Theatre Design & Technology - Spring 1986 - 66

SCENOGRAPHY IETHICS continued from page 62 ...
design must assume an active role, challenging the given,
questioning the known, and proposing new value. This proposed value always has a sense of crisis and uncertainty about
it, and active design creates an environment in which this new
value can be evaluated.

chemistic an. You can transform life. Theatre has a bigger
moral and social innuence than the movies. '0

The transformation of experience in design is a conscious
ethical choice between alternatives. On its highest level it
erves the function of moral discrimination.
And so the issue of the ethics design is framed. It stands
before us as a challenge and the emergence of the scenographic theory has sharpened the issue. The stakes are high
Proposition 6: That vast shiftings of population, both geographically (through migrations, exiles, disfor the profession of theatrical design. We
N THE U.S., THE must meet the issue because the issue will
placements) and \'enically (through revolutions, mass education, equalization of opTERM "SCENOG· not go away. Our failure to confront the
ponunity), have destroyed the stabilized
RAPHY" IS OFTEN issue will mean that the theatre will cease
social character of individuals and brought
JUST A NEW to exist as a moral force. I don't mean that
the problem of identity, personal and colLABEL PASTED the theatre will disappear. It will simply
lective, into prominence as a theme of conONTO
THE SAME become a quaint species of handcraft. It
temporary cultural forms."
OLD PRODUCT. will become insigni ficant and irrelevant to
The search for identity is the search for
contemporary life.
life, and the function of the theatre is the presentation of the
Unfortunately, we cannot meet the issue by organizing a
living of life, the search for identity. Unfortunately, it is im- crusade. In a simpler time a crusade might have been the
possible to create life unless we have life. The quality of our answer. A clarion call to "Save The Theatre" would make
lives as designers-our beliefs, values, expectations-deter- us feel better. It would give us an organization to join, meetmine the quality of our designs. If, as Robert Edmond Jones ings to go to, dues to pay, and probably a newsletter. But
noted in the Harvard lectures, we have unwittingly allowed
that won't work because the "Theatre" doesn't exist. Buildourselves to become part of the debasing, cheapening process ings exist, plays exist, and people exist. Out of those eleof American life, then our work will cease to hold the pub- ments it is possible to fashion the ephemeral, transitory,
lic's attention. And this is not the fault of movies, radio or theatrical moment. But the only element in the above that
television. Our theatre will not be destroyed by hostile out- is absolutely essential for the creation of that moment is the
side influences. It will rot away from within.'s Life-com- people.
mitment, choice, moral decision-in design will create life
The search for identity that is the prominent theme of
in the theatre.
contemporary art and the root of our ethical concern must
begin on this individual level. The designer accepting the
Proposition 7: That ours is an epoch of excavations-arethical
impact of his work is really on his personal search for
chaeological, psychoanalytical, philological-which keep
identity-his discovery of what it is that he has to say. Picasemptying into contemporary culture the tombs of all the ages
of man.
so once noted about the work of Cezanne that, "what forces
Absorbing the nood of past an, an in our time continuour interest is Cezanne's anxiety-that's Cezanne's lesson
ally reconstitutes itself as a theatre of revivals. Styles of
... -that is the actual drama of man. The rest is sham."
earlier periods, far and near, from the funerary carvings of
True anxiety-not the momentary concern that we all have
the Aztecs to the realism of Courbet, are reawakened as
over unpaid bills and personal relationships-is a philosophexperience and as slogans by contemporary paintings and
ical inquiry into the nature of art and the act of creation."
sculpture.
How is it that we create theatre? And how good is it for us
Modern an is at one with radical politics and with psychoand
for our audiences? This anxious inquiry begins inside
therapy in its fascination with the abyss of lost forms and
ourselves,
not in our identification with a movement. Movepowers. Like other significant modes of present-day action
ments only offer a collective, surrogate identity and, thereand research, its explorations periodically lead it to the verge
fore, obviate the necessity for personal inquiry and moral
of changing into something else. Thus modern an often
choice. If, heaven help us, our identification is with some
crosses over into non-an and adopts anti-an attitudes. Besides augmenting consciousness, this negative strain acts as a
dimly perceived, yet heart-rending vision of "The Theatre
lightning rod to diven from society and individuals more
Eternal," then we are further de-personalized. Robert Edperilous temptations to self surrender-totalitarian politics,
mond Jones, in spinning out his vision of this theatre in The
drugs, mysticism. The reawakening of forms seems to have
DraJlloric IJlloginorion in 1941, exhorted young designers to
a profound function in a culture of change."
"Get the personal yOIl out of your work. Who cares about
A culture of change demands a transformation of experi- YOIl?"" Forty-three years later the answer to that question
ence through art. Design is the process of the transforma- has to be that yOIl care about yOIl. The time has passed when
tion of experience. All experience, past and present, is avail- you could hide in a collective identity. The time has also
able to the designer. But the designer has an editorial re- passed when you could hide behind the slick, facile manipusponsibility, not just a reportorial one. The documentation lation of the surface of design. The time has come when
of experience in the theatre is never enough. Documentation you must actually influence the form and the content of the
theatre. And you must influence it out of a sense of moral
only shows things as they are and,
responsibility for the images that stream forth from it. The
... the theatre is never realistic, never depicts the things as
time
has come for yOIl to put the yOIl back into your work.
they are. It's a symbolic an, and it's a medium to change
If
you
leave it out there just isn't very much there.
0
the things, to transform them into the sublime. It's an al-

6-1

Thl'aln'

Ih·,i~n..\ Tl'lhn"I,,~~

L SII I

Spring )9X6



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1986

Contents
Theatre Design & Technology - Spring 1986 - 1
Theatre Design & Technology - Spring 1986 - 2
Theatre Design & Technology - Spring 1986 - 3
Theatre Design & Technology - Spring 1986 - Contents
Theatre Design & Technology - Spring 1986 - 5
Theatre Design & Technology - Spring 1986 - 6
Theatre Design & Technology - Spring 1986 - 7
Theatre Design & Technology - Spring 1986 - 8
Theatre Design & Technology - Spring 1986 - 9
Theatre Design & Technology - Spring 1986 - 10
Theatre Design & Technology - Spring 1986 - 11
Theatre Design & Technology - Spring 1986 - 12
Theatre Design & Technology - Spring 1986 - 13
Theatre Design & Technology - Spring 1986 - 14
Theatre Design & Technology - Spring 1986 - 15
Theatre Design & Technology - Spring 1986 - 16
Theatre Design & Technology - Spring 1986 - 17
Theatre Design & Technology - Spring 1986 - 18
Theatre Design & Technology - Spring 1986 - 19
Theatre Design & Technology - Spring 1986 - 20
Theatre Design & Technology - Spring 1986 - 21
Theatre Design & Technology - Spring 1986 - 22
Theatre Design & Technology - Spring 1986 - 23
Theatre Design & Technology - Spring 1986 - 24
Theatre Design & Technology - Spring 1986 - 25
Theatre Design & Technology - Spring 1986 - 26
Theatre Design & Technology - Spring 1986 - 27
Theatre Design & Technology - Spring 1986 - 28
Theatre Design & Technology - Spring 1986 - 29
Theatre Design & Technology - Spring 1986 - 30
Theatre Design & Technology - Spring 1986 - 31
Theatre Design & Technology - Spring 1986 - 32
Theatre Design & Technology - Spring 1986 - 33
Theatre Design & Technology - Spring 1986 - 34
Theatre Design & Technology - Spring 1986 - 35
Theatre Design & Technology - Spring 1986 - 36
Theatre Design & Technology - Spring 1986 - 37
Theatre Design & Technology - Spring 1986 - 38
Theatre Design & Technology - Spring 1986 - 39
Theatre Design & Technology - Spring 1986 - 40
Theatre Design & Technology - Spring 1986 - 41
Theatre Design & Technology - Spring 1986 - 42
Theatre Design & Technology - Spring 1986 - 43
Theatre Design & Technology - Spring 1986 - 44
Theatre Design & Technology - Spring 1986 - 45
Theatre Design & Technology - Spring 1986 - 46
Theatre Design & Technology - Spring 1986 - 47
Theatre Design & Technology - Spring 1986 - 48
Theatre Design & Technology - Spring 1986 - 49
Theatre Design & Technology - Spring 1986 - 50
Theatre Design & Technology - Spring 1986 - 51
Theatre Design & Technology - Spring 1986 - 52
Theatre Design & Technology - Spring 1986 - 53
Theatre Design & Technology - Spring 1986 - 54
Theatre Design & Technology - Spring 1986 - 55
Theatre Design & Technology - Spring 1986 - 56
Theatre Design & Technology - Spring 1986 - 57
Theatre Design & Technology - Spring 1986 - 58
Theatre Design & Technology - Spring 1986 - 59
Theatre Design & Technology - Spring 1986 - 60
Theatre Design & Technology - Spring 1986 - 61
Theatre Design & Technology - Spring 1986 - 62
Theatre Design & Technology - Spring 1986 - 63
Theatre Design & Technology - Spring 1986 - 64
Theatre Design & Technology - Spring 1986 - 65
Theatre Design & Technology - Spring 1986 - 66
Theatre Design & Technology - Spring 1986 - 67
Theatre Design & Technology - Spring 1986 - 68
Theatre Design & Technology - Spring 1986 - 69
Theatre Design & Technology - Spring 1986 - 70
Theatre Design & Technology - Spring 1986 - 71
Theatre Design & Technology - Spring 1986 - 72
Theatre Design & Technology - Spring 1986 - 73
Theatre Design & Technology - Spring 1986 - 74
Theatre Design & Technology - Spring 1986 - 75
Theatre Design & Technology - Spring 1986 - 76
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2021winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2020winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2019
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2019winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2018winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017fall_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/usitt_techexpoguide_2017
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2017winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016spring_public
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2016winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2015winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2014summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2013spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2012spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2011spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2010spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2009spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2008spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2007spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2006spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2005spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2004spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2003spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2002spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2001spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_2000spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1999spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1998spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1997spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1996spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1995spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1994spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1993spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1992spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1991spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1990spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1989spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1988spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com