Theatre Design & Technology - Spring 1988 - 19

Computers
William D. File and Robert Reinecke, editors
heatres across the United States
are now using microcomputers to
help increase productivity in both
front-of-house and production department . This survey was conducted in Fall 19 6 to identify who in
the theatre world is using microcomputers, where the technology is being
applies, and what types of equipment
and software are now used in the field.
The secondary focus of the survey was
to investigate the expectations of institutions planning to purchase microcomputers and to compare their
purchasing plans with Other systems
currently in use.
The sample for the survey was composed of colleges and universities,
community colleges, community theatres, dinner theatres, high schools,
theatre schools, municipal facilities,
and profes ional theatres throughout
the United States and Canada. (Canadian institutions comprised over 5%
of the sample.) The 954 organizations
that constituted the sample were selected from the 19 5 Directory of the
American Theatre Association and
the 1986 Directorv of the Uni ted
States Institute for Theatre Technology, along with the professional organizations listed in the 198:5-1986 Regional Theatre Directory.
This project wa funded by grants
from the Department of Theatre and
The Office of Research and Graduate
Studies of The Ohio State University.
The questiOIU1aire was developed with
the assistance of Ohio State's Polimetrics Laboratory. It was divided
into four parts: Part One asked for general information from all institutions;
Part Two addressed group plmming to
purchase microcomputers; Part Three
was for institmions currently using
microcomputers; and Part Four asked
a set of questions to microcomputer
users in the areas of design production,
box office development, general office
accounting, and classroom instruction. The survey was mailed in late
September 1986 and was completed
by mid- ovember with a return rate

T

of 22.1 0/0. The Polimetrics Lab
completed the coding, data entry,
and the statistical analysis in
December.
THE RESULTS

The data provided by the survey indicated that most theatres 178.2 % I were
using microcomputers in at lea tone
area of their operation. Of the theatres
using microcomputers, 9 .1 % considered them to be a worthwhile investment in terms of time and money.
67.6% of the institutions that were
not using microcomputers plalmed to
purchase them in the future.
The data revealed several other
points of interest. First was the predominance of IBM or IBM-compatible
computers (52. 75% I. This widespread
use of rEM machines and compatibles
came as no surprise, since rEM has set
the standard for commercial applications for the past several years. It appears that new microcomputer purchases, however, will be mostly
lac intosh (61.2'\0). Only l-U% of the
respondents planning to purchase new
equipment intend to buy rEM or IBMcompatible computers. Although it
wa not surprising that no groups
plal1J1ed to purchase CP/ 1{ machines,
there was also no interest shown in
future purchases of Apple TIs, which
are currently used by 26.3% of the
respondents.
The most commonly used input device, other than the keyboard, was the
mouse 15.+.7 0 /0 I. Since only 16.9% of
the microcomputers on line are Macintosh, it appears that a good number
of IBM/rEi\l-compatible users are utili=ing an icon-oriented envirol1J11ent.
1\ lodems came ina close second to the
mouse at .+9.7 0 0. Offices had more
modems than any Other area 161.'+%1.
Since the majority of the respondents
were from colleges and universities,
many groups may be tapping into the
institution's mainframe to increase
their access to data and to increase
computing speed.

The majority of users (71.1%1 are
relying on general conu11ercial software products, rather than oftware
specifically designed for theatre applications 23.2%). Currem users are
also nOt spending very much money
on software; 79.8% spent less than
51,000. Although most areas seem to
be performing a variety of tasks with
microcomputers, many institutions
may be able to keep their software Outlay low because of significant educational discount policies by many software vendors.

THE DATA

The results of the smvey have been
compressed into two primary categories. Smvey Statistics presents general
information concerning the sample
and the responses. Next, five Respondent Profiles were created to present a
brief overview of the survey's findings.
These profiles present the most frequent answers to particular questions.
The answers presented in Profile E are
averages based upon the highest percentage responses in the areas of design production, box office development, general office/accouming, and
classroom instruction. In case of a tie,
all answers that received the highest
percentage were included.

WHAT DOES IT ALL
MEAN?

One can assume that microcomputer
teclmology will be a part of the theatre
\"orld for at least the foreseeable future. Computer skills are already either somewhat il11pOrtant or very important for new employees in over
60% of the theatres using microcomputers. Computer literacy may evenrually become a requirement for tho e
seeking employment in the field. Are
today's theatre students encouraged to
gain computer ski II for theatre oricontinued on page 45
TD&T

*

SPRING 19BB

17



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1988

Contents
Theatre Design & Technology - Spring 1988 - 1
Theatre Design & Technology - Spring 1988 - 2
Theatre Design & Technology - Spring 1988 - 3
Theatre Design & Technology - Spring 1988 - Contents
Theatre Design & Technology - Spring 1988 - 5
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