Theatre Design & Technology - Fall 1992 - 36

Are there any plays that you still would
like to do?

I expect so, I can't think what. I've done
so many of the Shakespeare canon, but I
haven't done the real horror big ones
like Macbeth. I'm [hrilled w have done
so many [hat I was allowed w do, mos[Iy here, bur also a[ [he Old Vic, which
was like a nursery for a lot of us.
You were a consultant on the design of
the Olivier Theatre. What was that
experience like?
There were about 40 people around a
[able. The only question I asked was
silly, something w [he rune of, "Wha[ is
the main object of [he theatre, is i[ JUSt
for Shakespeare?" And I was told, very
sharply, [hat Peter Hall [[hen direcwr of
the Royal Shakespeare Company] was
going to take care of Shakespeare at
Stratford-upon-Avon, so [his stage was
nor for Shakespeare. So I thought, Oh,
if it's nor for Shakespeare, what's i[ for;
I'm not going w ask, because I'm frightened what [he answer might be, and I
don't think [hat anybody at [hat point
knew.

Do you think the Olivier is successful?
Not entirely. I always feel rather remote
from the stage. I like those slopes [hat
go carry-cornered, but I haven't seen
enough [here w know. I did one produc[ion [here. The size of i[ baffled me
like anything. I[ was huge. I thought
you had w use the whole stage, you see.
[The production was] The Double
Dealn; it was like a permanent set, [here
were two sets within it, one bit rurned
around. The model was yay big, and the
stage was [his big, so I said, "Should we
stretch [he model or shrink [he stage,
what does one do?" So Peter Hall, who
was [hen in charge bu[ nor directing,
said, "JUS[ disregard all [hat space! I
assure you [hat if you go over [here
either side, people don't care what's hapffi
pening, they don't look!"

Arnold Wengrow teaches and directs at
the University of North Carolina at
Asheville. His article on Richard Hudson
appeared in the Spring 1992 issue of
TD&T.

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34

1992 FAll

TD&T

Tanya Moiseiwitsch: A Selected
Bibliography
Behl. Denis. "Architect of the Open Stage: Tanya
Moiseiwirsch's alliance with art and crafr."
Thenrre Crafts, August/September 1986.

_ _ _. Tanya MoiseiwirsclJ: Her Contriburion 10
TlJearre Am from 1935-1980. Diss., Kent State
Universit}', 1981.
Blom, Patricia VandenBerg. Tan.ya MoiseiwilSch,
COSTume designer: tbe creative process. Diss.,
Universit}' of Michigan, 1982.
Davies, Robertson, Tvrone Guthrie, Boyd Nee/,
Tanya Moiseiwirsch. Thrice rhe Brinded Car
Harh Mew'd: A Record of rhe Srrarford
S/Jakespeare Fesriua/ in Canada 1955. Toronro:
Clarke, Irwin & Company, 1955.
Jones, David. "Problems in Design: An Interview
with Tanya Moiseiwi[5ch." Drama Survey,
Spring/Summer 1963.
Leech, Michael. "A Genius in Stitches." Plays and
Players, April 1985.
Newquist,

Roy. Interview with Tanya
,'vloiseiwitsch in Showcase. ew York: \Xlilliam
Morrow, 1966.

Rossi, Alfred. Interview with Tanya Moiseiwitsch
in Asronish us in rbe !Homing: Tyrone Gurhrie
Remembered. Detroit: \Xlayne State University
Press, 1980s.



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1992

Contents
Theatre Design & Technology - Fall 1992 - 1
Theatre Design & Technology - Fall 1992 - 2
Theatre Design & Technology - Fall 1992 - 3
Theatre Design & Technology - Fall 1992 - Contents
Theatre Design & Technology - Fall 1992 - 5
Theatre Design & Technology - Fall 1992 - 6
Theatre Design & Technology - Fall 1992 - 7
Theatre Design & Technology - Fall 1992 - 8
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