Theatre Design & Technology - Summer 1988 - 15

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projection surface for the opening of Act II. Figure 9 shO\,-s
the idea for the Reporter's speech and the entombment
effect. For this sequence the monument cloth was down,
the hanging projection screen was to be pulled by various
lines into a distorted shape, and the videotape projection
was to be shown on it. The tluee-dimensional con truction covered with stretch cloth was to be used at the end. A
box - coffin - shape would be pushed into it from the back
and ontO this Antigone's face would be projected. Figures
10 and 11 show this idea again but in a new variation that
incorporated the hanging projection creen into the monument cloth_
At this point in the proces a brief holiday was declared.
Everyone needed time to process all the variations and
Malina and Willis were scheduled for a weekend master
class held in conjunction with Malina's presentation to the
USITT-Heart of America Section. Accordingly, after oneand-one-half weeks the production staff assembled again.

Work had progressed during the break and lalina \,-as no\,ready to present the final scheme (Fig. 121. [n this series of
incisive drawings lalina laid Out all the elements of the
production in a clear and forthright manJ1er. His sketch
0_ 1 sho\,-s the limestone column, the six threedimensional construction, the monument cloth in its
down position, and the pile of sand_ Sketch j 0.2 shows the
monument cloth in its up po ition ready for the slide
proiections at the top of Act I. Sketch 1':0_ 3 sho\,-s the stage
at the top of Act II - the monument clOth is do\,-n, the
tluee-dimensional constructions are mO\-ed to a ne\,- position, and a new stretch proiection screen has been fixed in
position. This screen is used for the slide projections at the
top of Act II and for the videotape projection of the Reporter's speech. Also of interest in this sketch is the presence of the single bentwood chair. Two chairs had appeared
in the firSt sketch and one now made its final triumphant
appearance_ Sketch No. of shows the theatrical coup that

TD&T * SUMMER 1 9BB

13



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1988

Contents
Theatre Design & Technology - Summer 1988 - 1
Theatre Design & Technology - Summer 1988 - 2
Theatre Design & Technology - Summer 1988 - 3
Theatre Design & Technology - Summer 1988 - Contents
Theatre Design & Technology - Summer 1988 - 5
Theatre Design & Technology - Summer 1988 - 6
Theatre Design & Technology - Summer 1988 - 7
Theatre Design & Technology - Summer 1988 - 8
Theatre Design & Technology - Summer 1988 - 9
Theatre Design & Technology - Summer 1988 - 10
Theatre Design & Technology - Summer 1988 - 11
Theatre Design & Technology - Summer 1988 - 12
Theatre Design & Technology - Summer 1988 - 13
Theatre Design & Technology - Summer 1988 - 14
Theatre Design & Technology - Summer 1988 - 15
Theatre Design & Technology - Summer 1988 - 16
Theatre Design & Technology - Summer 1988 - 17
Theatre Design & Technology - Summer 1988 - 18
Theatre Design & Technology - Summer 1988 - 19
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Theatre Design & Technology - Summer 1988 - 21
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Theatre Design & Technology - Summer 1988 - 26
Theatre Design & Technology - Summer 1988 - 27
Theatre Design & Technology - Summer 1988 - 28
Theatre Design & Technology - Summer 1988 - 29
Theatre Design & Technology - Summer 1988 - 30
Theatre Design & Technology - Summer 1988 - 31
Theatre Design & Technology - Summer 1988 - 32
Theatre Design & Technology - Summer 1988 - 33
Theatre Design & Technology - Summer 1988 - 34
Theatre Design & Technology - Summer 1988 - 35
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Theatre Design & Technology - Summer 1988 - 37
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