Theatre Design & Technology - Fall 1991 - 53

was an environmem designed ro recreare
whar rhe audience felr as much as whar
rhe audience saw-as visceral as ir was
visual-bur ir also included adequare
documemarion in rerms of plans, phoros, models and video rape. Ir was nor
surprising ro learn rhar rhe designer herself had conceprually and physically creared rhe exhibir space, wirh help from
her producrion collaborarors. As a resulr,
Makkonen's anisric philosophy and personaliry were revealed and rhe ideas
behind her work became very accessible.
(See sidebar)

* * * * *
These environmemal displays-somerimes renrarive, somerimes aggressive
deviarions from rhe nadirional-added
nemendous diversi ry ro rhe PQ experience. While rhe environmemally sryled
exhibirs mer wirh varied success, rheir
presence indicares a healrhy explorarion
of whar design means ro rhe an of rheane. Like all of rhe exhibirs ar rhe Quadrennial, rhe success of rhe environmenral displays depended on rhe viewer's
undersranding rhe narure and imem of
rhe design.
In crearing an exhibir, considerarion
should be given ro rhe viewer's willingness ro devore rime and energy ro wharever experience a panicular exhibir has ro
offer. The volume of work represemed ar
rhe PQ is overwhelming and rhere is lirde chance of a viewer's bringing equal
imeresr and arremion ro each exhibir.
The sheer novelry of rhe environmemal
exhibirs aroused curiosir)' and rhose rhar
engaged rhe viewer immediarely, or ar
leaS( exrended an invirarion ro be more
rhan a casual observer, seemed ro generare real energy. Environmemally sryled
exhibirs do place rhe burden of paniciparion and synrhesis on rhe viewer in rhe
same way arrending rheane does. Some
viewers commenred rhar a few environmemal exhibirs evoked rhe spirir of rhe
performance so well-rhey longed ro see
rhe real rhing. Orhers felr rhar rhe environmenral exhibirs asked more of rhem
rhan rhey were prepared ro give and
avoided rhem for rhar reason.
Familiarir)' wirh rhe play and a clear
ser of expecrarions made a marked difference. Many counrries provided
brochures describing rheir exhibirs and
rhe relarionship of rhe designs ro rhe
plays rhemselves. The mosr imeresring
ones included discussions of rhe collaborarive processes, copious producrion
phorographs and personal biographies of
rhe scenographers.
Orher exhibirs, however imriguing,



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1991

Contents
Theatre Design & Technology - Fall 1991 - 1
Theatre Design & Technology - Fall 1991 - 2
Theatre Design & Technology - Fall 1991 - 3
Theatre Design & Technology - Fall 1991 - Contents
Theatre Design & Technology - Fall 1991 - 5
Theatre Design & Technology - Fall 1991 - 6
Theatre Design & Technology - Fall 1991 - 7
Theatre Design & Technology - Fall 1991 - 8
Theatre Design & Technology - Fall 1991 - 9
Theatre Design & Technology - Fall 1991 - 10
Theatre Design & Technology - Fall 1991 - 11
Theatre Design & Technology - Fall 1991 - 12
Theatre Design & Technology - Fall 1991 - 13
Theatre Design & Technology - Fall 1991 - 14
Theatre Design & Technology - Fall 1991 - 15
Theatre Design & Technology - Fall 1991 - 16
Theatre Design & Technology - Fall 1991 - 17
Theatre Design & Technology - Fall 1991 - 18
Theatre Design & Technology - Fall 1991 - 19
Theatre Design & Technology - Fall 1991 - 20
Theatre Design & Technology - Fall 1991 - 21
Theatre Design & Technology - Fall 1991 - 22
Theatre Design & Technology - Fall 1991 - 23
Theatre Design & Technology - Fall 1991 - 24
Theatre Design & Technology - Fall 1991 - 25
Theatre Design & Technology - Fall 1991 - 26
Theatre Design & Technology - Fall 1991 - 27
Theatre Design & Technology - Fall 1991 - 28
Theatre Design & Technology - Fall 1991 - 29
Theatre Design & Technology - Fall 1991 - 30
Theatre Design & Technology - Fall 1991 - 31
Theatre Design & Technology - Fall 1991 - 32
Theatre Design & Technology - Fall 1991 - 33
Theatre Design & Technology - Fall 1991 - 34
Theatre Design & Technology - Fall 1991 - 35
Theatre Design & Technology - Fall 1991 - 36
Theatre Design & Technology - Fall 1991 - 37
Theatre Design & Technology - Fall 1991 - 38
Theatre Design & Technology - Fall 1991 - 39
Theatre Design & Technology - Fall 1991 - 40
Theatre Design & Technology - Fall 1991 - 41
Theatre Design & Technology - Fall 1991 - 42
Theatre Design & Technology - Fall 1991 - 43
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Theatre Design & Technology - Fall 1991 - 46
Theatre Design & Technology - Fall 1991 - 47
Theatre Design & Technology - Fall 1991 - 48
Theatre Design & Technology - Fall 1991 - 49
Theatre Design & Technology - Fall 1991 - 50
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Theatre Design & Technology - Fall 1991 - 53
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Theatre Design & Technology - Fall 1991 - 70
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Theatre Design & Technology - Fall 1991 - 72
Theatre Design & Technology - Fall 1991 - 73
Theatre Design & Technology - Fall 1991 - 74
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Theatre Design & Technology - Fall 1991 - 76
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
https://www.nxtbookmedia.com