Contribution to Modern Theatre Lighting. University of Denver
1963
Mincher, John. A Conceptual Approach to Stage Lighting Design:
Four Plays in Repertory. Southern Illinois University 1973.
Moore, Ulrich. Music and Scene by Appia in Translation. Cornell University 1929.
Murray, D.L. Rise of the American Professional Lighting Designer to
1960. University of Michigan 1970.
Olson, Ronald Charles. Edward F. Kook: Link Between the Theatre
Artist and Technician. New York University 1978.
Rubin, Joel E. Interrelation of Stage Lighting and Scene Design on the
New Stage Between 1900-1950. Stanford University 1953.
Sesak, Mary Margaret. The Lighting Designs of Jean Rosenthal. Ohio
State University 1976.
Thayer, David Lewis. Study of the Influence of Conventional Film
Lighting on Audience Response. State University of Iowa 1960.
Utterback, James. Photographic Transparencies as a Means of
Teaching Stage Lighting. Southern Illinois University 1974.
Walker, John A. The Functions of Stage Lighting in the Changing Concepts of the Stage. Cornell University 1952.
Weller, Betty H. Norman Bel Geddes: Designer, Director, Stage architect. University of Iowa 1959.
Works, Bernhard R. Norman Bel Geddes, Man of Ideas. University of
Wisconsin 1960.0

USITI/Summer, 1980

Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1980