Theatre Design & Technology - Fall 1991 - 42

and I was aware rhar Mayakovsky's play
saririzes Sovier bureaucracy-was her
meraphoric reminder rhar rhe spirir of rhe
Sovier Union in rhe 1920s parallels rhar of
Glasgow roday. Glasgow, rhe European
capirol of rhe arrs for 1991, reminds
Howard of rhe crearive viraliry of posrrevolurionary Sovier Russia.
The acring areas in Howard's design
served for rhe play's mulriple locales and
were urilized by rhe co-direcrors effecriveIy. The four moving srages provided addirional, simulraneous and more specific
locales and were moved inro rhe arena ar
various poinrs in rhe producrion. These
locales included a locomorive, a bus, a flar
wagon and a sailboar which was idenrified
as "Keir Hardie ro rhe Rescue for Wesr
Ham Sourh."
The sryle of rhe design and perfor.
mance was exrremely presenrarional and
rhearrical. For example, when rhree men
in yellow slickers enrered on one of rhe
moving plarforms which served as a linle
boar, an acror sranding high above rhem
rhrew real warer down on rhem ro creare a
srorm scene.
Howard's design and presenrarion
may besr exemplify rhe highly rhearrical
designs and insrallarion which led rhe
judges ro award rhe covered Golden
Trigue ro rhe exhibir from Grear Brirain.

Howard's panoramic rendering for rhe ser
was rradirionally framed and mounred on
rhe exhibirion wall, while rhe large female
figure srood in a corner overlooking rhe
giganric model-giganric because rhe
design encompassed rhe enrire building in
which rhe producrion had been performed. The enrire presenrarion res red on
a mound of red bricks imponed ro Prague
from Glasgow. As Howard shared wirh
me, rhe bricks expressed rhe renaissance of
Glasgow and rhe hope rhar our of a universe of rubble, rhearre may once again
arise. Thearre designs may become rrash,
bur from rrash comes rhearre-rhe cycle
of life is rhe cycle of rhearre.
The Golden Trigue is nor rhe only
award given by rhe judges of rhe Prague
Quadrennial. In addirion, awards are
commonly given in Scenography, Cosrume Design, Thearre Archirecrure and
Theme-rhis year's rheme was "Mozan."
In each of rhese four caregories, a Gold
Medal, a Silver Medal and one or more
Honorable Menrions may be awarded.
The US exhibir of "Mozan in America,"
designed by Eric Fielding, won a Gold
Medal for "Theme" rhis year. Bur The
Golden Trigue is rhe mosr respecred and
in 1991 ir was awarded ro rhe exhibirion
from Grear Brirain. The srrong visual
sraremenr chosen by rhe parriciparing

designers was of course conrroversial.
Many people felr rhar rhe insrallarionl
presenrarion overwhelmed rhe designs.
However, rhere seem ro me very clear reasons why rhe Brirish exhibir won rhe
Golden Triga. The judges rhis year were
nor drawn from rhe old guard, bur were
rhe Young Turks of rhe design world and
rherefore more anracred ro unconvenrionaI work. The coherence of rhe insrallarion
musr have been a significam facror in rhe
decision. The winning American exhibir
of four years before had also been a highly
dramaric presenrarion, so ir seems evidenr,
ar leasr in pan, rhar rhe decision is influenced by rhe anisrry of rhe presenrarion.
And ir is equally rrue rhar rhe qualiry of
rhe individual designs exhibired was of rhe
highesr caliber.
And I cannor overlook rhe facr rhar
rhe Brirish exhibir was playful and a grear
deal of rhearrical "fun." In Prague,
Czechoslovakia, a ciry and narion newly
reacquainred wirh rhe energy of polirical
freedom and rhe joy of spirirual awakening, perhaps rhis exhibirion of rhearrical
freedom was an appropriare winner.
ffi

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40

1991

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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1991

Contents
Theatre Design & Technology - Fall 1991 - 1
Theatre Design & Technology - Fall 1991 - 2
Theatre Design & Technology - Fall 1991 - 3
Theatre Design & Technology - Fall 1991 - Contents
Theatre Design & Technology - Fall 1991 - 5
Theatre Design & Technology - Fall 1991 - 6
Theatre Design & Technology - Fall 1991 - 7
Theatre Design & Technology - Fall 1991 - 8
Theatre Design & Technology - Fall 1991 - 9
Theatre Design & Technology - Fall 1991 - 10
Theatre Design & Technology - Fall 1991 - 11
Theatre Design & Technology - Fall 1991 - 12
Theatre Design & Technology - Fall 1991 - 13
Theatre Design & Technology - Fall 1991 - 14
Theatre Design & Technology - Fall 1991 - 15
Theatre Design & Technology - Fall 1991 - 16
Theatre Design & Technology - Fall 1991 - 17
Theatre Design & Technology - Fall 1991 - 18
Theatre Design & Technology - Fall 1991 - 19
Theatre Design & Technology - Fall 1991 - 20
Theatre Design & Technology - Fall 1991 - 21
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Theatre Design & Technology - Fall 1991 - 23
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Theatre Design & Technology - Fall 1991 - 25
Theatre Design & Technology - Fall 1991 - 26
Theatre Design & Technology - Fall 1991 - 27
Theatre Design & Technology - Fall 1991 - 28
Theatre Design & Technology - Fall 1991 - 29
Theatre Design & Technology - Fall 1991 - 30
Theatre Design & Technology - Fall 1991 - 31
Theatre Design & Technology - Fall 1991 - 32
Theatre Design & Technology - Fall 1991 - 33
Theatre Design & Technology - Fall 1991 - 34
Theatre Design & Technology - Fall 1991 - 35
Theatre Design & Technology - Fall 1991 - 36
Theatre Design & Technology - Fall 1991 - 37
Theatre Design & Technology - Fall 1991 - 38
Theatre Design & Technology - Fall 1991 - 39
Theatre Design & Technology - Fall 1991 - 40
Theatre Design & Technology - Fall 1991 - 41
Theatre Design & Technology - Fall 1991 - 42
Theatre Design & Technology - Fall 1991 - 43
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Theatre Design & Technology - Fall 1991 - 46
Theatre Design & Technology - Fall 1991 - 47
Theatre Design & Technology - Fall 1991 - 48
Theatre Design & Technology - Fall 1991 - 49
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