Theatre Design & Technology - Fall 1987 - 61
S--Y--N--O'--P--S-- - - S
SOUND b;.' Richard K. Thomas
p. 5
Mr. Thomas, a sound designer, reports on the ongoing
attempts at unionizing sound designers. Although the
United Scenic Artists seemed a logical home to many,
there were problems, and IATSE seems the most promising at present.
SON par Richard K. Thomas
p. 5
M. Thomas, dessinateur de son, fait un rapport sur les
tentatives en cours de syndicaliser les dessinateurs de
son. Bien que les Artistes Sceniques Unis semblassent a
beau coup d'entre eux un foyer logique, il y a eu des
problemes, et I'IATSE (Ie syndical' des machinistes et
techniciens) semble a present Ie plus prometteur.
PROBLEMS OF CONTEMPORARY
THEATRE SPACE bl' Denis Bablet
p. 8
The author, a leading authority on theatre design and
architecture, presents a brief history of the development
of modem theatre space, focusing on the work of Tadeusz Kantor, Peter Brook, and Ariane Inouchkine, and
comes to the conclusion that the recent trend toward
transformable spaces is wrong; rather we must follow
Gordon Craig's idea of a "hollow space." This paper was
presented at the 1987 USITT Conference.
PROBLEMES D'ESPACE THEATRAL
CO TEMPORAIN par Denis Bablet
p. 8
L'auteur, une autorite en matiere des dessin et architectlne du theatre, presente une breve histoire du developpement de I'espace theatre, se concentrant sur
I'oeuvre de Tadeusz Kantor, Peter Brook, et Ariane
Mnouchkine, et arrive a la conclusion que c'est a tOrt
qu'on a tendance a faire des espaces transformables; on
devrait plutoI' suivre I'idee de Gordon Craig d'un "espace
creux." Cet article a ete presente COlnn1e communication au Congres d'USITT en 1987.
NO MORE THEATRES! by Arnold Aronson
p. 9
Presented as a response to Denis Bablet's paper at the
USITT Conference, this article is in essential agreement
with Bablet's position, and suggests that the attempt at
ideal theatres is anathema to the creation of theatre.
Therefore, there should be a moratorium on the construction of theatres.
MORE PROBLEMS OF CONTEMPORARY
THEATRE SPACE by fohn Russell Brown
p. 9
This is anOther response to Bablet that takes issue with
the "hollow space" concept. The author-a director, dramaturg, and scholar - sees this as a dangerous trend toward the director's total control of the audience and
suggests more creative organization within more traditional spaces.
GROUND PLAN AND ELEVATION OF THE
NEW THEATRE OF BOLOGNA
p. 19
by Thomas A uit
This is a translation of a description of the stage and
machinery of the ew Theatre of Bologna Inow known
as the Teatro Comunale) published upon its opening in
1763. The theatre was designed by Antonio Bibiena, and
credit is given to Petronio Nanni as machinist. The work
reveals a great deal about theatre practices of the day.
Ault makes comparisons with the contemporary Paris
Opera.
THE BRITISH THEATRE MUSEUM
p. 28
bv Zelma H. \ Veisfeld
This is a look at the new London museum that holds the
theatre collection once housed in the Victoria and Albert
Museum.
BOOK REVIEWS
p. 35
The Theatrical Writings of Fabri::.io Carini Motta:
Translations of Trattato sopra la struttura de'Teatri e
scene 116761 and Construzione de teatri e machine teatrali 116 I; Performing Arts Resources Volume
Eleven-Scenes and Machines hom the 18th CentUf\'.
The Stagecraft of facopo Fabris and Citvoen Boullet;
Scenographic Techniques: 3rd Edition
NEW PRODUCTS
p.42
ASSEZ DE THEATRES! par Arnold Amnson
p. 9
Presente comme reponse a la communication qu'a donnee M. Bablet au Congres d'USITT, cet article exprime
un accord essentiel avec la posi tion de Bablet, et suggere
que la tentative de faire des theatres ideux est anatheme
a la creation de theatre. Donc il devrai t y avoir un moratoire a la construction de theatres.
ENCORE DES PROBLEl\'lES DE L'ESPACE
THEATRALE CONTEMPORAIN
p. 9
par fohn Russell Brown
Ceci est une autre reponse a Bablet et ]'auteur n'est pas
d'accord avec Ie concept de "I'espace creux." L'auteurqui est metteur en scene, dramaturge, et lettre - voit
cela comme une tendence dangereuse vel's Ie controle
des spectateurs par Ie metteur en scene et il suggere une
organisation plus creatrice dans des espaces
traditionnels.
PROJECTION HORIZONTALE ET ELEVATIO DU
NOUVEAU THEATRE DE BOLOGNE
p. 19
par Thomas Auit
Ceci est une traduction d'une description de la scene et
de la machinerie du Nouveau The,ltre de Bologne (maintenant Ie Teatro Comunale) publiee a son ouverture en
1763. Le theatre a ete dessine par Antonio Bibiena, et on
indique que Petronio Nanni a ete Ie machiniste. Cette
oeuvre revele beau coup sur les practices theatrales de
I'epoque. Ault fait des comparaisons avec l'Opera de
Paris contemporain.
LE MUSEE DE THEATRE BRITA I IQUE
p.28
par Zelma H. Weisfeld
Ceci nous donne un coup d'oeil au nouveau ll1usee a
Londres qui contient la collection tlH~,ltrale amrefois
gardee au Musee Victoria et Albert.
C01\,lPTES RENDUS
p. 35
The Theatrical \Vritings of Fabri::.io Carini .\!Iotta:
Translations of Trattato sopra ]a StruttUr
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1987
Contents
Theatre Design & Technology - Fall 1987 - 1
Theatre Design & Technology - Fall 1987 - 2
Theatre Design & Technology - Fall 1987 - 3
Theatre Design & Technology - Fall 1987 - Contents
Theatre Design & Technology - Fall 1987 - 5
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