Theatre Design & Technology - Fall 1984 - 18

RESEARCH

The Chesley Collection
at Princeton University
by Tina Margolis
The Chesley Collection, the finest
collection on extant eighteenth to midtwentieth century performing arts facilities in this country, was deposited
in Princeton University's William Seymour Theatre Collection in 1983 by the
League of Historic American Theatres.
Gene Chesley (1935 -1981) was a
scenic designer, consultant and scholar.
In the late 1960s, while on the faculty of
the University of California at Davis,
he co-sponsored a project to find unused California theatres and recreate a
straw hat circuit. Although the production plans did not materialize, Chesley
became aware of the number and diversity of spaces that existed. He found
facilities designed exclusively for plays
and motion pictures; theatres or opera
houses within multiple-use structures
such as lodges and town halls; and
places such as churches and warehouses
converted to theatres. Inspired by the
importance of these buildings in understanding the nature of theatrical experiences of the past, Chesley devoted
himself to recording America's performance heritage through its hi toric
playhouses.
To gather data and publicize his
cause, Chesley developed a detailed
questionnaire that he sent to state and
municipal agencies. He contacted colleagues at ot her colleges, spoke at conventions' published articles, and traveled, camera in hand, ready to document any theatre he might find. From
this research he amassed slides, photographs, and prints of interior and exterior views of performance spaces,
correspondence, report on restoration
projects, programs, playbill, ticket
stubs, tape, and statistical data on
hundreds of structures built between
1800 and 1940.
While Chesley acquired information on nationally renowned theatres
16

Thc3IrcJ)c,ign&Tcchnolog~

such as Ford's Theatre in Washington,
D.C., the Winter Garden in ew York
City, and the Pabst Theatre in Milwaukee, the majority of his material
was on smaller, less elaborate buildings,
There are files on paces such as Illinois' Alexis Opera House built in 1889
and abandoned with its stage machinery intact, and the Homestake Opera
House constructed in 1914 in Lead,
South Dakota, and currently undergoing restoration. Structural features
of former theatres that are now incorporated in other buildings are also recorded. For example, photographs of
the interior of the Opera Hall Garage in
Sonora, California, show a proscenium
dating from 1886 that is part of the architectural design of what is now an
auto service station, In this way, Chesley compiled information on a wide
range of sites and stage equipment.
During the early to mid-1970s, a renewed appreciation of earlier architectural values arose, This trend had a
dramatic impact on theatre construction. Rather than build anew, many
renovation projects were initiated.
These playhouses often became the cornerstone of programs to revitalize depressed downtown areas and encourage
the development of the performing arts
on a local and regional level.
As pioneers and participants in this
movement, f\Iichael Price of the Goodpeed Opera House, Robert Stoddard
of the Grand Opera House in Wilmington, and Chesley met in 1976 to discuss
ways of creating a network to help identify historic theatres and promote their
reslOration and use. In 1977, with
the support of their associates, they
founded the League of Hi toric American Theatres.
Since its inception, the League has
evolved into a Washington-based nonprofit organization that acts as a clear-

USITT Fall 19.-1

inghouse for information, conduct~
conferences and tours, and publishes a
monthly bulletin and a quarterly news·
letter. One of its key undertakings ha~
been to produce a list of historic the,
atres in the U.S.
In 1979, Chesley compiled the firsl

ational List of Historic TheatrE
Buildings for the League. It cited 29i
spaces erected before 1910. Arrangec
by state, city, and theatre, the work alsc
included the names of architects anc
the completion date of each facility
where known. Chesley also noted in
formation on each type of structure ane
the relative amount of material held or
each topic.
This initial list reflected only a smal
part of Chesley's total findings. Ever
while arranging the material for pub
lication, Chesley continued his drive
to discover more theatres. However
Chesley died suddenly in 1981, and thi
bulk of his papers remained unsorted
His widow, Marie Chesley, donated hi~
treasures to the League.
The League's first priority was t(
have the collection organized, With thi
advice of Brooks Mc amara, directo
of the Shubert Archive, and Loui~
Rachow of the Hampden-Booth The
atre Collection at the Players Club, thi
resources were sent to Carlton Ward 0
Jacksonville State University in Ala
bama. Ward wa a set designer, a mem
bel' of [he League, a friend of Che ley
and had experience a an archi,'i t. Th,
League then sought a repository fo
the material, and Princeton Universi[:
Library welcomed it into its Theall"
Collect ion.
Ward recei"ed the materials in mid
O\'em bel' 1982 and \\'as expected [(
ship them to PrincelOn in August 1983
From ovember to July, therefore, h
painstakingly veri fied leads and sough
conlinued on page 23, , .



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1984

Contents
Theatre Design & Technology - Fall 1984 - 1
Theatre Design & Technology - Fall 1984 - 2
Theatre Design & Technology - Fall 1984 - 3
Theatre Design & Technology - Fall 1984 - Contents
Theatre Design & Technology - Fall 1984 - 5
Theatre Design & Technology - Fall 1984 - 6
Theatre Design & Technology - Fall 1984 - 7
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http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
http://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
http://www.nxtbookMEDIA.com