Theatre Design & Technology - Summer 1991 - 11

CONTEMPORARY AMERICAN DESIGNERS

******************************************************************************************

Georg

Tsypin
ver rhe lasr ren years, a
new sryle of srage design
has evolved known variouslyas imagisric, deconsrrucrivisr or posrmodern. Irs mosr obvious characrerisrics are
rhe juxraposirion of conrrasring and conrradicrory images, very conscious quorarions of hisrorical references, anachronisric uses of images from conremporary
culrure, and a disruprion of rhe aesrherically pleasing and unified designs rhar
have rypified modern scenography from
rhe days of Adolphe Appia and Gordon
Craig. Among rhe American designers
mosr closely associared wirh rhis movemenr are Roberr Israel, Adrianne Lobel,
and Michael Yeargan.
Because of his prodigious ralenr, bur
cerrainly aided by his associarion wirh
conrroversial direcrors Perer Sellars and
JoAnne Akalairis and perhaps because of
his exoric background as a Russian emigre, George Tsypin has emerged as rhe
primary designer of rhis new movemenr,
becoming in rhe process one of rhe mosr
publicized designers in recenr memory,
even raring a brief profile in rhe New
Yorker lasr year.
The range ofTsypin's work is asronishing. In rhe pasr year alone he has
designed a film, The Cabinet of Dr.
Ramirez, which is based on rhe famous
Expressionisr film The Cabinet of Dr.
Caligari; Helll)1 IV, Parts I and liar rhe
New York Shakespeare Fesrival; The
Deat/; ofKlil1ghoJfe,~a new opera (loosely based on rhe rerrorisr arrack on rhe
Achille Lauro) rhar opened in Brussels
and will play in San Francisco and ar rhe
Brooklyn Academy of Music rhis fall; and
Mr. jelly Lord, a pre-Broadway musical
abour Jelly Roll Morron opening ar rhe
Mark Taper Forum in Los Angeles.
In addirion, he creared an environmenr for a one-man show of his design-

inspired sculprures ar rhe Twining
Gallery in New York, and a large audience gor ro see his 1989 ser-or ar leasr a
porrion of ir-for Perer Sellars' producrion of Mozarr's Don Giovanni when ir
was broadcasr on PBS. Lasr year Tsypin
was awarded an Obie for his design work,
including rhe JoAnne Akalairis producrion of Cymbeline ar rhe Public Thearre.
Clearly Tsypin has rapped a nerve in
rhe American rhearre-finding a visual
vocabulary rhar is in sync wirh rhe conremporary mood-much as Ming Cho
Lee did in rhe 1960s and Jo Mielziner
did in rhe 1940s. There is a raw energy in
his work rhar ransacks hisrory, draws
freely from wide-ranging sryles and periods, and blunrly mixes rhe srunningly
beauriful wim rhe harsh and ugly.
ris no accidenr rhar sreel is his
favorire marerial-a marerial
capable of sleek beaury and
srrengrh, bur one also subjecr ro
disrorrion and decay. Tsypin finds
indusrrial ruins among rhe mosr beauriful rhings in rhe world. ''I'm obsessed
wirh meral," he rold rhe New Yorke!: "[Ir]
is very hard and dangerous, bur ar rhe
same rime ir's flexible, and you know, ir
rusrs. "
Danger is a word heard again and
again in relarion ro Tsypin's sers. There is
ohen a physical danger, rhe risk of acrors
falling rhrough gaps in rhe floor or rumbling from overhead srrucrures, bur rhere
is also an arrisric danger. His designs can
be jarring, ugly, or disconcerring; rhey
can make an audience uncomforrable.
Yer Tsypin knows rhar visual disjuncrion
musr be carefully planned.
"The srage is a dangerous machine,"
he says in his Russian-accenred bur
mericulous English, "where you have ro
be very precise and careful."
While rhere is no Tsypin "sryle" rhe

I

ARNOLD ARONSON
..........................................................................................
TD & T

1991 SUMMER

9



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1991

Contents
Theatre Design & Technology - Summer 1991 - 1
Theatre Design & Technology - Summer 1991 - 2
Theatre Design & Technology - Summer 1991 - 3
Theatre Design & Technology - Summer 1991 - Contents
Theatre Design & Technology - Summer 1991 - 5
Theatre Design & Technology - Summer 1991 - 6
Theatre Design & Technology - Summer 1991 - 7
Theatre Design & Technology - Summer 1991 - 8
Theatre Design & Technology - Summer 1991 - 9
Theatre Design & Technology - Summer 1991 - 10
Theatre Design & Technology - Summer 1991 - 11
Theatre Design & Technology - Summer 1991 - 12
Theatre Design & Technology - Summer 1991 - 13
Theatre Design & Technology - Summer 1991 - 14
Theatre Design & Technology - Summer 1991 - 15
Theatre Design & Technology - Summer 1991 - 16
Theatre Design & Technology - Summer 1991 - 17
Theatre Design & Technology - Summer 1991 - 18
Theatre Design & Technology - Summer 1991 - 19
Theatre Design & Technology - Summer 1991 - 20
Theatre Design & Technology - Summer 1991 - 21
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Theatre Design & Technology - Summer 1991 - 23
Theatre Design & Technology - Summer 1991 - 24
Theatre Design & Technology - Summer 1991 - 25
Theatre Design & Technology - Summer 1991 - 26
Theatre Design & Technology - Summer 1991 - 27
Theatre Design & Technology - Summer 1991 - 28
Theatre Design & Technology - Summer 1991 - 29
Theatre Design & Technology - Summer 1991 - 30
Theatre Design & Technology - Summer 1991 - 31
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Theatre Design & Technology - Summer 1991 - 33
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Theatre Design & Technology - Summer 1991 - 37
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