Theatre Design & Technology - Fall 1986 - 24

Boo~ Reviews
Theatre Profiles 7: The
Illustrated Guide to
America's Nonprofit
Professional Theatres

edited by Laura Ross with
John Istel.
New York: Theatre
Communications Group, 1986.
ISBN 0-930452-6, xiii - 327 pp.,
ill., S18.95 paper.

As TCG ITheatre Communications
Group) celebrates its 25th anniversary, a special edition of its comprehensive guide to the approximately
200 American nonprofi t professional theatres has been published.
To offer a perspective on this national theatre phenomena, essays
written by ten renowned theatre
practitioners are included at the beginning of the book. After a forward
by Peter Zeisler, such advocates for a
ational Theatre" as Zelda Fichandler, founder and producing director of Washington's Arena Stage;
Robert Brustein, au thor, cri tic, and
artistic director of the American
Repertory Theatrej Gordon Davidson, artistic director of the Mark Taper Forum; and the late, noted director Alan Schneider are among the esteemed can tri bu tors.
Although the subjects of the essays include such varied topics as
classical and experimental performance as well as theatre management,
the overriding theme is concern about the evolution of the American
theatre. Fichandler, whose essay is
first, warn that "the business of art
is art nOt business," stating that the
making of art should be the focus,
and business only secondary. Further, she advocates committed artists and leaders who share a clearly
defined relationship. Schneider's essay, which first appeared in 19 -+ in
American Theatre magazine, appears last and points alit the foibles
of the present theatre by extending it
into the future. For example, he

22

TD6.T· FALL 19 6

predicts that at some future date,
critic Brustein will publish his most
recenr collection of theatre revie\,'s:
The Theatre: What Was It! Despite
his cynically humorous style,
Schneider is positive abollt the theatre and advocates an American ational Theatre that is vital to this
country's way of life.
The seventh volume, like the
preceding ones, provides data on the
nearly 200 theatres nationwide
which are members of TCG. Each
theatre's listing includes the names
and titles of the present staff, seating
capacity, type of stage, operating
budgets, annual attendance, number
of subscribers, and Actor's Equity
contracts. Most notable is a complete listing of productions of the
past twO seasons, along with the
playwright and translator, director,
as well as the set, costume, and
lighting designer for each production. Indexes in the back of the volume help the reader cross-reference
artists and play titles. In addition,
there is a special section "Highlights
of the Past Twenty-five Years," and a
center section of the best production
photos (black and white) submitted
by the companies.
In past volumes, individual theatres were given a bi t more space
which included a brief description
and philosophy of the theatre with a
photo. In this volume, the description has been eliminated and the
phOtos - representing only some of
the theatres-have been moved to a
center section. Further, not all theatres are represented by a photograph,
which in the past illu trated the individual group's work. Also elimiluted are certain data which in past
volumes indicated much about the
financial suPPOrt of the particular
theatre. For example, no longer is
"Percent of Capacity" audience attendance, and "Earned" versus "Unearned" income included. While one
can argue to what extent our theatres should be subsidized, it is essential for this type of directory to continue to document financial changes

of the theatres throughout the years.
Theatre Profiles 7 is an important
document of the American Nonprofit Theatre movement, and, as it
members hope, proof of the existence of a national movement. The
value of this volume lies in its use as
a reference to the theatres, staff, artists and plays that in the past twO
seasons were viewed by the American people. In view of that fact, Theatre Profiles 7 is an integral addi tion
to the book collections of everyone
actively involved in theatre. Tom _'v1.ikotollic

The Nevv York Theatrical
Sourcebook: 1985-86
Edition

compiled and edited by the
Association of Theatrical Artists
and Craftspeople.
New York: Broadway Press, 19 5.
ISB 0-9117-+7-0-+--+, 525 pp. appendixes and indexes, S25.00
paper.

Perhaps your theatre is planning a
production of Mary Roberts Rinehart and Avery Hopwood's mystery
comedy The Bat and you need a motorized turntable to reveal the secret
room in the mansion, but you don't
have a motor. Or, perhaps your theatre is planning a production of
Boucicault's The Streets of l\ew
York and you would like to simulate
a "modest" inferno onstage. Then
again, maybe your theatre is preparing to produce _'v1.ertoIJ at the _'v1.ol'ies
and your costumer, who is totally
immersed in the silent film era, is
searching for a batch of properly historic bow ties, preferably acquired at
a "rock bottom" price. Without a
doubt, the suppliers of these and
other products and services can be
found in the The New York Theatrical Sourcebook: 1985-86 Edition.
Produced by the Association of
Theatrical Artists and Craftspeople,



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1986

Contents
Theatre Design & Technology - Fall 1986 - 1
Theatre Design & Technology - Fall 1986 - 2
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Theatre Design & Technology - Fall 1986 - Contents
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