Theatre Design & Technology - Winter 1982 - 13

washy now-you-see-it -now-you-don 't
quality. Something is either there or it
isn't. I like things to be there." However, Crimes of the Heart had rosepatterned wallpaper painted on gauze
walls-Beatty claims he did this because
he had never done it before.
Film and television would seem ideal
media for a designer who likes tricks and
gimmicks but he avoids them. He did
enjoy doing a set in a television studio
- "cheating" as he calls it. "There can
be a stagehand with a stick holding up
some curtains for a three-second shot
and the audience thinks there's a room
with a wall and a curtain. But there's
nothing." Why, then, doesn't he like
television?
Becallse yOIl call gel away wilh /11l1rder
alld lhealre is so hard. The TV camera
looks al all old prop or flal and if il 's
dllSlY if doeSII'l reg iSler, if il 's gOl a
slaill on il, il doeslI'l regisfer. Bill yOIl
pill somelhing onSlage Wilh a crack or
a Slain alld everylhing shows lip i/llmediafely_ f like lhe challellge of lhealre, il'S hard.

As a romantic with an unabashed
love for the theatrical, John Lee Beatty
is somewhat out of sync with contemporary theatre. It is in this that the
paradox may lie. Beatty grew up on
Rodgers and Hammerstein and" I worried that by the time I got to Broadway
that type of theatre would be gone. Sure
enough, I got to Broadway and it was all
gone." Since the new plays he designs
break no new ground dramatically, they
provide little opportunity for scenic innovation. Many of the musicals he
does, primarily at the Goodspeed Opera
House, are revivals of early twentiethcentury classics which, though great fun,
come with built-in limitations. Hence,
Beatty searches for ways to make each
set unique-to find a gimmick-while
waiting for more exciting fare. At the
age of 34 he can afford to wait.
Although he admits to being discouraged with the current state of theatre from time to time, there is little likelihood that he will abandon the stage; he
enjoys it too much. His excitement at
working with a legend like Eva Le Gallienne is palpable. The thrill of the
opening night of A in 'r Misbehal'in' is
still with him. And at base is his love of
the lunacy of it all. "Ilo\-e the theatre,"
he explains with delight, "because there
are so many intelligent people wasting so
much effort on silly details."
Lo

The 5th of Jllly, A Cl If

July,
August,
September 1I,
October 18,
November 6,
December,
February 20,
February 21,
February 26,
April 9,
April 17,
lay 4,
May 29,

1979
1979
1979
1979
1979
1979
1980
1980
1980
1980
1980
1980
1980
1980
June 26, 1980
August 14, 1980
October 3, 1980
October 16, 1980
November 5, 1980
December 9, 1980
January 28, 1981
February 24, 1981
March 5,1981
March 18, 1981
April 6, 1981
April, 1981
April 10, 1981
June 1I, 1981
July 20, 1981
September, 1981
October, 1981
November 4, 1981
1981
1981
December 17, 1981
January 25, 1982
March 9, 1982
May 7, 1982
April 27, 1982
June, 1982
July, 1982
July, 1982
July, 1982
October 16, 1982
ovember, 1982

Rose Tattoo / Sets / Berkshire Theatre Festival
Talley's Folly / Sets / Mark Taper Forum, Los Angeles
It's a Long Way to Boston / Sets / Goodspeed Opera House
Dark Pony and Reunion / Sets / Circle Repertory
Jail Diary of Albie Sachs / Sets / Manhattan Theatre Club
Something Wonderful/Sets / Westchester Regional Theatre
Talley's Folly / Sets / Brooks Atkinson Theatre
Johnny on a Spot / Sets / Brooklyn Academy of Music Theatre Co.
Biography / Sets / Manhattan Theatre Club
The Happy Time / Sets / Goodspeed Opera House
Talley's Folly / Sets / Goodman Theatre, Chicago
Hide & Seek / Sets / Belasco Theatre
Cyrano de Bergerac / Sets / Goodman Theatre, Chicago
Reverberation / Fire Curtain / Opera Lab of University of Texas, Austin
Little Johnny Jones / Sets / Goodspeed Opera House
Lady and the Clarinet / Sets / Mark Taper Forum, Los Angeles
Holiday / Sets / Center Theatre Group, Ahmanson Theatre, Los Angeles
The Diviners / Sets / Circle Repertory
The 5th of July / Sets / ew Apollo Theatre
Crimes of the Heart / Sets / Upstage at the Manhattan Theatre Club
The Five O'Clock Girl/Sets / Helen Hayes Theatre
Close of Play / Sets / Manhattan Theatre Club
The Wild Duck / Sets / Brooklyn Academy of Music
Jitters / Sets / Walnut Street Theatre, Philadelphia
The Curse of Kulyenchikov (later Fools) / Sets / Eugene O'Neill Theatre
Kaufman at Large / Sets / Perry Street Theatre
Is There Life After High School? / Sets / Hartford Stage Company
A Tale Told / Sets / Circle Repertory
The Diviners / Co-Design / Saratoga Performing Arts Center
Foxfire / Sets / Tyrone Guthrie Theatre
A Tale Told / Sets / Mark Taper Forum, Los Angeles
Crimes of the Heart / Sets / John Golden Theatre
Medusa / Sets / All Children's Theatre
Monday After the Miracle / Sets / Actor's Studio
Duet for One / Sets / Royale Theatre
Curse of an Aching Heart / Sets / Little Theatre
Livin' Dolls / Sets / Manhattan Theatre Club
Is There Life After High School? / Sets / Barrymore Theatre
Young Playwright's Festival/Sets / Circle Repertory Theatre
Monday After the Miracle / Sets / Spoleto Festival, Charleston, S.c.
Angels Fall / Sets / Miami Festival-Coconut Grove Playhouse
The Holdup / Sets / Saratoga Performing Arts Center
Angels Fall / Sets / Saratoga Performing Arts Center
Angels Fall / Sets / Circle Repertory Company
Monday After the Miracle / Sets / Eisenhower Theatre,
Washington, D.C.
December 14, 1982 Monday After the Miracle / Sets / Eugene 0' eill Theatre
December 23, 1982 Alice In Wonderland / Sets / Virginia Theatre
USITT/\\'intcr 1982/Theatre Design & Technology

II



Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1982

Contents
Theatre Design & Technology - Winter 1982 - 1
Theatre Design & Technology - Winter 1982 - 2
Theatre Design & Technology - Winter 1982 - 3
Theatre Design & Technology - Winter 1982 - Contents
Theatre Design & Technology - Winter 1982 - 5
Theatre Design & Technology - Winter 1982 - 6
Theatre Design & Technology - Winter 1982 - 7
Theatre Design & Technology - Winter 1982 - 8
Theatre Design & Technology - Winter 1982 - 9
Theatre Design & Technology - Winter 1982 - 10
Theatre Design & Technology - Winter 1982 - 11
Theatre Design & Technology - Winter 1982 - 12
Theatre Design & Technology - Winter 1982 - 13
Theatre Design & Technology - Winter 1982 - 14
Theatre Design & Technology - Winter 1982 - 15
Theatre Design & Technology - Winter 1982 - 16
Theatre Design & Technology - Winter 1982 - 17
Theatre Design & Technology - Winter 1982 - 18
Theatre Design & Technology - Winter 1982 - 19
Theatre Design & Technology - Winter 1982 - 20
Theatre Design & Technology - Winter 1982 - 21
Theatre Design & Technology - Winter 1982 - 22
Theatre Design & Technology - Winter 1982 - 23
Theatre Design & Technology - Winter 1982 - 24
Theatre Design & Technology - Winter 1982 - 25
Theatre Design & Technology - Winter 1982 - 26
Theatre Design & Technology - Winter 1982 - 27
Theatre Design & Technology - Winter 1982 - 28
Theatre Design & Technology - Winter 1982 - 29
Theatre Design & Technology - Winter 1982 - 30
Theatre Design & Technology - Winter 1982 - 31
Theatre Design & Technology - Winter 1982 - 32
Theatre Design & Technology - Winter 1982 - 33
Theatre Design & Technology - Winter 1982 - 34
Theatre Design & Technology - Winter 1982 - 35
Theatre Design & Technology - Winter 1982 - 36
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