Theatre Design & Technology - Fall 1986 - 15

stage is further articulated by means of an elevated platform, placed at its center.
2) As this stage (and its center elevationl is symmetrical, why need it be seen from one side alone~ If there are
spectators on one side, there can be spectators on the
opposite side. If there are spectators on these twO sides,
there can be spectators on the two remaining sides, each
group conferring a downstage, an upstage, a stage right
and a stage left to what they see. Each of these
perspectives necessarily includes the group of
spectators seated on the opposite side. Thus the four
spectator sections are included in the stage limits.
These stage limits are, at the same time, the theatre's
walls. The walls are inverted at their corners so as to
exclude from each perspective the spectators on the adjacent sides.

o

a) Groundplan

b) ... with a

of a squared
stage...

center
elevation.

I

c) If spectators are on one side of

I

the stage. there can be spectators
on the opposite side...

3) The walls and the center elevation frame four
perspectives. The twO sides of the center elevation visible withiIJ each perspective can be backgrounds for action in that perspective, bllt the theatre's walls give the
perspective its background. The groundplan of this theatre delineates the exact relations between the center
elevation, the spectator sections, and the walls.
GROUNDPLAN

Imagine a theatrical arrangement with two groups of
spectators looking into twO streets situated at right
angles and leading to a common point. Now imagine
these same two streets crossing and continuing beyond

\

---J'

\,

,
,,

\

I

\
\

\
\

* I

I

a) In life. people confer a downstage. upstage. stage right. and
stage left to all things in their visual perspective.

""
./

./

~\

}\

\
\

\ I

)'

b) In the imaginary perspective of the box stage. downstage. upstage. and stage right and left are pre-assigned. not defined by the
spectator.

cl A squared stage with
spectators on each of its
four sides. each group defining the downstage. upstage. stage right and
stage left relative to their
position.

e) Groundplan
of this theatre.

their intersection, extending symmetrically towards
two other groups of spectators who look into the streets'
opposite ends. By drawing four lines, connecting to one
another the four extremi ties of the crossroads, we have
the groundplan of the center elevation (called the raised
cen ter).

The positions of the spectator sections and the walls
were determined progressively:
11 In a box stage, twO side partitions form limits in an
image set up for the spectators to see. Here, two walls at
either side of each of the groups of spectators limit the
perspective of that group. In the box stage, a third partition is the background of the image. In this theatre, a
third wall is situated at the back of each group of
spectators.

I

\

*-* "'"

,,

I

d) ... and on the
two remaining sides.

21 Four lines determine the position of each spectator
section. The front of a spectator section is a right angle,
facing a corner of the raised center. Two straight lines
connect the center of the wall behind each group of
spectators to the center of the walls facing them at the
far right and left, having touched the twO corners
formed by the nearest walls en ronte. These twO straight
lines meet the twO which form the angle at the front,
determining together with them the groundplan of a
spectator section.
ELEVATION

The four spectatOr sections are rising structures
Icalled ships!. Even from the highest point of a ship, no
spectatOr C,1I1 sec the ,lcting area directly behind the opposite side of the raised center. Beyond this unseen are,l,
TDb>.T· FALL 1986

13



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1986

Contents
Theatre Design & Technology - Fall 1986 - 1
Theatre Design & Technology - Fall 1986 - 2
Theatre Design & Technology - Fall 1986 - 3
Theatre Design & Technology - Fall 1986 - Contents
Theatre Design & Technology - Fall 1986 - 5
Theatre Design & Technology - Fall 1986 - 6
Theatre Design & Technology - Fall 1986 - 7
Theatre Design & Technology - Fall 1986 - 8
Theatre Design & Technology - Fall 1986 - 9
Theatre Design & Technology - Fall 1986 - 10
Theatre Design & Technology - Fall 1986 - 11
Theatre Design & Technology - Fall 1986 - 12
Theatre Design & Technology - Fall 1986 - 13
Theatre Design & Technology - Fall 1986 - 14
Theatre Design & Technology - Fall 1986 - 15
Theatre Design & Technology - Fall 1986 - 16
Theatre Design & Technology - Fall 1986 - 17
Theatre Design & Technology - Fall 1986 - 18
Theatre Design & Technology - Fall 1986 - 19
Theatre Design & Technology - Fall 1986 - 20
Theatre Design & Technology - Fall 1986 - 21
Theatre Design & Technology - Fall 1986 - 22
Theatre Design & Technology - Fall 1986 - 23
Theatre Design & Technology - Fall 1986 - 24
Theatre Design & Technology - Fall 1986 - 25
Theatre Design & Technology - Fall 1986 - 26
Theatre Design & Technology - Fall 1986 - 27
Theatre Design & Technology - Fall 1986 - 28
Theatre Design & Technology - Fall 1986 - 29
Theatre Design & Technology - Fall 1986 - 30
Theatre Design & Technology - Fall 1986 - 31
Theatre Design & Technology - Fall 1986 - 32
Theatre Design & Technology - Fall 1986 - 33
Theatre Design & Technology - Fall 1986 - 34
Theatre Design & Technology - Fall 1986 - 35
Theatre Design & Technology - Fall 1986 - 36
Theatre Design & Technology - Fall 1986 - 37
Theatre Design & Technology - Fall 1986 - 38
Theatre Design & Technology - Fall 1986 - 39
Theatre Design & Technology - Fall 1986 - 40
Theatre Design & Technology - Fall 1986 - 41
Theatre Design & Technology - Fall 1986 - 42
Theatre Design & Technology - Fall 1986 - 43
Theatre Design & Technology - Fall 1986 - 44
Theatre Design & Technology - Fall 1986 - 45
Theatre Design & Technology - Fall 1986 - 46
Theatre Design & Technology - Fall 1986 - 47
Theatre Design & Technology - Fall 1986 - 48
Theatre Design & Technology - Fall 1986 - 49
Theatre Design & Technology - Fall 1986 - 50
Theatre Design & Technology - Fall 1986 - 51
Theatre Design & Technology - Fall 1986 - 52
Theatre Design & Technology - Fall 1986 - 53
Theatre Design & Technology - Fall 1986 - 54
Theatre Design & Technology - Fall 1986 - 55
Theatre Design & Technology - Fall 1986 - 56
Theatre Design & Technology - Fall 1986 - 57
Theatre Design & Technology - Fall 1986 - 58
Theatre Design & Technology - Fall 1986 - 59
Theatre Design & Technology - Fall 1986 - 60
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com