Theatre Design & Technology - Fall 1982 - 20

be guidelines or safety practices, or
recommended procedures. These are
safety criteria. If I use this clamp, this
spider. this tool. what safe practices apply? (In the insurance jargon. this is
called "Understanding the defense.")
b. Once you have recognized the
hazard and the need to take care of it.
coupled with the knowledge to correct
it. you are not finished. You must take
the action to have it corrected, and do it
before someone is injured.
Use the formula:
Recognize the hazard and its
liability
Understand the defense
Act Correctly
Act in time
c. All hazards can ultimately end in
liability suits so it behooves the technician to become as knowledgeable as
possible in the use of hazard recognition.
d. The person who is prudent and
reasonable (the legal terminology) will
usually be recognized by the courts in
liability suits. This is the person who
acted correctly and was not negligent.
SUMMARY: Explore carefully the
type of liability you may be concerned
about and confronted with in your technical job. Develop and implement
guidelines which will be realistic in the
performance of your assignment.
Recognize the hazards which may cause
injuries and accidents. Develop risk
controls for every operation you perform. Maintain your knowledge of risk
areas and practice preventive maintenance on all equipment. Finally. do not
wait for others to take action but join
others who are willing to implement and
advance safety standards. The finest
liability insurance is in your own ql:lality
control.D

Dr. Randall W. A. Davidson is Nalional COIllmissioner of Heallh and Safely. USITT.
18

Theatre Design & Technology

Cha

ke- For
all Tlieatre

by George Black

Figure 1 Begin with the face clean of any
makeup. Oily skin might first be wiped with a
cleanser or astringent.

A make-up technique combining grease
or creme with cake provides a method
for character makeups suitable to most
small theatres. The technique is easier to
master than most, and it allows positive
control of hue and contrast. These
qualities make it ideal for use where a
professionally skilled make-up artist is
not available. With a few practice
efforts, closely monitored and analyzed,
most actors can achieve effective results
in terms of contouring the face while
maintaining the desired subtlety of
impression.
The technique works on the principle of

using high contrast chiaroscuro
modelling, done with a grease/creme
medium, covered with a translucent veil
of color, done with cake. The cake
"vei 1" is the secret of the technique. It
provides a unifying color to the finished
makeup. since all the modelling colors
are filtered through it. It gives positive
control of contrast, since additional
"veils" can be applied, generally or
selectively. It compensates. to some
degree. for poor blending. And finally,
since the cake is the finish on the makeup, there is no further reduction in
contrast caused by powdering.

USIIT/Fall. 1982



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1982

Contents
Theatre Design & Technology - Fall 1982 - 1
Theatre Design & Technology - Fall 1982 - 2
Theatre Design & Technology - Fall 1982 - 3
Theatre Design & Technology - Fall 1982 - Contents
Theatre Design & Technology - Fall 1982 - 5
Theatre Design & Technology - Fall 1982 - 6
Theatre Design & Technology - Fall 1982 - 7
Theatre Design & Technology - Fall 1982 - 8
Theatre Design & Technology - Fall 1982 - 9
Theatre Design & Technology - Fall 1982 - 10
Theatre Design & Technology - Fall 1982 - 11
Theatre Design & Technology - Fall 1982 - 12
Theatre Design & Technology - Fall 1982 - 13
Theatre Design & Technology - Fall 1982 - 14
Theatre Design & Technology - Fall 1982 - 15
Theatre Design & Technology - Fall 1982 - 16
Theatre Design & Technology - Fall 1982 - 17
Theatre Design & Technology - Fall 1982 - 18
Theatre Design & Technology - Fall 1982 - 19
Theatre Design & Technology - Fall 1982 - 20
Theatre Design & Technology - Fall 1982 - 21
Theatre Design & Technology - Fall 1982 - 22
Theatre Design & Technology - Fall 1982 - 23
Theatre Design & Technology - Fall 1982 - 24
Theatre Design & Technology - Fall 1982 - 25
Theatre Design & Technology - Fall 1982 - 26
Theatre Design & Technology - Fall 1982 - 27
Theatre Design & Technology - Fall 1982 - 28
Theatre Design & Technology - Fall 1982 - 29
Theatre Design & Technology - Fall 1982 - 30
Theatre Design & Technology - Fall 1982 - 31
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Theatre Design & Technology - Fall 1982 - 36
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