Theatre Design & Technology - Summer 1982 - 14

The Boston Metropolitan Theatre Center

by John T. Howard

The Old Music Hall, a 1925 film-vaudeville house in Boston
which opened as the Metropolitan was totally renovated this
past year and a new stage house was built. What is remarkable
about this is the five-month time limit which was available for
reconstruction. To meet this deadline, workers literally began
tearing down the old theatre while the last show was still
running.
The house and lobby of the old Music Hall were the best that
1925 had to offer: a grand, ornate, cathedral for film. Clarence
Blackall almost succeeded in recreating the Paris and Berlin
Opera houses in this one structure. The Metropolitan's
$500,000 worth of marble was lit by 2,000 lighting fixtures and
cared for by 400 employees including a full time nurse. Patrons
were taken up to the balconies by elevator and a seat sensor
system told ushers which seats were empty. The house was, of
course, air conditioned.
In the intervening years, between 1925 and 1977, the Me!
degenerated into a rather seedy "combat zone" film house.
Gradually the army of staff retreated and dwindled; dust and
candy wrappers littered the aisles; broken springs sprouted from
the velvet cushions. Maintenance became a shoddy, improvised
affair: if another house light was needed for a production,
someone would punch a hole in the theatre's plaster dome and
lower a lamp on a wire. Missing seats were replaced by milk
cases. In recent times if a large road show tried to use the
theatre, they had massive problems with stage, rehearsal, and
dressing room space. Consequently, most large productions
stopped coming to Boston.
The renovation of the Metropolitan Stage House will finally
allow large opera, ballet, and theatre companies to perform in
Boston again. The Metropolitan Center, Inc., under President
Henry Sears Lodge, began in 1977 to plan the new facility. The
idea was simple. Take an existing theatre with large enough

audience capacity (4,200) to pay the costs of large touring
companies, make the stage and dressing rooms large enough
for those companies, decent enough to not offend the audience,
and finish the whole thing by December 1, 1981.
Architect Robert Brannen and associates worked with theatre
consultants James Waring and Alex Moore on the renovation,
which Kent Corporation executed. Tiffin Studios installed the
sixty-line counterweight system with provision for thirty-five
additional lines later. The philosophy of the project was to
construct an "inexpensive" but large roadhouse. The cost factor
caused the facility to become a "low tech" facility. The screw
jacks in the pit were removed so as to enlarge the pit but
replaced with risers. The theatre has the typical roadhouse
lighting installation: a company switch, no lighting instruments,
no circuits, no memory system. The lighting positions are the
pre-Tharon Musser box booms and balcony rail. There are no
full-stage air castored wagons or motorized winches. While the
lack of machinery may sadden some, especially those who
produce such items, it serves to remind others that the performing arts are dependent on skilled performers not complex
machinery.
The previous renter of the theatre, Mr. Ben Sack of the Sack
Film Chain, was "not happy" about losing his lease. So he
booked Fiddler On the Roof to run until the very last day of the
lease and forbade entrance to anyone from the Met project.
Meanwhile, construction began on three sides of the stage
house to build the foundation. Steel was purchased and stored.
When Ed Herman, the on-site construction manager discovered
he could save three weeks by tearing out the old loading dock,
he got the city's permission and did it, leaving the show trapped

John T. Howard is the Lighting Designer Technical Director for the Alice Withington Rooke Laboratory Theatre at Mount Holyoke College.



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1982

Contents
Theatre Design & Technology - Summer 1982 - 1
Theatre Design & Technology - Summer 1982 - 2
Theatre Design & Technology - Summer 1982 - 3
Theatre Design & Technology - Summer 1982 - Contents
Theatre Design & Technology - Summer 1982 - 5
Theatre Design & Technology - Summer 1982 - 6
Theatre Design & Technology - Summer 1982 - 7
Theatre Design & Technology - Summer 1982 - 8
Theatre Design & Technology - Summer 1982 - 9
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