Theatre Design & Technology - Summer 1981 - 56

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TABS, the British journal published by the Rank Strand Corporation
which has been out of publication for over two years is back under the
editorship of Richard M. Harris. The first issue is listed as Volume 37,
Number 1, December 1980. Copies are available by writing to TABS,
P.O. Box 51, Great West Rd., Brentford, Middlesex, England TW8
9HR.
Actualite de la Scenographie 16 (July, 1980): Donato Sartori, Caractere et morphologie du masque; Sophie Creuz, Le masque: cacher
pour mieux reveler, Tania Joukovsky, Pierrot d'Asieres; Ronald S.
Jenkins, Le topeng: clowns et dieux balinais; Yoko Odagiri, Le theatre
n6."
Bauten der Kultur (3, 1980): Alfred Schwandt, Ruth Stein, Die vier
Ebenen des kulturellen Lebens im Wohnmilieu; Walter Kockeritz, Ku/turellen Einrichtungen in Erdgeschossen von Wohngebauden der
WBS 70; Peter Gunnel, Bibliotheken-aktive Kulturvermittler in neuen
Wohngebieten; Klubhaus der Werkt,Wgen in Halberstadt; Wladilen D.
Krasilnikov, Gesellschaftliches Zentrum im Kolchosdorf auf der Krim/
UdSSR; Dalibor Stys, Neues kulturelles Zentrum im Ceske Budejovice/CSSR.
BDK (4, 1980): Peter Albert, Die Rekonstruktion von Theatern; Rekonstruktion des Theaters der Jungen Generation in Dresden; Peter
R~sner, Bauablauf und technische Ausrustung; JQrgen Siefert, Das
Liebhabertheater des Schlosses Kochberg; Zdenek Vavra, Die Rekonstruktion des Nationaltheaters in Prag; Armando Garcia Rios,
Kubanisches Nationaltheater in Havana; Walter K~ckeritz and Peter
Hentschel, Die Wiederherstellung der historischen Leuchten in der
Semperoper Dresden; Wolfgang Ander, Zur elektrischen Installation
der Leuchten.

BOhnentechnische Rundschau (Sonderhefl, 1980): Helmut Grosser,
Wer macht Theater-Wie lernt man das; H. Grosser, Berufliche Ausund Weiterbildung; Technische Theaterberufe; Muster eines Ausbildungs-vert rages.
BTR (August, 1980): Julian Herrey, Das Internationale Congress Centrum Berlin; Ulrich P. Engel, Eine Drehscheibe---ernst nach 155 Jahren; Candela oder Nicht-Candela; Uber die Beleuchtung; Alexander
Zillor, Bewgung und Antrieb; Tom Robertson, Der Theaterma/er, Othmar Schwartz, Eine Blumenweise fur den Karfreitagszauber.
BTR (December 1980): Volker Josefowski, Schnarboden in
Gleichschrift; Hans Marggraf, Da mussen Sie sich schon 'was Besseres einfallen lassen!; Wolf Grau, Sicherheitsechnische Normung in
der Film-, Photo-, und Theatertechnik; Bildschirmplatze; Nachruf Willi
Heinrich, Harald Apponius: Begriffe andern, um nicht Arbeitsgange
andern zu mussen; Michael Hampe, Wer macht Theater-wie lernt
man das?

Medlemsblad 3 (October, 1980): Ordf6randen; Stipendium; Stodjande medlem; BIT Berlin; Theaterfotografering; Laser; Teknikkurs i
Malmo; Stallverk och datorer; Utbildningsgruppen; PTU-resan;Tankar
om skyddsutbildning.
Medlemsblad (December 1980): Brand Pa Nationaltheatern i Oslo;
Plast-Speglar ... ; Reseberatte/se fran Starjino Pozorje i Jugos/avien
En nationell teaterfestival; Operans Transportsystem; Ljuddesign av
Musikaler; Byggnadsstallning Blev "Scenmaskin".
Podium & Technikek 4 (August, 1980): L.H.P. Waterman, Nieuwe
conservatorium snel geaccepteerd; Jan Niles, Guus van Haarstert: 'Je
mist hier toch wei de echte theatersfeer, Paul van Haaster, Hans van
Hooijdonk acht taak voltoid; On no Greiner, Biberach heeft in berg

54

Theatre Design & Technology

geschoven theater, Prof. dr. ir. R. Plomp, De zaal als medium van geluidsoverdracht; Arjen Hoogervorst, Lichttechniek: programmern; Cor
Riethof, Geluidstechniek: versterkerkers; Benno de Vries, Decorbouw
in detail: schilderen van decors.

P&T 5 (October, 1980): Rik van Hulst, Antonius en Cleopatra bij de
STA; Christ Lievaart, Buhnentechnische tagung een succes; Wie
maakt theater? Hoe leer je dat?; Jan Niles, Den Haag: stadt van onbruikbare theaters; Dr. A. von Meier, Zaalakoestiek bij multipel gebruik; Paul van Haastler, Het mooiste vak dat ik ken, Cor Riethof, Geluidstechniek: luidsprekers; Arjen Hoogervorst, Lichttechniek:
hulpmiddelen; Benno de Vries, Decorbouw in detail: kwasten en penselen.
Szenicheskaya Tekhnika i Tekhnologya (1, 1980): (Translations
provided by SIT) The missions for the "Giproteatr" Institute to be accomplished in the last year of the current Five-year plan; L.D. Chumakov, The "Giproteatr" Institute Scientific Research Labratory accomplishments; Scientific-Practical Conference of the Socialist Countries
materials; A.1. Sveridochkin, The goals for scientific, technical, and
production management in the process of development of material
and technical basis of culture; I. Neter, Designing cultural objects in
new residential areas; I. Arshinkov, S. Sharlandiyev, 'Culture' material-production corporation-the effective form of complex servicing
of material and technical basis of culture; K. Petkov, Some social and
technical aspects of theatre buildings' efficiency; V.V Ostrovskaya,
Determination of foyer's perimiters in the audience section of the
theatre; M. M. Gavrilova, V. V. Krasilnikov, Civic and cultural centers
(design and construction abroad); A. Karaulov, Spacial and temporal
decisions in Tovstonogov's productions; Simov's designs for Chekov's plays; A. S. Isakov, Electrical stage equipment in Havana's multipurpose halls; R. I. Pashkovski, Chosing stage lighting control systems; The stage in the College of Birmingham's Theatre; Standard
scenic platforms; Scenic wagons bracing system; P. S. Zhalnin, Uniformity in a production; Defining cloth's shortening after washing; To
help a designer.

STT (2, 1980): Y. P. Gnedovsky, Setting principles for theatre buildings; Interrelations of cultural demands, architecture, technology, and
economics in cultural objects construction; V. V. Lazarev, Setting of
theatre buildings in the Soviet Union today; M. Ignatov, Estimating the
efficiency of culture's material and technical basis; B. V. Sunik, Material and technical maintenance for cultural institutions; A. E. Weisman,
Coordination, approval, and state registration of technical conditions
of products designed and manufactured for cultural use; M. I. Kausman, Qualifying assembly shop workers; Revolutionary Sketch'-a
production about Lenin; G. P. Uvarov, Stage irradiating device; V. I.
Zilber, PU-41 control panels; C. I. Liakhovich, Stage manager assistant's control board TRI-3; A. G. Meiler, Collapsible horizon; Patents
information; V. E. Rosenstein, Lower stage mechanizing solutions;
Designing clothes; S. B. Chizhevsky, Three-dimensional soft backdrops; P. S. Zhalnin, Uniforms; A. M. Averbach, Russian reward medals.
STT (3, 1980): V. D. Krasilnikov, Basic tendencies in modern theatre
construction; E. I. Sivenkov, Amusement and sport halls with subdivided acting space--a new type of urban multipurpose halls; V. P.
Kutukov, Scenic expression in a puppet theatre; L. T. Shkap, Universal footlights; G. I. Ashkenazi, A. V. Rodionov, Single-lamp theatre
footlight SvTG-O.5R; V. E. A. Rosenstein, A forgotten system of scenic lifts arrangement; Y. Koyduaru, Spotlights remote-control unit; L.
V. Kuzmenko, Soviet pavillion at the 'Te/ephototechnika-BO'; V. V. Selivanov, Theatre furniture--props manufacturing; K. Zupans, Principles of compressed-air engine operation; Armed forces uniform in
Britain 1940--1945; V. Y. Ryvin, Calculative tables for scenery design.O

USITT /Summer, 1981
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1981
