Theatre Design & Technology - Summer 1991 - 71

FOR CONTINUING ADVICE, INFORMATION, WISE COUNSEL,
AND SUPPORT-OUR THANKS TO THE FOLLOWING:
JOHN CONKLIN, JOHN CONKLIN

JACKIE Du

PRIVATE FUNDER HAS ASKED THE

RUTH BERE SON AND MARIANNE

DESIGN STUDIOS,

DEPARTMENT, BLOOMINGDALE'S,

MANY WISE QUESTIONS THAT KEPT

GLICKMAN AT THE INTERNATIONAL

STEVE TERRY, PRODUCTION ARTS

NEW YORK; STUART GOLDBERG,

THIS PROJECT CENTERED. SAMUEL

PROGRA~I, GERTRUDE SALEH AND

LIGHTING, NEW YORK; RICK

BAER FABRICS, LOUISVillE,

H. SCRIPPS HAS COMMITTED

TOMAS HERNA DEZ AT THE

HIMSELF TO THIS PROJECT AS HE

OPERA-MUSICAL THEATRE

EW YORK;

HAM, DISPLAY

STEPHENS AND RITA BURGESS,

KENTUCKY; SUSA

DEPARTMENT OF THEATRE AND

GTE ELECTRICAL PRODUCTS,

DID WITH THE UNITED STATES

PROGRAM, AND JESSICA ANDREWS

DANCE, UNIVERSITY OF TEXAS.

DANVERS, MASSACHUSETTS; JOE

EXHIBIT FOR PQ'87. WE ARE ~IOST

AND BE

TAWil, THE GREAT AMERICAN

GRATEFUL FOR MR. SCRIPPS

THEATRE PROGRAM FOR THEIR

MARKET, HOll \".'(IOOD, CALIFORN-

SUPPORT OF OUR INTERNATIONAL

CONTINUING SUPPORT AS CHAIRS

IA; BENNETT MillSTONE,

PROGRAMS.

OF THE VARIOUS PROGRAMS.

THANKS TO THE EXECUTIVE

THE WORK OF

COMMITTEE, OFFICERS AND THE

PROGRAM OFFICER AND S SAN
FLYNT STIRN AS pROGRA~1

BUD GIBBS, GIBBS AND BRESSLER,
EW YORK; STA

MillER, Rosco

REMI

GER,

LABORATORIES, PORT CHESTER,

MORGANTOWN TRAVEL SERVICE,

EW YORK; PATRICIA MACKAY,

MORGANTOWN, WEST VIRGINIA;

THEATRE CRAFTS MAGAZINE, NEW

ANCY PRICE AND JIM GHEDI,
GHEDI INTERNATIONAL, AUSTIN,

BOARD OF DIRECTORS OF USITT

SEATTLE OPERA; JOAN SUlllVA ,

TEXAS; \VllllAM J. SIMO ,MARINE

WHO HAVE BEEN

WASHINGTON OPERA; DAVID

RISKS,

SUPPORTIVE OF THIS PROJECT.

YORK; COllEE

ARMSTRONG,

DIAMO D, DEBORA K.JNGSTO

EW YORK.

Do ALD

,

C.

REx

AT THE

MOSER AS

DIRECTOR AT ARTS A~IERICA HAS

ENOR~IOUSlY

SHUlMA

CAMERO.

BEEN ESSENTIAL TO TH E SUCCESS OF

,PRESIDENT

THIS PROJECT. SUSAN SAW US

AND DAVID DEAN, USITT

A SPECIAL THANKS TO THE PUBLIC

OF USITT, HAS GIVEN HIS WISE

NATIONAL OFFICE; JIM RYAN,

RELATIONS AND PRODUCTION

COUNSEL ON AN ONGOING BASIS.

UNITED SCENIC ARTISTS, LOCAL

STAFFS OF THE ~IANY AMERICAN

CHRISTINE

829; WALTER H. BLANCHARD,

OPERA

OF USITT, HAS BEEN THE

PQ'91. WE ESPECIAllY THANK

INTERNATIONAL ALLIANCE OF

PRODUCTION PHOTOS, POSTERS,

SHEPHERD OF THE PROJECT'S

All EFFORTS EVEN AT THE

THEATRICAL STAGE E~lplOYEES,

AND OTHER VALUABLE MATERIALS

OVERAll FINANCIAL ASPECTS AND

Los ANGELES; JACKIE POLIZZI,

ALONG WITH THEIR ENCOURAGE-

HAS GIVEN FREELY OF HER

~IENT AND SUPPORT. IN

AN

POLIZZI DESIGN, MIDDLETOWN,
EW YORK.

CO~lpANIES

FOR PROVIDING

Al~IOST

L.

THROUGH THE TRAUMAS OF PQ'87.

KAISER, TREASURER

TI~IE

ON

DAilY BASIS.

WilLARD BEllMA,

GREATER MIAMI OPERA, HOUSTON

STEPHENS HAVE ASSISTED IN THEIR

TI~IES,

AND FOR

THE GRACE AND HELPFULNESS WITH

AND RICK

GRA

TELEPHONE CAllS.

CAPACITIES AS CHAIRS OF US ITT's

THE STAFF OF THE U

MusIc CE TER OPERA, LYRIC

SPECIAL PROJECTS COM.\IIlTEE.

EMBASSY IN PRAGUE HAS BEEN

TOBIN; MAURICE SE DAK;

OPERA OF CHICAGO,

SARAH NASH GATES, US ITT's

~IOST HELPFUL. WE ARE ESPECIAllY

JENNIFER TlpTO ; CHRISTINA

METROpOllTA,

PRESIDENT-ELECT, HAS PITCHED IN

APPRECIATIVE BECAUSE THEY ARE

YORK CiTY OPERA, SA 'TA FE

AT CRITICAL JUNCTURES. DAVID

CONSIDERABLY OVERBURDENED

OPERA, SA

FRANCISCO OPERA,

HALE HA D AND RICHARD DEVIN,

WITH MANY NEW PRIORITIES.

ST.

PAST-PRESIDENTS OF USITT, HAVE

AMBASSADOR SHIRLEY TEMPLE

AMERICA; MARIE RICH, CE TRAl
OPERA SERVICE; ROBERT

MARTINEZ, Mc

L.

B.

AI' MUSEUM, SAN

ANTONIO, TEXAS; Flo A FEI

AND

NEAL ZASLAW, MOZART

GELES

DISCOURAGING

REx

~IOST

CONTINUOUS BARRAGE OF

THANK CENTRAL CiTY OPERA,

D OPERA, Los A

REx

WHICH HE HAS RESPONDED TO A

PARTICULAR WE WOULD LIKE TO

ELIZABETH DEME, 1', OPERA

SHE WAS QUITE WISE TO GIVE

THE SAME DIFFICULT TASK FOR

OPERA,

OPERA THEATRE OF

EW

LOUIS,

ITED STATES

BICENTENNIAL, LINCOLN CENl ER

SEATTLE OPERA, AND THE

BEEN MOST RESPONSIVE AND HAVE

BLACK HAS GIVEN HER FUll

FOR THE PERFORMING ARTS;

WASHINGTON OPERA.

OFFERED THE STRONGEST SUPPORT

SUPPORT, AS HAVE THOMAS N.

FOR THIS PROJECT AS THEY DID FOR

HUll, COUNSELOR FOR PRESS AND

STRATYNER, LIBRARy-MUSEUM OF

WE APPRECIATE THE lOAN OF

ITS PREDECESSOR. ElYNMARIE

CULTURAL AFFAIRS, AND MARK A.

THE PERFORMING ARTS,

SELECTED COSTUMES

ROBERT MARX AND BARBARA

EW

YORK;

FRO~I

THE

FOllOWING WARDROBE

KAZLE HAS PROVIDED VALUABLE

WENTWORTH, CULTURAL AFFAIRS

ASSISTANCE ON THE FUNDING

OFFICER.

DEpART~'IE 'TS: THE !l'fAGIC FLUTE,

ASPECTS OF THE PROJECT. FURTHER

Ho STON GRAND OPERA,

THANKS FOR THEIR HELP TO

IN PRAGUE THE STAFF OF THE

YORK; JUDY JEDlICA, BUSINESS

fDOMENEO, Los ANGELES MUSIC

AR OLD ARONSON, NORMAN

PRAGUE QUADRE.

COMMITTEE FOR THE ARTS, NEW

CENTER OPERA, THE MARRIAGE OF

Bo CHARD, \VllllAM BYR ES,

BEEN A

YORK; SUSAN BLOOM, AMERICAN

FIGARO,

ElBI

AS HAS THE STAFF OF THE PRAG E

EXPRESS FOUNDATION; JA EM.

COSI FAN TUDE AND THE MAGIC

DURST, JOY EMERY, DEET

GUllO G, ARTS INTERNATIONAL,

FLUTE, SANTA FE OPERA, COSI FAN

JO KERS, TIM KEllY, MOLLY

DIRECTION OF DR. HElE A

lEE,

TU7TE, SEArrlE OPERA, AND THE

LI

ALBERTOVA. To SCENOGR,\PHER

WE

DY LUERS, CHARTER 77,

lEW

EW YORK; HUGH

EW YORK CiTY OPERA,

ClEVELA 'D, RICHARD

D, JOH

~IODEl

IAl 1991 HAS

FOR COOPERATION

THEATRE INSTITUTE UNDER THE

LOTTES, PATTY

SOUTHERN; EDITH MARKSON;

IMPRESARIO, THE WASHI GTON

MATHIEU, MARTHA MATTUS,

JAROSLAV MALINA GO 0

WilLIAM L

OPERA. A SPECIAL THANKS TO

GARY MillER, JEA

CONGRATULATIONS FOR TAKING ON

ERS, METROPOLITAN

Mo, T-

MUSEUM OF ART,

EW YORK;

I

GRID LUDEKE, WARDROBE

GOMERI', DAVlD RAMSEY, ROBERT

MARTHA W. COIl,

EY, INTER-

SUPERVISOR FOR THE SEATTLE

RODY, AND MARY BETH TAllO '.

NATIONAL THEATRE INSTITUTE OF

OpER,\, FOR COORDINATING THE

THE UNITED STATES,

ACQUISITION OF COSTUME lOANS.

EW YORK.

ROGER KOLAR, CZECH ED CA-

R

THE WORK OF COMMISSIONER
GENERAL OF PQ'91. ALSO THANKS
TO THE PQ'91 STAFF ~IEMBERS

GARY O. LARSO ,PROGRAM

PETR HAJEK, PRODUCTION

OFFICER, INTERNATIONAL

DIRECTOR, AND TO OUR

TIONAl FOUNDATION OF TEXAS;

AT ALTMAN STAGE LIGHTING IN

PROGRA~I,

FRANK MARLOW, CZECHOSLOVAK

YONKERS, NEW YORK, OUR MOST

FOR THE ARTS, WAS RESPONSIBLE

SOCIETY OF ARTS AND SCIENCES;

GRATEFUL THANKS FOR THEIR

FOR THE PROJECT AT THE ENDOW-

CO, TINUES IN HER ROLE AS GRAND

GEORGE SOROS, A

EXTRAORDINARY ASSISTANCE TO

MENT AND MOST SUCCESSFUllY

COORDINATOR. FINAllY, ON THIS

TONINA BOUlS,

ATIONAl ENDOW~IENT

COLLEAGUE OF MANY YEARS,
JAR~IILA GABRIElOVA, WHO

ELIZABETH LORANT AND ANTHONY

ROBERT AlTMA ,CHARLES AND

UNDERTOOK THE BURDEN OF

RICHTER, OPEN SOCIETY FUND

OLGA ALTMAN, CHRIS FE El, AND

COORDINATION WITH OTHER

AND SOROS FOUNDATIONS.

TOM TYLER.

PROGRAMS INCLUDING CHANGES OF
CHAIRPERSONS AT EACH OF THE

DR. EVA So K pOVA FOR HER

FRA K O'MARA, KEE INDUSTRIAL

IT IS NOT EASY TO GIVE AWAY

THREE COOpERATI, G PROGRAMS.

lEADERSHIP OF THE FIRST SIX

PROD CTS, BUFFALO,

~IONEY WISELY. OUR ~IAjOR

HENCE WE ALSO WA T TO THANK

PRAGUE QUADRENNIALS.

EW YORK;

OCCASION OF THE 7TH PRAGUE
EA

QUADRENNIAL, WE WO

lD BE

REMISS IF WE FAilED TO THANK

±



Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1991

Contents
Theatre Design & Technology - Summer 1991 - 1
Theatre Design & Technology - Summer 1991 - 2
Theatre Design & Technology - Summer 1991 - 3
Theatre Design & Technology - Summer 1991 - Contents
Theatre Design & Technology - Summer 1991 - 5
Theatre Design & Technology - Summer 1991 - 6
Theatre Design & Technology - Summer 1991 - 7
Theatre Design & Technology - Summer 1991 - 8
Theatre Design & Technology - Summer 1991 - 9
Theatre Design & Technology - Summer 1991 - 10
Theatre Design & Technology - Summer 1991 - 11
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Theatre Design & Technology - Summer 1991 - 26
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Theatre Design & Technology - Summer 1991 - 30
Theatre Design & Technology - Summer 1991 - 31
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1987spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1986spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1985spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1984spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1983spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1982spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1981spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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