Theatre Design & Technology - Fall 1987 - 39

chinery at the Paris Opera from 1770
to 1873, presents two enlightening
works in his book on eighteenthcentury stagecraft: "Instruction in
Theatre Architecture and Mechanics" by Jacopo Fabris, and "Essay
on the Art of Constructing Theatres,
Their Machines, and Their Operations" by Cityoen Boullet.
Fabris was born in Venice in 1689
and began his career as a court artist,
painting portraits as well as scenery
for the theatre. In 1724 he served as a
scene painter at the Hamburg Opera
and, subsequently, worked closely
wi th Georg Wenzeslaus von Knobelsdorff, the architect of the Berlin Opera House. In 1746, he settled in
Copenhagen and the royal court of
Denmark. There he assisted Nicolai
Eigtved, the court architect, in the
construction of a theatre for the
newly-crowned Frederick V In 1760,
the year before he died, he published
his essay.
Fabris' essay on theatre architecture is simple, clear, and brief. His
own easy-to-read drawings complement the short text. Included is his
suggested ground plan for an undesignated theatre. The auditorium
is very small, containing only eleven
boxes in the typical Baroque horseshoe form, with the royal box in the
center to the rear. The stage, behind
an elaborate proscenium arch, is
very deep in comparison to the
house. For example, the distance
from the front of the stage to the rear
of the royal box measures 54 feet.
The stage depth, however, measures
140 feet. Fabris' written justification
of this large stage is brief: ''A great
deal of space is need for a stage, as I
prove in this groundplan, for all the
scenery required for an opera must
be set up on each side and there also
must be enough room to change the
scene around."
Other plates show segments of the
plan in more detail and there are even
precise working drawings for a
chariot system to accomplish the
scene changes. There is a plate of a
flying rig that could carry "spirits,"
or other deities across the stage at
varying alti tudes. Fabris also provides a method for rendering settings
in the correct perspective. In addition, there are twelve of his drawings
from the Royal Museum of Fine Arts
in Copenhagen.
Cityoen Boullet's "Essay" was published when he was employed as the
Chief Machinist at the Paris Opera in

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FALL 1987

37



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1987

Contents
Theatre Design & Technology - Fall 1987 - 1
Theatre Design & Technology - Fall 1987 - 2
Theatre Design & Technology - Fall 1987 - 3
Theatre Design & Technology - Fall 1987 - Contents
Theatre Design & Technology - Fall 1987 - 5
Theatre Design & Technology - Fall 1987 - 6
Theatre Design & Technology - Fall 1987 - 7
Theatre Design & Technology - Fall 1987 - 8
Theatre Design & Technology - Fall 1987 - 9
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Theatre Design & Technology - Fall 1987 - 18
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