Theatre Design & Technology - Spring 1989 - 51

Boo~ Reviews
Tom Mikotovvicz, editor

Handbook of Scenery,
Properties, and Lighting
Volume I: Scenery
and Props

by Harvey Sweet.
Allyn and Bacon, Inc., 1989. ISB
0-205-11629-9, xiv + 252 pp., ill.,
S34.95 paper.
Handbook of Scenery,
Properties, and Lighting
Volume II: Lighting

by Harvey Sweet.
Allyn and Bacon, Inc., 1989. ISB
0-205-11630-2, xiv + 216 pp., ill.,
S34.95 paper.

n his latest offering, Harvey Sweet
offers another look at the process of
technical production. His first book,
Graphics for the PeTfarming A1ts (Allyn and Bacon, 1985, reviewed in
TDeJT, Fall 1985) examined the
graphic presentation of design. In
these volumes, he guides the reader
through the planning, construction,
and painting of scenery and props, and
the techniques of lighting a production. The books are "directed to the
worker in school and community theatre who has a keen interest in doing
plays ... but is limited in time, budget, experience, or the physical resources to mount a production./I
Essentially, the presentation is intended for the novice; however, the
author suggests that it will serve "the
more experienced technician" as well.
Volume I: Scenery and Props provides a breakdown of the production
procedures, beginning with a brief examination of effective performance
spaces and the concerns of good design. In two chapters, this presentation effectively sensi tizes the reader to
the broad spectrum of challenges that
must be faced in the planning of a play
and the accommodation of an audience. The hean of this book, though,
begins with Chapter Three, "Constructing and Handling Scenery." Here

I

and throughout the remainder of this
volume, Sweet presents descriptions
of the procedures involved with the
construction, rigging, and painting of
scenery and props. Included with
these descriptions are recipes that list
the materials and tools necessary to
complete a construction task, followed with a comprehensive list of
steps involved in its execution.
The strength in this section is
Sweet's ability to direct the instructions to the novice who may be unaware of the intricacies of technique
and safety. These instructions present
clear and efficient methods for the
completion of standard tasks in construction. They fall somewhat shon of
the stated intention of the book
because they do not always offer
alternative materials or methods of
construction. For example, the soundproofing of platforms is carried out in
the book by laying carpet over the
deck and covering it with muslin or
canvas. 0 alternative solution is
given.
In the chapter ''Alternative Materials," Sweet presents an extensive discussion on the use of paper and
cardboard, yet he covers plastics and
fabrics briefly and makes no mention
of the potential for metal. It is clear
that some of these choices were made
to keep wi thin the scope of the book,
but without offering a wider range of
alternatives, the intent of the book
suffers. Putting aside this shortcoming, Sweet provides an effective presentation for the novice, and yet the
experienced technician may possibly
enjoy the discovery of another way to
solve a problem.
The next section, "Painting and Texturing," is a clear presentation of the
myriad techniques available to
achieve many finished surface effects.
A multitude of mixtures and potential
color combinations is offered tOgether
with a comprehensive written description of the process. The weakest
aspect in this section, and in both volumes, is the illustrations. Photographs
are either very dark or have poor con-

trast, making them difficult to understand. Limited color plates are offered
which do not represent painting techJuques, but samples of available colors.
Additional plates show the effects of
changing value, chroma, and background. Despite the weak photograph)\ the chapter remains an effective
presentation, offering sound knowledge of the available paints, necessary
tOols, and basic techniques.
The first volume concludes with a
chapter on "Props and Set Dressings."
The reader is given a concise description of the function of properties and a
carefully outlined method for building
them. Sweet again incorporates the
recipe-type strncture to demonstrate
the construction of key props using
various techniques. Also included is a
short section on "Easy and Fast Solutions" to such problems as those found
in preparing props of food and liquors.
Volume II: Lighting is devoted to
the concerns of lighting a production
in the well-equipped theatre as well as
the nontraru tional performance space.
As with his first volume, the author
presents basic information "in practical terms for inU11eruate application to
any production situation." This volume is arranged in a clear progression
of material which goes from the techJucal information on specific components of a lighting system through a
presentation on color and projection
teclmiques. Lastly, the author focuses
on plaruung and designing the lights.
The technical information section
begins with a comprehensive look at
available lighting instruments and
their use. Particularly helpful in dus
section is the careful delineation made
between the different "generations" of
ellipsoidal reflectOr spotlights. The
discussion of each instrument includes notations on its use and how to
focus the instrument and change its
lamp. Sweet concludes this chapter by
providing a listing of alternative light
sources as well as a method for the
construction of a homemade fixture.
This section continues with a chapter that shows how to construct variTD&T

*

SPRING 1909

49



Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1989

Contents
Theatre Design & Technology - Spring 1989 - 1
Theatre Design & Technology - Spring 1989 - 2
Theatre Design & Technology - Spring 1989 - 3
Theatre Design & Technology - Spring 1989 - Contents
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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