Theatre Design & Technology - Spring 1989 - 8
T
D
&
T
hen Kate Davy and I
were hired as coeditors of Theatre Design eJ Technology in
1977 (our first issue
was Spring 1978), we knew little about the journal and even
less about the Institute. We
had both worked on The
Drama Review; which had an
exchange subscription with
TDeJT. I used to read primarily the articles on theatre
architecture and used some of
it as a resource for my book on
environmental theatre.
When we applied for the editorship we put together a proposal that emphasized a focus
on contemporary design
across a broad spectrum of the
performing arts and developments in technology that
might take theatre in new directions. We also wanted to
give the journal a glossier look.
This seemed to mesh with
Tom Watson's use of color in
one of his last issues covering PQ'75, and with the award
the Institute had recently granted to avant-garde director/
scenographer Robert Wilson. So, we boldly plunged in
with an article on Wilson's European tour of Einstein on
the Beach. We quickly learned that USITT was composed
of a broad range of members with widely differing views of
what the Institute-and the journal-were about. That
issue even provoked a censorious editorial in the fledgling
Lighting Dimensions.
Over the years we tried to cater to as wide a readership as
W
1978-1988
possible while still providing
at least some personal editorial point of view. If we
didn't get complaints from
someone, we felt we weren't
doing our job right. We also
discovered that most of our
"innovative" ideas or articles
had already been done in one
way or another by our predecessors Tom Watson and
Ned Bowman.'
Kate Davy resigned as coeditor in 1985. By 1988 myacademic responsibilities became too time-consuming.
Besides, the ideas and excitement came harder. It was time
to quit. In looking back, I am
proud of several accomplishments: the Fall 1978 issue on
holography and lasers (one of
the first major surveys of the
state of the art and still a valid
resource todayh the series on
American designers, first suggested by Ed Kook, which led
to a book 1 j the Prague Quadrennial issuesj the women and design symposiumj the
sound-in-the-theatre issuesj as well as many, many superb
articles by a wonderful cross section of USITT membership. The journal has doubled in size in ten years (though
much of that is advertising-I still hope that the editorial
space can expand more), it employs graphic artists for
layout, it uses color (with more on the way). In other words,
we now have a professional journal befitting the professional membership of USITI
Arnold Aronson. American Set Design. (New York: Theatre
Communications Group, 1985)-Ed.
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 1989
Contents
Theatre Design & Technology - Spring 1989 - 1
Theatre Design & Technology - Spring 1989 - 2
Theatre Design & Technology - Spring 1989 - 3
Theatre Design & Technology - Spring 1989 - Contents
Theatre Design & Technology - Spring 1989 - 5
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