Theatre Design & Technology - Fall 1991 - 44

sonaliry and this seemed to be far more
evident in the displays of PQ'91 than in
the PQ'87 exhibit. More interesting to
me than specific design work was what
the exhibits displayed of narional temperament, mood or state of mind and
these aspects often were clear simply
from the approach to presenting the
work. 0 where was this more evident
than in contrasting the Brazilian exhibit,
which featured brightly colored carnival
costumes, with the Finnish exhibit in
which it was difficult to untangle the
theatrical pieces displayed from the
maudlin environmental sculpture. The
Japanese exhibit was placed in a twostory wooden frame construction as
carefully considered as any packaging
done by a people for whom the aesthetics of packaging are as important as the
care lavished upon the gift itself. Ir
would be foolish to assume that what is
displayed is representative of the range
of work in each country, but a great deal
is said by what is chosen to represenr
that country for purposes of this exhibit.
In the eastern and northern European exhibits particularly there seemed
to be a preponderance of confusing, tortured or disturbing images. These tended to be organized loosely or in some
organic fashion; their impact was more
emotional than cerebral and rhey creared
more of an impression or mood rhan a
display of design work per se. On rhe
opposire side of rhe coin, rhe American
and Asian exhibits were laid our in a
clear, precise, almosr businesslike fashion. Almosr absenr from rhe exhibit was
a focus on the traditions of national folk
costume that were so evident in several
of the displays of PQ'87; some elemenrs
of the Swedish exhibit, the work from
China and Japan and Brazil's carnival
costumes were exceptions.
There seemed to be fewer threedimensional pieces in the '91 exhibit. I
suspect less funding, especially in eastern
Europe. There was greater textural richness in the exhibit four years ago, if 1
recall correctly. Perhaps this simplification is a matter of reduced funding or
perhaps it reflects a change in values or
interest on the part of directors and
designers. Curiously, there were a rather
large number of puppets in the displays
of several countries, specifically in the
Czech narional exhibit which was
housed at the arodni Divadlo ( ational Theatre), the Polish exhibit and orhers. I would think that puppetry received
a large share of attention in these countries, or perhaps they simply make for a
more interesting or easily assembled display. In any case, it was sometimes diffi-



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1991

Contents
Theatre Design & Technology - Fall 1991 - 1
Theatre Design & Technology - Fall 1991 - 2
Theatre Design & Technology - Fall 1991 - 3
Theatre Design & Technology - Fall 1991 - Contents
Theatre Design & Technology - Fall 1991 - 5
Theatre Design & Technology - Fall 1991 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com