Theatre Design & Technology - Summer 1991 - 16

Henry IV, Part I
(New York
Shakespeare
Festival Public
Theatre, 1991),
JoAnne Akalaitis,
director; Jennifer
Tipton, lights;
Gabriel Berry,
costumes. The
painting is a
reproduction of
"The Coronation
of Richard II."
The platforms
and screens
moved in a
variety of
configurations to
create different
scenes.

a very insighrful rourisr and ew York
holds grear fascinarion for him. On rhe
one hand rhe cir)' is urrerly maddening,
on rhe orher, irs sounds, irs images, irs
angles, and colors are a consranr inspirarion and source of wonder.
The movie "deals wirh madness, and
modern ciry life, and money rrading and
rrade scandals, rhe modern urban environmenr," Tsypin explains. "Ir's a film
abour rhe madness of conremporary
urban life. Even rhough New York seems
ro be rhe mosr populared ciry in rhe
world, ir somehow is rhe loneliesr, and I
was [[ylng ro caprure rhar sense of
srrange empriness."
ilm design was a new experience for Tsypin and he had ro
learn rhe vocabulary ar rhe
same rime rhar he was rrying
ro find rhe proper approach for
rhis specific projecr.
"Ar firsr I rhoughr rhar film was supposed ro creare very realisric rhings and
use a lor of ser decoraring ro really creare
a world rhar is believable. Bur rhen I realized rhar ew York, in a way, is a ghosr
rown," he said. "People are leaving. Even
Wall Srreer now is kind of deserred. You
see a lor of people, bur rhere is somerhing
in rhe air. We jusr wanred ro caprure rhar,
so I wenr wirh very srrong color solurions."
Color became an inreresring facrorrhe original film, of course, was in black
and whire:

F

barrie rook place in rhe carhedral
and rhe carhedral burned down and
collapsed. Meanwhile, Parr II has a
whole orher [feel]. Jr's like posr-war,
posr passion. Ir's cool, ir's snowing.
I have dead leaves covering rhe
enrire srage. Falsraff is much older,
rhe king is sick and he's dying. The
whole feeling becomes much more
surreal and also much srranger.
Fluorescenrs are rhrown around rhe
srage, rhe period is nor as rigorous.
Ir's basically sraric. Among rhese
dead leaves people are sirring in
chairs and reflecring. There's very
lirrle acrion.

The Cabinet of D,: Ramirez was Tsypin's
firsr film, bur rhe collaborarors were
familiar-direcror Perer Sellars and composer John Adams. Ir srars Mikhail
14

1991

SUMMER

TD&T

Baryshnikov. Tsypin seems rhe ideal
designer for rhe film, nor only because of
his iconoclasm-he called whar he did
on rhe projecr "anri-design"-bur
because rhe film is abour ew York Ciry
and Tsypin has a clear and disrincr vision
of rhe cir),"The original film is so famous
because of rhe design," explains Tsypin.
"To do somerhing like rhar now is our of
rhe quesrion. or only has ir become rhe
norm, bur ir is also rrire and banal-wild
angles and all rhar. How do you deal wirh
rhar? All you have ro do is define a way of
looking ar ir."
In parr because he emigrared ro rhis
counrry as an adulr he has a view of
American life rhar a narive can never
have. "Only by being a rourisr can you
experience a place," says a characrer ina
Richard Foreman play. George Tsypin is

How do you deal wirh color roday?
I'm nor doing any of rhe usual film
designing ar all. All I'm doing is
srripping rhings away rarher rhan
purring rhem in. In rhe original
rhere are no props, norhing. So rhe
main rhing is rhe space and color.
All rhe locarions became rhese kind
of srrange empry places, and space
irself became very charged. Film is
such a flar medium [so] ir is very
imporranr ro pierce rhar flarness
wirh inreresring spa rial solurions.
\,({hen a place is nor c1urrered rhen
space rakes over-and rhe color.
In rhis film [ was [[ying ro
rerhink black-and-whireness in
color rerms, ro really go ro essenrials in color where every color
becomes a srare of mind. I looked a
lor ar Van Gogh-his color, his
rooms, his painrings are devasraring, so unbearable. His colors are
incredibly inrense and yer somehow
dead and suffocaring. In his selfporrrair wirh rhe cur-off ear, for
insrance, he's rrapped in rhis blue-



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1991

Contents
Theatre Design & Technology - Summer 1991 - 1
Theatre Design & Technology - Summer 1991 - 2
Theatre Design & Technology - Summer 1991 - 3
Theatre Design & Technology - Summer 1991 - Contents
Theatre Design & Technology - Summer 1991 - 5
Theatre Design & Technology - Summer 1991 - 6
Theatre Design & Technology - Summer 1991 - 7
Theatre Design & Technology - Summer 1991 - 8
Theatre Design & Technology - Summer 1991 - 9
Theatre Design & Technology - Summer 1991 - 10
Theatre Design & Technology - Summer 1991 - 11
Theatre Design & Technology - Summer 1991 - 12
Theatre Design & Technology - Summer 1991 - 13
Theatre Design & Technology - Summer 1991 - 14
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Theatre Design & Technology - Summer 1991 - 16
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Theatre Design & Technology - Summer 1991 - 18
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Theatre Design & Technology - Summer 1991 - 72
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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