Theatre Design & Technology - Winter 1981 - 26

mixing desk although the original Broadway production, mounted the previous year, was still using a bank of small rotary
control mixers.
I started my career as a theatre sound designer in 1958, but it
remained something of a one man crusade for at least ten years
when, largely through the advent of the printed circuit board, a
breed of audio control equipment emerged which was at once
technically more sophisticated, of a higher overall standard of
performance, and, most importantly, reasonably priced. The
composer, the musical orchestrater, and the sound designer
now had more creative freedom. This they began to use,
although all too often abuse, to the detriment of both the
performance and the eardrums of the audience.
As an example of this increasing reliance upon audio technology I shall take one London theatre, Her Majesty's, where I
designed the sound over a period of seven years for a succession of eight musicals. The first of these was Fiddler on the Roof
in 1969 which used a total of nine microphones. Four years later
the show Applause had sixteen microphones plus a wireless for
Lauren Bacall. This was followed by Pippin, with twenty-two
microphones which were necessary because certain sections of
the orchestra required amplification. In 1974, in the same
theatre, the producers of a nameless musical, requested an
assortment of six wireless, eight hand-held, twenty orchestral
and ten general pick-up microphones making a glorious total of
forty-four channels. The show became throttled with audio cable
after a few unhappy performances and sank with all hands. Mind
you, the year before that I used eighty microphones for Jesus
Christ Superstar and that ran for eight years and is currently still
on a National tour. But that is a somewhat unusual case.
The trend of the last three or four years is very much to
designate a microphone for each instrument in the orchestra,
attach a wireless system to each principal performer and
liberally sprinkle the stage with general pick-up microphones for
the rest of the company. This means that it is not unusual to be
handling anything between forty and sixty channels for a
straightforward musical. But reinforcement is only one aspect of
theatre sound. There has been a similar increase in the sophistication required for the playback and manipulation of recorded
sound effects.
Unfortunately, the ideal layout of controls for handling microphones and for handling recorded sound effects are at variance.
With the one the need is for a great number of input channels
(microphones) controlled in selectable groups to a limited number of outputs (amplifiers/loudspeakers); whereas the demand
for sound effects is for a limited number of input channels (tape
playback) mixed to a much greater quantity of amplifier/loudspeaker outputs. There are on the market many mixers suitable
for sound reinforcement and PA in the theatre, whereas only a
few specialist manufacturers have endeavored to produce variable output control for sound effects. This usually takes the form
of a matrix of variable crosspoints providing a bewildering array
of faders, the sight of which can send the cold clammy hand of
fear clutching at the heart of even the most adept of sound
operators.
In a repertoire theatre housing a permanent company-such
as the National Theatre of Great Britain or the new London
home for the Royal Shakespeare Company in the Barbican
Centre-it is necessary to provide a mixing console which will
cater to all forms from classical drama to rock opera. Both of
these companies often mount productions with very ambitious
sound plots which incude quite sophisticated balancing of offstage orchestras mixed with many tracks of recorded sound
routed to a plethora of loudspeakers around the stage and
auditorium.
The control systems for the National and the Barbican Theatres were originally conceived some eleven years ago when,
as is the case with such large public building contracts, specifications and budgets had to be produced and approved at an
early stage in the building schedule. For the two main theatres in
the National we specified broadcast quality mixers including
three-band equalization, input sensitivity, two auxiliary sends,
and PFL on each channel; all of which raised many an eyebrow

at the time. Even we wondered secretly whether we might not be
overspecifying. Thank goodness we stuck to our guns. Each
mixer had sixteen microphone/line input channels (it seemed
adequate then) selectable to any combination of six submasters. Then there was an output section with two presets
each comprising twenty circuits. Both presets had six colorcoded pushes per circuit for routing to the sub-master but the
lower preset also incorporated a fader on each circuit.
The National Theatre opened its doors in 1974. Meanwhile
the building of the Barbican Centre was suffering from various
problems which put the whole project severely behind schedule.
This gave us time to make revisions to the sound control. The
main requirement after the first year of operation at the National
was for more sub-groups and more outputs for control of sound
effects. The input side was not too inhibiting as a separate submixer could always be fed into the system for shows requiring
additional channels for microphones. There was enough money
in the budget for these extra facilities but our worry was that the
projected twenty-four input channels routing to ten sub masters
to twenty-six outputs plus duplicate preset channels constituted
more than 850 switching functions. The later addition of another
six inputs, for which the mixer is designed, brings the total up to
nearly 1000 switches-a daunting if not impossible prospect for
manual operation under the often harassing conditions of a live
performance.
So the decision was taken to add some form of memory
control to the final specification and on the mixing console
especially designed for the Barbican theatre the switching
functions are controlled by a microcomputer which can memorize and store 199 cues (or combinations of switching). Sequences of cues are set up via a small key pad which is similar
to that of a calculating machine. In the unlikely event of the
memory failing, the console can be operated manually by
means of banks of push buttons associated with the input and
output sections of the mixer. The routing state of the mixer can
be seen at any time by means of LED illumination of these push
buttons. The preset state or the next cue can also be viewed by
pressing an appropriate button.
We were keen to dispense altogether with the traditional
routing push buttons relying entirely upon the key pad and a
video display. But theatre technicians, probably quite rightly,
move forward with caution. The RSC sound department is very
enthusiastic at the prospect of memory routing but they are
insistent upon also having the old familiar controls laid out in the
old familiar way-just in case.
While the Barbican sound console is a theatrical first in Great
Britain it is also only a first step, for although memory sound
consoles are currently in use in some recording studios the
basic concept of tying the memory information to a tape of fixed
duration does not apply to the theatre. The memory function in a
studio is specifically for rebalancing a finite recording, whereas a
live show will, by its very nature, contain substantial differences
in timing and energy at every performance. We are still a long
way in the theatre (or are we?) from memorizing proportional
routing of inputs to outputs and from the ultimate goal of
proportional routing with timed fades.
And then what about all those boring tone controls and
auxiliary functions which take up so much space on the panel
and are mostly used as preset functions? Similarly, is it really
necessary to have so many operational faders when, for example, in an orchestral balance one seldom wishes, or indeed is
capable of dealing with other than groups of preset channels?
Oh yes, there is a long way to go but the technology is there. All
we need now are the resources. 0
The Console in the Barbican Theatre with all its facilities was
specified by Theatre Projects Consultants Ltd. and built by
Rank Strand Sound. The entire electronic design including the
audio interface with the computer and all the metalwork was
designed within the Theatre Projects Group.
David Collison is Director of Theatre Projects Ltd. of Great Britain. He
has been sound consultant to over fifty West End musicals, and
designed sound systems for theatres around the world.



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1981

Contents
Theatre Design & Technology - Winter 1981 - 1
Theatre Design & Technology - Winter 1981 - 2
Theatre Design & Technology - Winter 1981 - 3
Theatre Design & Technology - Winter 1981 - Contents
Theatre Design & Technology - Winter 1981 - 5
Theatre Design & Technology - Winter 1981 - 6
Theatre Design & Technology - Winter 1981 - 7
Theatre Design & Technology - Winter 1981 - 8
Theatre Design & Technology - Winter 1981 - 9
Theatre Design & Technology - Winter 1981 - 10
Theatre Design & Technology - Winter 1981 - 11
Theatre Design & Technology - Winter 1981 - 12
Theatre Design & Technology - Winter 1981 - 13
Theatre Design & Technology - Winter 1981 - 14
Theatre Design & Technology - Winter 1981 - 15
Theatre Design & Technology - Winter 1981 - 16
Theatre Design & Technology - Winter 1981 - 17
Theatre Design & Technology - Winter 1981 - 18
Theatre Design & Technology - Winter 1981 - 19
Theatre Design & Technology - Winter 1981 - 20
Theatre Design & Technology - Winter 1981 - 21
Theatre Design & Technology - Winter 1981 - 22
Theatre Design & Technology - Winter 1981 - 23
Theatre Design & Technology - Winter 1981 - 24
Theatre Design & Technology - Winter 1981 - 25
Theatre Design & Technology - Winter 1981 - 26
Theatre Design & Technology - Winter 1981 - 27
Theatre Design & Technology - Winter 1981 - 28
Theatre Design & Technology - Winter 1981 - 29
Theatre Design & Technology - Winter 1981 - 30
Theatre Design & Technology - Winter 1981 - 31
Theatre Design & Technology - Winter 1981 - 32
Theatre Design & Technology - Winter 1981 - 33
Theatre Design & Technology - Winter 1981 - 34
Theatre Design & Technology - Winter 1981 - 35
Theatre Design & Technology - Winter 1981 - 36
Theatre Design & Technology - Winter 1981 - 37
Theatre Design & Technology - Winter 1981 - 38
Theatre Design & Technology - Winter 1981 - 39
Theatre Design & Technology - Winter 1981 - 40
Theatre Design & Technology - Winter 1981 - 41
Theatre Design & Technology - Winter 1981 - 42
Theatre Design & Technology - Winter 1981 - 43
Theatre Design & Technology - Winter 1981 - 44
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com