Theatre Design & Technology - Spring 1984 - 28

182736 -

identification of the work, this projec
should be encouraged for future Quad
rennials. It is hoped that the OISTl
Architecture Commission will continUi
this project. Maybe next time the Unite(
States will have some representation?
Summary

Floor Level /
Niveau de parterre

Interior Drawing /
Dessin d'interieur

--..

Section 1: 200 /
Coupe de longueur

Technical Ideas /
Les esquisses tecniques

The experience of viewing PQ83 wa
an education in itself and provided;
rare opportunity to look into theatr'
design and architecture throughout th,
world. It is obvious that the Unite!
States is not alone in building less-than
successful theatres.
or do we have;
monopoly on creating exciting spaces
The architecture portion of the PQ mus
be encouraged and allowed to grow bu
it needs to establish some standards ant
format to allow for reasonable com par
ison between exhibits.
NOles

This Is Your Theatre (France)_ A multi-form theatre which fits into a variety of spaces.
Photo: P.l. Vierra

an existing space into a multi-form theatre with a capacity from 200 to 1200
and a wide variety of stage forms. The
former use of this space was not indicated. Other projects of note were:
"The Atmospheric Theatre" in Budapest; "This Is Your Theatre," a French
project; a new theatre in Krosno, Poland; and a Japanese design using terraced hillsides to allow for the maximum square footage of usable space on
a limited parcel of land.
One of the weakness of the "Touring Theatre Projects" was insufficient
information on the panels so that the
sponsoring country or, in some cases,
the country for which the theatre was
planned, was unknown. It is understandable that the identity of the de-

signer / architect be kept secret in order
to allow for impartial adjudication;
however, t his should have been remedied once the projects were mounted
for public exhibitions. Furthermore,
most entries lacked sufficient documentation such as sections or details; there
was little written information or translation of existing titles; and there was
no standardization for presentation.
In many respects the OISTT "touring" exhibition was of much greater interest than the national architecture exhibits. But the problems and frustrations inherent in the presentation resulted in the project achieving much
less than its potential interest. With
some clearly defined presentational standards and objectives, and improved

The United Statcs' non-compcting exhibit of George ILenhour', architectural dra\\ings_
26

Thealre Design & Technology/USITT/Spring 1984

Editor's note: Actuallv, the U.S- exhibit 0
historical architectural drawings bv Georgc Izen
our was not considered a part of the actual com
peting exhibition since it did not rcature project
concei'-ed or realized in the last fiw yea".
1

The following publications are a,-ailable t,
"serious scholars" of theatre architecture an,
historical theatres from the Instituto Per i Bel
Artistici Culturali e Naturali, Via Farina 28
Bologna, Italv -1012-1: Tealri SlOrici ill Emili(,
Romaglla, 2-18 pp_, and an English text explair
ing the Emilia-Romagna exhibit at PQ83, 9 pp.

1

The explanation from the USIA \\as that th
Izenour drawings were already being preparc
for an exhibit in South Amcrica and that it was
relati'-el\- simple task to send them to Prague firs!
This was the only practical and financially fea~
ible wav to allow for any U.S. represel1lation c
PQ83.
J

James R. Earle, Jr. is a professor in th
Department of Theatre Arts at San Jos
State University and the new presiden
of US1TT. This was his first time at
Prague Quadrennial.



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1984

Contents
Theatre Design & Technology - Spring 1984 - 1
Theatre Design & Technology - Spring 1984 - 2
Theatre Design & Technology - Spring 1984 - 3
Theatre Design & Technology - Spring 1984 - Contents
Theatre Design & Technology - Spring 1984 - 5
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