Theatre Design & Technology - Fall 1983 - 29
Denver Symphony Hall
Denver, Colorado
Owner: City of Denver
Architect:
Hardy Holzman Pfeiffer Associates
Theatre Consultants:
Jules Fisher Associates
Acoustics Consultants:
Christopher Jaffe & Associates, Inc.
~r--------------'
Acoustical Canopy Engineer:
Olaf Soot
~
~(O<~:
Lighting Consultants:
Jules Fisher Associates
Structural Engineers:
Ketchum Konkel Barrerr
ickel Austin
Mechanical Engineers:
Consentini Associates
Completion: 1978
Seating Capacity: 2200
Expected se:
Symphonic concerts, dance, popular entertainers, chamber opera
The Denver Symphony Hall has its roots
firmly planted in music tradition. The
heart of the building is a single large
room. The designers have accepted no
division between audience and performer. The orchestra sits on a plat form
amidst the spectators, the spectators surround the orchestra like campers around
a fire.
In spite of extreme visual contrasts
between curvilinear and orthogonal
structural systems superimposed in one
building, this hall is not radically different from conventional concert hall .
The primary elements of concert hall
construction are here. Hea\'y, thick
plaster walls urrounded by massive maonry to pre\'ent sound from entering or
leaving the room, diffusing surfaces in
abundance, and a canopy of shaped reflectors 10 provide early sound energy
are all clas ical solutions.
In contrast to its ancestors, the
Denver Symphony Hall is well equipped
for television and for production of con-
temporary non-concert performance.
Catwalks O\'er the stage allow imple rigging and carry both permanent and portable stage lighting equipment. Demountable lighting frames attach 10 balconies for television and dance lighting,
To m'oid the usual mess of portable electrical cables, 100wo of the stage lighting
circuits can be unpatched from the house
control board and connected (0 portable
lighting boards. Backstage facilities allow for orchestra residency as well as
touring orchestras, dance companies,
popular entertainers, and so on. Dual
orchestra pit elevators allow altering the
stage shape and will accommodate pit
musicians. A complete installation of
cable trays, sompany switches, and
cable pass openings through walls and
floors allows quick set-up for broadcast
radio, television, and lOuring sound systems. This hall will be a facility for
modern dance, chamber opera, and star
entertainers as well as conventional orchestral music,
USITT/Fall 1983 Theatre Design & Technology
27
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1983
Contents
Theatre Design & Technology - Fall 1983 - 1
Theatre Design & Technology - Fall 1983 - 2
Theatre Design & Technology - Fall 1983 - 3
Theatre Design & Technology - Fall 1983 - Contents
Theatre Design & Technology - Fall 1983 - 5
Theatre Design & Technology - Fall 1983 - 6
Theatre Design & Technology - Fall 1983 - 7
Theatre Design & Technology - Fall 1983 - 8
Theatre Design & Technology - Fall 1983 - 9
Theatre Design & Technology - Fall 1983 - 10
Theatre Design & Technology - Fall 1983 - 11
Theatre Design & Technology - Fall 1983 - 12
Theatre Design & Technology - Fall 1983 - 13
Theatre Design & Technology - Fall 1983 - 14
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Theatre Design & Technology - Fall 1983 - 16
Theatre Design & Technology - Fall 1983 - 17
Theatre Design & Technology - Fall 1983 - 18
Theatre Design & Technology - Fall 1983 - 19
Theatre Design & Technology - Fall 1983 - 20
Theatre Design & Technology - Fall 1983 - 21
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Theatre Design & Technology - Fall 1983 - 26
Theatre Design & Technology - Fall 1983 - 27
Theatre Design & Technology - Fall 1983 - 28
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Theatre Design & Technology - Fall 1983 - 30
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Theatre Design & Technology - Fall 1983 - 33
Theatre Design & Technology - Fall 1983 - 34
Theatre Design & Technology - Fall 1983 - 35
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Theatre Design & Technology - Fall 1983 - 37
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Theatre Design & Technology - Fall 1983 - 40
Theatre Design & Technology - Fall 1983 - 41
Theatre Design & Technology - Fall 1983 - 42
Theatre Design & Technology - Fall 1983 - 43
Theatre Design & Technology - Fall 1983 - 44
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